The Idea Book. The How-to Book. The Everything Book. It’s the ultimate wedding planning bible from the ultimate wedding planner. From getting engaged to getting to the altar to taking off for your honeymoon to preserving the memories forever, this is the book to help you bring your dream wedding to life, no matter how big or small your budget. The Wedding Book is: Your fashion consultant, menu planner, etiquette expert, and floral designer An insider source for stretching budgets and negotiating contracts A digital-savvy friend for making the most of Instagram, Etsy, Pinterest, and wedding planning websites and apps A wise shoulder to lean on when sticky family issues come up Whatever the subject—cakes, stationery, dress shopping, lingerie, tents, Uber, insurance, porta-potties, party favors, the toasts, looking great in photos, tipping, and thank-you notes—The Wedding Book has the answer. Includes lists, schedules, budgeting tools, and timelines.

In her final novel, “a beautiful and devastating examination of family, society and race” (The New York Times), Dorothy West offers an intimate glimpse into the Oval, a proud, insular community made up of the best and brightest of the East Coast's Black bourgeoisie on Martha’s Vineyard in the 1950s. Within this inner circle of "blue-vein society," we witness the prominent Coles family gather for the wedding of the loveliest daughter, Shelby, who could have chosen from "a whole area of eligible men of the right colors and the right professions." Instead, she has fallen in love with and is about to be married to Meade Wyler, a white jazz musician from New York. A shock wave breaks over the Oval as its longtime members grapple with the changing face of its community. With elegant, luminous prose, Dorothy West crowns her literary career by illustrating one family's struggle to break the shackles of race and class.

#1 New York Times bestselling author Julie Garwood brings the soaring adventure, love and rivalry of medieval Scotland to glorious life in this classic historical romance. Journeying from England to Scotland, Lady Brenna has resigned herself to an arranged match with a highlander. But when a band of fierce, painted warriors captures her en route, she fearlessly meets their demand to instead marry their leader—her betrothed’s sworn enemy—the quick-tempered Connor MacAlister. Brenna harbors no illusions that her husband is in love with her, but their shared past gives her hope. Maybe the laird who once visited her father’s castle and charmed her with a dazzling, unexpected smile remains underneath Connor’s stern exterior. But as she sets out to win the man whom she has come to adore, a legacy of revenge ensnares Brenna in a furious clan war—and only her faith in her new husband can save her... Includes an excerpt of another beloved Julie Garwood highland romance, The Bride

I'm not, at heart, a jumper; it's not my sort of thing . . . I think I knew all the time I was sizing up the bridge that the strong possibility was I'd go home, attend my sister's wedding as invited, help hook-and-zip her into whatever she wore, take the bouquet while she received the ring, through the nose or on the finger, wherever she chose to receive it, and hold my peace when it became a question of speaking now of forever holding it.' It is the hottest June on record and the longest day of the year. Cassandra Edwards -tormented, intelligent, mordantly witty - leaves her graduate studies and her Berkeley flat to drive through the scorching heat to her family's ranch. There they are all assembled: her philosopher father, smelling sweetly of five-star Hennessy; her kind, fussy grandmother; her beloved, identical twin sister Judith, who is about to be married - unless Cassandra can help it.

In The Wedding Complex Elizabeth Freeman explores the significance of the wedding ceremony by asking what the wedding becomes when you separate it from the idea of marriage. Freeman finds that weddings—as performances, fantasies, and rituals of transformation—are sites for imagining and enacting forms of social intimacy other than monogamous heterosexuality. Looking at the history of Anglo-American weddings and their depictions in American literature and popular culture from the antebellum era to the present, she reveals the cluster of queer desires at the heart of the "wedding complex"—longings not for marriage necessarily but for public forms of attachment, ceremony, pageantry, and celebration. Freeman draws on queer theory and social history to focus on a range of texts where weddings do not necessarily lead to legal marriage but instead reflect yearnings for intimate arrangements other than long-term, state-sanctioned, domestic couplehood. Beginning with a look at the debates over gay marriage, she proceeds to consider literary works by Nathaniel Hawthorne, William Faulkner, Carson McCullers, Vladimir Nabokov, and Edgar Allan Poe, along with such Hollywood films as Father of the Bride, The Graduate, and The Godfather. She also discusses less well-known texts such as Su Friedrich’s experimental film First Comes Love and the off-Broadway, interactive dinner play Tony ‘n’ Tina’s Wedding. Offering bold new ways to imagine attachment and belonging, and the public performance and recognition of social intimacy, The Wedding Complex is a major contribution to American studies, queer theory, and cultural studies.

In #1 New York Times bestselling author Danielle Steel’s riveting novel, a Hollywood wedding sets the scene for a vivid portrayal of a prominent family whose hopes and fears are as real as our own. Simon Steinberg and Blaire Scott are among the most respected couples in Hollywood. Simon, a major movie producer, and Blaire, an award-winning television writer, have defied the Hollywood cliches, keeping their marriage together for decades. Their three children—aspiring teenage model Samantha, pre-med student Scott, and entertainment lawyer Allegra—are successful and happy but must face the challenges we fear for our own children as well. As an attorney for the stars, twenty-nine-year-old Allegra Steinberg is used to handholding her celebrity clients through their tangled lives and loves, negotiating major movie deals, and fielding phone calls at all hours of the day and night. But with a career that consumes so much of her time, Allegra has little time for a private life. Until a chance encounter with a New York writer turns Allegra's life upside down. And suddenly, she finds herself planning a wedding at her parents' Bel Air home. As preparations begin for a September ceremony, the chaos of last-minute arrangements, surprise announcements, and ever-increasing anxiety brings out both the best and the worst in everyone. But as couples in each generation of the Steinberg family struggle with broken vows and new hopes, the real meaning of Allegra's wedding emerges. For the bride, the ceremony is a bridge between her past and her future. For her parents, it is a reminder of the bond that holds them all together. And for both families, it is an opportunity for reconciliation, forgiveness, and new hope for the future, as weddings often are for us all. In a compelling portrait of real people in an unreal world, Danielle Steel uses Hollywood as a backdrop to reveal the dreams, the fears, and the expectations of a ceremony that unites us all—from movie stars to long-married couples to nervous teenagers—and changes the lives of real men, women, and families forever. . . .

Astutely observed and deftly witty, One Perfect Day masterfully mixes investigative journalism and social commentary to explore the workings of the wedding industry-an industry that claims to be worth $160 billion to the U.S. economy and which has every interest in ensuring that the American wedding becomes ever more lavish and complex. Taking us inside the workings of the wedding industry-including the swelling ranks of professional event planners, department stores with their online registries, the retailers and manufacturers of bridal gowns, and the Walt Disney Company and its Fairy Tale Weddings program-New Yorker writer Rebecca Mead skillfully holds the mirror up to the bride's deepest hopes and fears about her wedding day, revealing that for better or worse, the way we marry is who we are.