This groundbreaking novel is considered by many to be one of the most important early entries in the western genre. Recounting in rich detail the daily life of a foreman on a vast ranch in Wyoming, this gripping tale has sparked imaginations for more than a century, inspiring at least six film and television versions.

The first novel by the Pulitzer Prize–winning author of Trust, an exquisite and blisteringly intelligent story of a young Swedish boy, separated from his brother, who becomes a legend and an outlaw A young Swedish immigrant finds himself penniless and alone in California. The boy travels east in search of his brother, moving on foot against the great current of emigrants pushing west. Driven back again and again, he meets naturalists, criminals, religious fanatics, swindlers, Indians, and lawmen, and his exploits turn him into a legend. Diaz defies the conventions of historical fiction and genre, offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.

The New York Times-bestselling Grand Master of suspense deftly displays the other side of his genius, with seven classic western tales of destiny and fatal decision . . . and trust as essential to survival as it is hard-earned. Trust was rare and precious in the wide-open towns that sprung up like weeds on America's frontier—with hustlers and hucksters arriving in droves by horse, coach, wagon, and rail, and gunmen working both sides of the law, all too eager to end a man's life with a well-placed bullet. In these classic tales that span more than five decades—including the first story he ever published, “The Trail of the Apache”—Elmore Leonard once again demonstrates the superb talent for language and gripping narrative that have made him one of the most acclaimed and influential writers of our time.

A collection of twenty-eight tales of the Old West includes stories by such classic Western writers as Zane Grey, Max Brand, and Alan LeMay

From a forbidden glance on a Miami night to a killer's slow burn on a Detroit street, no one mixes passion, scheming, and violence better than Elmore Leonard. But before he did it in Miami Beach or Motor City, Elmore Leonard did it on the American frontier. "The Tonto Woman and Other Western Stories is a raw, hard-bitten collection that gathers together the best of Leonard's Western fiction. In stories that burn with passion, treachery, and heroism, the American frontier comes vividly, magnificently to life. In "The Tonto Woman," a young wife, her face tattooed by Indian kidnappers, becomes society's outcast--until an outlaw vows to set her free. . . . In "Only Good Ones," we meet a fine man turned killer in one impossible moment. . . ."Saint with a Six-Gun" pits a doomed prisoner against his young guard--in a drama of deception and compassion that leads to a shocking act of courage. . . . In "The Colonel's Lady," a brutal ambush puts a woman into the hands of a vicious renegade--while a tracker attempts a rescue that cannot come in time . . . and in "Blood Money," five bank robbers are being picked off one by one, but one man believes he can make it out alive. The wild and glorious spirit of the West comes alive in the hands of America's greatest storyteller. Etching a harsh, haunting landscape with razor-sharp prose, Elmore Leonard shows in nineteen brilliant stories why he has become the American poet laureate of the desperate and the bold.

The Western Story: A Chronological Treasury consists of twenty Western stories spanning the years 1892 to 1994. For that generation of American writers who saw the frontier in the last century?including Mark Twain, Bret Harte, and Owen Wister?it seemed exotic, strange, wonderful. Others, such as Frederic Remington and John G. Neihardt, reflected the clash between various Indian nations and pioneers. These authors prepared the way for the founders of the first Golden Age of the Western story: Willa Cather, who wrote of pioneer life in Nebraska; Zane Grey, who combined wilderness experiences with romance and the search for spiritual truth; B. M. Bower, who portrayed the cowboys and frontier women she knew growing up in Montana; Max Brand, who created dramas in which the psychological and spiritual meaning of life was more important than the physical terrain; and Ernest Haycox, who combined character and drama with historical accuracy. ø Another generation of writers perpetuated this first Golden Age: Peter Dawson and T. T. Flynn, who began writing Western stories in the 1930s; Walter Van Tilburg Clark, who created a masterpiece in The Ox-Bow Incident; Dorothy M. Johnson and Les Savage Jr., who experimented with making the Western story still more realistic; and Louis L?Amour, whose visibility and popularity won legions of new readers to the genre. ø Humanity, depth, and verisimilitude were already part of the Western story when Will Henry, Elmer Kelton, and T. V. Olsen came on the scene to intensify these qualities in their own stories even as they experimented with new perspectives. And Cynthia Haseloff?s story (written especially for this collection), with its symbolism and its simplicity, may be the harbinger of a second Golden Age.