Mr Ali's flourishing marriage bureau seems to have chalked up another success when his niece Pari receives a surprise proposal from a rich, handsome aristocrat. But why is the boy's family so keen to get him married to Pari - an orphan, a widow, and now a single mother?

Bored with retirement, Mr. Ali sets up a desk, puts up a sign, and waits for customers for his new matchmaking business. Some clients are a mystery. Some are a challenge. Mr. Ali's assistant, Aruna, finds it a learning experience. But without a dowry, Aruna has no expectation of a match for herself. Then again, as people go about planning their lives, sometimes fate is making other arrangements.

Marriages spanning borders are not a new phenomenon, but occur with increasing frequency and contribute substantially to international mobility and transnational engagement. Perhaps because such migration has often been treated as ‘secondary’ to labor migration, marriage has until recent years been a neglected field in migration studies. In contemporary Europe, transnational marriages have become an increasingly focal issue for immigration regimes, for whom these border-crossing family formations represent a significant challenge. This timely volume brings together work from Europe and beyond, addressing the issue of transnational marriage from a range of perspectives (including legal frameworks, processes of integration, and gendered dynamics), presenting substantial new empirical material, and taking a fresh look at key concepts in this area.

This book is one of the first ethnographic studies to examine the complexities of lifestyles of the the upwardly mobile middle classes in India in the new millennium. It reveals an original theory on cosmopolitan Indianness and urbanisation in the age of globalisation.

"Writers of South Asian descent have been garnering more and more success, acclaim, and attention. Story-Wallah gathers the finest South Asian voices in fiction for the first time in a single volume." "In this book, some of the world's best fiction writers hawk their wares from different parts of the South Asian diaspora - Sri Lanka, India, the United States, Great Britain, Guyana, Malaysia, Trinidad, Fiji - creating a virtual map of the world with their tales. These stories explore universal themes of identity, culture, and home, and Story-Wallah includes a rich array of experiences: a honeymoon in Sri Lanka, the trials of a Bangladeshi refugee in England, life on a sugar plantation in Trinidad, the attempts of an Indian family to arrange a marriage for their rebellious daughter."--Book jacket.

“Funny, razor-sharp, and full of juicy tales that feel urgent and illicit . . . the author has created a singular, resonant voice, an American teenager raised by Old World Afghan storytellers.” —New York Times Book Review “More than well crafted; it’s phenomenal. . . . Kochai’s book has a big heart.” —The Guardian A dog on the loose. A boy yearning to connect to his family's roots. A country in the midst of great change. And a vibrant exploration of the power of stories--the ones we tell each other and the ones we find ourselves in. Twelve-year-old Marwand's memories from his previous visit to Afghanistan six years ago center on his contentious relationship with Budabash, the terrifying but beloved dog who guards his extended family's compound in the rural village of Logar. But eager for an ally in this place that is meant to be "home," Marwand misreads his reunion with the dog and approaches Budabash the way he would any pet on his American suburban block--and the results are disastrous: Marwand loses a finger, and Budabash escapes into the night. Marwand is not chastened and doubles down on his desire to fit in here. He must get the dog back, and the resulting search is a gripping and vivid adventure story, a lyrical, funny, and surprisingly tender coming-of-age journey across contemporary Afghanistan that blends the bravado and vulnerability of a boy's teenage years with an homage to familial oral tradition and calls to mind One Thousand and One Nights yet speaks with a voice all its own.