What exactly are the Weird and the Eerie? In this new essay, Mark Fisher argues that some of the most haunting and anomalous fiction of the 20th century belongs to these two modes. The Weird and the Eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with Horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The Weird and the Eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling. Perhaps a proper understanding of the human condition requires examination of liminal concepts such as the weird and the eerie. These two modes will be analysed with reference to the work of authors such as H. P. Lovecraft, H. G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christoper Nolan.

Provides intimate details about and insights into the life of the eccentric writer and subject of The Gonzo Way through a collection of stories and interviews telling of Thompson's many unique experiences, including receiving a beating from the Hells Angels and running for the position of sheriff of Aspen.

Irish Wine; The Trilogy is the original group of short comic novels that first introduced Dick Wimmer's beloved cast of characters' the same characters who most recently reappeared in The Wildly Irish Sextet. In these novels' which span ten years and two continents' readers are introduced to Seamus Boyne' the greatest painter since Picasso; his old friend' erstwhile writer and practicing pest - control specialist Gene Hagar; his beautiful Dutch wife - and Hagar's lost love - Ciara; and his estranged' rebellious teenage daughter' Tory. From the first pages' in which an overwrought Boyne's suicide attempt is rudely interrupted by an attempted assassination' readers are in for a wild ride. A staged death' an unexpected father - daughter reunion' a madcap adventure of kidnapping and mistaken identity' and bizarre love triangles are some of the hijinks and tomfoolery to be found in Irish Wine' Boyne's Lassie' and Hagar's Dream - now back in print to the delight of Seamus Boyne devotees across the land.

Whether you believe in ghosts or other aspects of the paranormal, every culture has its folklore and many, many people have had an experience they simply can't explain. John Kachuba decided to investigate for himself, so he started with his home state of Ohio. Ghosthunting Ohio, examines more than 30 of the spookiest haunts, from cemeteries to inns and taverns to libraries and cafes, all over the Buckeye State. The results might surprise even the most devout skeptics.

How did a decade that dawned with the Age of Aquarius end in Altamont and the Manson Family bloodbath? The 1960s were a time of revolution - political, social psychedelic, sexual. But there was another revolution that many historians forget the rise of a powerful current that permeated pop culture and has been a central influence on it ever since. It was a magical revolution - a revival of the occult. Previously rejected and ridiculed beliefs took centre stage, reaching the Beatles and the Rolling Stones, saturating the the hippies and flower power, hitting the big screen with Rosemary's Baby and the bookshelves with Lord of the Rings. The Tarot. I Ching, astrology, Kabbala, yogis, witchcraft, UFOs, Aleister Crowley. Yin Yang and the Tibetan Book of the Dead now became the common currency they are today. But the vibes went bad, the auras darkened. Did that darker undercurrent win out? Gary Lachman here charts this explosion, its rise and fall, and its enduring legacy --This text refers to an out of print or unavailable edition of this title.

Annotation This collection challenges the tendency among scholars of ancient Greece to see magical and religious ritual as mutually exclusive and to ignore "magical" practices in Greek religion. The contributors survey specific bodies of archaeological, epigraphical, and papyrological evidence formagical practices in the Greek world, and, in each case, determine whether the traditional dichotomy between magic and religion helps in any way to conceptualize the objective features of the evidence examined. Contributors include Christopher A. Faraone, J.H.M. Strubbe, H.S. Versnel, Roy Kotansky, John Scarborough, Samuel Eitrem, Fritz Graf, John J. Winkler, Hans Dieter Betz, and C.R. Phillips.

This first volume of the autobiography of an inveterate journalist and communicator ends in 1933 when the author was 30.