WINNER OF A NATIONAL JEWISH BOOK AWARD A USA TODAY BESTSELLER "A gifted writer, astonishingly adept at nuance, narration, and the politics of passion."—Toni Morrison Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history. When Helen is summoned by a former student to view a cache of newly discovered seventeenth-century Jewish documents, she enlists the help of Aaron Levy, an American graduate student as impatient as he is charming, and embarks on one last project: to determine the identity of the documents' scribe, the elusive "Aleph." Electrifying and ambitious, The Weight of Ink is about women separated by centuries—and the choices and sacrifices they must make in order to reconcile the life of the heart and mind.

Headed for tenure at a major university, Tracy Farber is determined to demonstrate that Tolstoy is wrong in his argument that only unhappiness is interesting and sets out to prove that happiness and the search for happiness are complicated.

Amidst the Chinese-Malay conflict in Kuala Lumpur in 1969, sixteen-year-old Melati must overcome prejudice, violence, and her own OCD to find her way back to her mother.

A Face Like the Moon is the debut short story collection from Coptic Canadian writer Mina Athanassious. The eight stories in this book revolve around the world of young Coptic children living in urban and rural areas of Egypt. "All Good Things Thrown Away" delves into Egypt's notorious "Garbage City" and the lives of Cairo's garbage collectors. The title story moves to a small remote village in southern Egypt where a young ten-year-old boy struggles with a family tragedy. All together, Athanassious's debut collection of short stories offers a truly remarkable and moving look at the lives of Coptic children coming of age in Egypt and marks a bold and original new voice in Canadian fiction.

Henry gets bored sometimes. I mean, we all do. One day, when his mother takes him to the grocery store (the most boring place on earth!), Henry decides to use his imagination. And what happens next is the most incredible adventure he's ever been on! Join Henry on this unexpected journey and you, too, might just be surprised by what you find! "It's okay to be bored sometimes. That's the perfect time to use your imagination." - Henry's Mom

All Asanka knows is poetry. From his humble village beginnings in the great island kingdom of Lanka, he has risen to the prestigious position of court poet and now delights in his life of ease: composing romantic verses for love-struck courtiers, enjoying the confidence of his king and covertly teaching Sarasi, a beautiful and beguiling palace maid, the secrets of his art. But when Kalinga Magha, a ruthless prince with a formidable army, arrives upon Lanka's shores, Asanka's world is changed beyond imagining. Violent, hubristic and unpredictable, Magha usurps the throne, laying waste to all who stand in his way. Under his terrifying rule, nothing in the city is left untouched and, like many of his fellow citizens, Asanka retreats into the shadows, hoping to pass unnoticed by the tyrant. But it seems his new master is a lover of poetry ... To Asanka's horror, Magha tasks him with the translation of an epic Sanskrit poem, a tale of Gods and nobles, love and revenge, which the king believes will have a civilising effect on his subjects, soothing their discontent and snuffing out the fires of rebellion he suspects are igniting across the island. Asanka has always believed that poetry makes nothing happen, but as each new chapter he writes is disseminated through the land and lines on the page become cries in the street, his belief and his loyalties are challenged. And, as Magha circles ever closer to the things Asanka treasures most, the poet will discover that true power lies not at the point of a sword, but in the tip of a pen.

"What happens when rhetoric about immigrants escalates to an institutionalized population control system? Ink opens as a biometric tattoo is approved for use to mark temporary workers, permanent residents and citizens with recent immigration history--collectively known as inks"--Page 4 of cover.