Meticulously detailed indexes to the Eerie Publications horror comics, the dreadful bad-boys of black and white horror mags! THERE ARE NO STORIES REPRINTED HERE!!! Just hard-core, pure information.

(EXTREMELY LIMITED REPRINT) This magazine-comic was released in 1966 with an unfinished cover due to a race to market with Warren Publishing over the title "Eerie." Warren won the race, but a legendary company name was born in honor of the title that got away--EERIE PUBLICATIONS! The reason this first "Weird" was numbered #10 rather than a true #1 was to give the impression that the book was an already established title, a common trait for publishers back then. But even more confusing than that, Eerie continued with probably the most confusing indexes in all of publishing history! If you're an Eerie Pubs fan, you know all about the messy order in which the Pubs were released.This extremely limited reprint series (only 299 copies of each issue) is an attempt to release the Pubs numbered in their true chronological order. Why so few copies per issue? So not everyone has access to them, making this "Correct Number" edition a valuable collector's item for the hardcore Eerie Publications fans.

Eerie Publications' horror magazines brought blood and bad taste to America's newsstands from 1965 through 1975. Ultra-gory covers and bottom-of-the-barrel production values lent an air of danger to every issue, daring you to look at (and purchase) them. The Weird of World of Eerie Publications introduces the reader to Myron Fass, the gun-toting megalomaniac publisher who, with tyranny and glee, made a career of fishing pocketbook change from young readers with the most insidious sort of exploitation. You'll also meet Carl Burgos, who, as editor of Eerie Publications, ground his axe against the entire comics industry. Slumming comic art greats and unknown hacks were both employed by Eerie to plagiarize the more inspired work of pre-Code comic art of the 1950s. Somehow these lowbrow abominations influenced a generation of artists who proudly blame career choices (and mental problems) on Eerie Publications. One of them, Stephen R. Bissette (Swamp Thing, Taboo, Tyrant), provides the introduction for this volume. Here's the sordid background behind this mysterious comics publisher, featuring astonishingly red reproductions of many covers and the most spectacularly creepy art.

Eerie Publications' horror magazines brought blood and bad taste to America's newsstands from 1965 through 1975. Here's the sordid background behind this mysterious comics publisher, featuring astonishingly red reproductions of many covers and the most spectacularly creepy art.

Collected for the first time in a deluxe edition are the comics that deserve it the least: the infamous Eerie Publications' horror comics! Incredibly gory and crazy, the Eerie Pubs pushed the boundaries of good taste with blood-drenched, spine-cracking tales ripped (and redrawn) from the pages of Pre-Code horror comics.

Eerie Dearies is an unusual book that offers a carefully crafted and alphabetised section of 26 beautifully illustrated excuses for being AWOL from school. Faded and well-used book covers serve as compelling background to each of these delicately rendered acrylic paintings, creating an atmosphere akin to an old and dusty collection of darkly humorous myths. Rebecca Chaperon's 26 fine art paintings of the misadventures of various literary heroines in surreal landscapes. The perfect peculiar ABC!

A noted cultural critic unearths the weird, the eerie, and the horrific in 20th-century culture through a wide range of literature, film, and music references—from H.P. Lovecraft and Daphne Du Maurier to Stanley Kubrick and Christopher Nolan. What exactly are the Weird and the Eerie? Two closely related but distinct modes, and each possesses its own distinct properties. Both have often been associated with Horror, but this genre alone does not fully encapsulate the pull of the outside and the unknown. In several essays, Mark Fisher argues that a proper understanding of the human condition requires examination of transitory concepts such as the Weird and the Eerie. Featuring discussion of the works of: H. P. Lovecraft, H. G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christopher Nolan.