The chaotic and reputedly immoral behaviour of the miners who made up the gold rush to the Californian frontier greatly worried the evangelical protestants from the Northeast. They sent missionaries to spread the word and transplant their beliefs. This book is the story of that enterprise.

Bringing together Custer, Sherman, Grant, and other fascinating military and political figures, as well as great native leaders such as Crazy Horse, Sitting Bull, and Geronimo, this “sweeping work of narrative history” (San Francisco Chronicle) is the fullest account to date of how the West was won—and lost. After the Civil War the Indian Wars would last more than three decades, permanently altering the physical and political landscape of America. Peter Cozzens gives us both sides in comprehensive and singularly intimate detail. He illuminates the intertribal strife over whether to fight or make peace; explores the dreary, squalid lives of frontier soldiers and the imperatives of the Indian warrior culture; and describes the ethical quandaries faced by generals who often sympathized with their native enemies. In dramatically relating bloody and tragic events as varied as Wounded Knee, the Nez Perce War, the Sierra Madre campaign, and the Battle of the Little Bighorn, we encounter a pageant of fascinating characters, including Custer, Sherman, Grant, and a host of officers, soldiers, and Indian agents, as well as great native leaders such as Crazy Horse, Sitting Bull, Geronimo, and Red Cloud and the warriors they led. The Earth Is Weeping is a sweeping, definitive history of the battles and negotiations that destroyed the Indian way of life even as they paved the way for the emergence of the United States we know today.

From Lake Coeur d’Alene to its confluence with the Columbia, the Spokane River travels 111 miles of varied and often spectacular terrain—rural, urban, in places wild. The river has been a trading and gathering place for Indigenous peoples for thousands of years. With bountiful trout, accessible swimming holes, and challenging rapids, it is a recreational magnet for residents and tourists alike. The Spokane also bears the legacy of industrial growth and remains caught amid interests competing over natural resources. The contributors to this collection profile this living river through personal reflection, history, science, and poetry. They bring a keen environmental awareness of resource scarcity, climate change, and cultural survival tied to the river’s fate.

Winner of a National Council on Public History Book Award On April 30, 1871, an unlikely group of Anglo-Americans, Mexican Americans, and Tohono O’odham Indians massacred more than a hundred Apache men, women, and children who had surrendered to the U.S. Army at Camp Grant, near Tucson, Arizona. Thirty or more Apache children were stolen and either kept in Tucson homes or sold into slavery in Mexico. Planned and perpetrated by some of the most prominent men in Arizona’s territorial era, this organized slaughter has become a kind of “phantom history” lurking beneath the Southwest’s official history, strangely present and absent at the same time. Seeking to uncover the mislaid past, this powerful book begins by listening to those voices in the historical record that have long been silenced and disregarded. Massacre at Camp Grant fashions a multivocal narrative, interweaving the documentary record, Apache narratives, historical texts, and ethnographic research to provide new insights into the atrocity. Thus drawing from a range of sources, it demonstrates the ways in which painful histories continue to live on in the collective memories of the communities in which they occurred. Chip Colwell-Chanthaphonh begins with the premise that every account of the past is suffused with cultural, historical, and political characteristics. By paying attention to all of these aspects of a contested event, he provides a nuanced interpretation of the cultural forces behind the massacre, illuminates how history becomes an instrument of politics, and contemplates why we must study events we might prefer to forget.

Reexamination of the role of the West in U.S. history and of the field of western history itself told by ten historians.

Back to the Future -- The Capital-Labor Accord in Action -- Union Discord in Indiana -- Flipping the Script in Ohio -- The Insider Route in Wisconsin -- A Holding Pattern in the Midwest -- Labor Rights in the Era of Union Decline.

Raised on Gunsmoke, Bat Masterson, and The Life and Legend of Wyatt Earp, we know what it means to “get outta Dodge”—to make a hasty escape from a dangerous place, like the Dodge City of Wild West lore. But why, of all the notorious, violent cities of old, did Dodge win this distinction? And what does this tenacious cultural metaphor have to do with the real Dodge City? In a book as much about the making of cultural myths as it is about Dodge City itself, authors Robert Dykstra and Jo Ann Manfra take us back into the history of Dodge to trace the growth of the city and its legend side-by-side. An exploration of murder statistics, court cases, and contemporary accounts reveals the historical Dodge to be neither as violent nor as lawless as legend has it—but every bit as intriguing. In a style that captures the charm and chicanery of storytelling in the Old West, Dodge City and the Birth of the Wild West finds a culprit in a local attorney, Harry Gryden, who fed sensational accounts to the national media during the so-called "Dodge City War" of 1883. Once launched, the legend leads the authors through the cultural landscape of twentieth-century America, as Dodge City became a useful metaphor in more and more television series and movies. Meanwhile, back in the actual Dodge, struggling on a lost frontier, a mirror image of the mythical city began to emerge, as residents increasingly embraced tourism as an economic necessity. Dodge City and the Birth of the Wild West maps a metaphor for belligerent individualism and social freedom through the cultural imagination, from a historical starting point to its mythical reflection. In this, the book restores both the reality of Dodge and its legend to their rightful place in the continuum of American culture.