An icon of avant-garde art in the 1920s, Margarett Sargent is nearly unknown today. In a haunting and evocative weave of biography and memoir, her granddaughter unearths for the first time the life of this spirited and brilliant woman, who was committed to self-expression--even at the cost of marriage and family. in color.

Honor Moore has refused to let her grandmother's mystery rest. In a mesmerizing weave of biography and reflection, she pieces together a fascinating and unexpected story, and returns to Margarett Sargent the voice she relinquished. In writing as vivid and exhilarating as Sargent's painting, Moore recovers a life whose agonies and triumphs echo the striving of creative women in our century.

“An eloquent argument for speaking even the most difficult truths.” —New York Times Book Review Paul Moore’s vocation as an Episcopal priest took him— with his wife, Jenny, and their family of nine children—from robber-baron wealth to work among the urban poor, leadership in the civil rights and peace movements, and two decades as the bishop of New York. The Bishop’s Daughter is his daughter’s story of that complex, visionary man: a chronicle of her turbulent relationship with a father who struggled privately with his sexuality while she openly explored hers and a searching account of the consequences of sexual secrets.

"The first comprehensive history of the role of women architects within the history of American modernism"--

Paul Moore's vocation as an Episcopal priest took him from prominence as an activist to two decades as the bishop of New York. This work is his daughter's story of the complex, visionary man. 22 photographs.

A lively and accessible guide to lesbian and gay literary culture. Featuring authors of works with lesbian or gay content as well as known lesbian and gay writers, it offers an invaluable guide to a rich and varied literary culture.

“[A] splendid collection . . . By turns wry, tender, pointed, and laugh-out-loud funny.” —Publishers Weekly “Untangles the many truths about hair, and the lives we lead underneath it.” —Pamela Druckerman, author of Bringing Up Bébé Ask a woman about her hair, and she just might tell you the story of her life. Ask a whole bunch of women about their hair, and you could get a history of the world. Surprising, insightful, frequently funny, and always forthright, the essays in Me, My Hair, and I are reflections and revelations about every aspect of women’s lives from family, race, religion, and motherhood to culture, health, politics, and sexuality. They take place in African American kitchens, at Hindu Bengali weddings, and inside Hasidic Jewish homes. The conversation is intimate and global at once. Layered into these reminiscences are tributes to influences throughout history: Jackie Kennedy, Lena Horne, Farrah Fawcett, the Grateful Dead, and Botticelli’s Venus. The long and the short of it is that our hair is our glory—and our nemesis, our history, our self-esteem, our joy, our mortality. Every woman knows that many things in life matter more than hair, but few bring as much pleasure as a really great hairdo.