"My mother used to weave aaydans, the Marathi generic term for all things made from bamboo. I find that her act of weaving and my act of writing are organically linked. The weave is similar. It is the weave of pain, suffering, and agony that links us." Activist and award-winning writer Urmila Pawar recounts three generations of Dalit women who struggled to overcome the burden of their caste. Dalits, or untouchables, make up India's poorest class. Forbidden from performing anything but the most undesirable and unsanitary duties, for years Dalits were believed to be racially inferior and polluted by nature and were therefore forced to live in isolated communities. Pawar grew up on the rugged Konkan coast, near Mumbai, where the Mahar Dalits were housed in the center of the village so the upper castes could summon them at any time. As Pawar writes, "the community grew up with a sense of perpetual insecurity, fearing that they could be attacked from all four sides in times of conflict. That is why there has always been a tendency in our people to shrink within ourselves like a tortoise and proceed at a snail's pace." Pawar eventually left Konkan for Mumbai, where she fought for Dalit rights and became a major figure in the Dalit literary movement. Though she writes in Marathi, she has found fame in all of India. In this frank and intimate memoir, Pawar not only shares her tireless effort to surmount hideous personal tragedy but also conveys the excitement of an awakening consciousness during a time of profound political and social change.

That is why there has always been a tendency in our people to shrink within ourselves like a tortoise and proceed at a snail's pace." Pawar eventually left Konkan for Mumbai, where she fought for Dalit rights and became a major figure in the Dalit literary movement. Though she writes in Marathi, she has found fame in all of India.".

"At a time when the memoir has never been more popular, Memory and Narrative presents an account of how the weave of life-writing has altered over time to arrive at its present form. James Olney, tells the story of an evolving literary form that originated in the autobiographical writings of St. Augustine, underwent profound and disruptive changes in Jean-Jacques Rousseau's life-writing trilogy, and found its momentary conclusion in the body of Samuel Beckett's work." "Among other issues, Olney considers the rejection of the pronoun "I" by many post-Rousseau writers; the uses of narrative in the works of Beckett, Franz Kafka, and the sculptor Alberto Giacometti, and the role of literary memory in light of recent "memory work" from a variety of scientific disciplines. Giambattista Vico, Henry Adams, Gertrude Stein, Richard Wright, and Christa Wolf are some of the many writers examined in this monumental study." --Book Jacket.

A Dalit, a Buddhist and a feminist: Urmila Pawar’s self-definition as all three identities informs her stories about women who are brave in the face of caste oppression, strong in the face of family pressures, defiant when at the receiving end of insult, and determined when guarding their interests and those of their sisters. Using the classic short story form with its surprise endings to great effect, Pawar brings to life strong and clever women who drive the reader to laughter, anger, tears or despair. Her harsh, sometimes vulgar and hard-hitting language subverts another stereotype — that of the soft-spoken woman writer. Pawar’s protagonists may not always be Dalit, and the mood not always one of anger, but caste is never far from the context and informs the subtext of each story. As critic Eleanor Zelliot notes, there is ‘tucked in every story, a note about a Buddhist vihara or Dr Ambedkar.... All her stories come from the Dalit world, revealing the great variety of Dalit life now.’ Published by Zubaan.

When her husband of 60 years died, Elsa Rosenvasser Feher was brought to a standstill and found herself re-examining the life she had lived. The result is this memoir, The Weave of My Life, in which she explores her identity: who she is, where she came from. Using this search to set out the under-pinnings (the warp) of her life, she then tells stories (the weft). In this manner she weaves her life anew, in the voice of the present and of the past, borrowing from her 75 years of diary entries and interspersing writings done over the years. The author is a scientist and an educator, a mountaineer and a music buff, and a lover of language and words.

Every one of us lives in a box. This box determines what we see and what we do not see. It tells us who to love and hate. What to fight for. How to live. Who we are. Our boxes -- the collection of stories we tell about ourselves and the world -- create the human drama. Whether you become a pawn in this drama or take control of your destiny depends on the ability to answer two questions: Why is my box the way it is? How can I transform it? By examining the forces that have shaped your most deeply held beliefs, this book challenges you to think outside the box that society has provided for you ... ... and begin writing your own story.

This is the story of my life and what I needed to do to survive. My daydreams were my escape from life when I was a child. When I became an adult I learned there was always something I could do to make things better like getting a job for more money. If a project doesnt work one way you can weave around and go another way. I feel like Ive been weaving in and out all of my life. The most important thing is to never give up. A person can do anything if they never give up. That is the message that I hope you receive from my book.