The Way We Wore is a passionate and personal account of the dazzling array of street styles and trouser tribes Britain produced from the 1950s to 1990s. Robert Elms' memoir takes us from Teddy Boys to Acid house, from Notting Hill to Soho. A love letter to London Town and the overdressed, undervalued youth who made this city such a hotbed of cool. This is the story of a life's obsession. From Ben Sherman shirts to boxtop loafers, from bondage trousers to Comme de Garcons, Elms has been there, seen it, and worn it out. It's about why you'd rather not go out at all than go out in the wrong sort of brogues, and why you just had to have a Budgie Jacket to cut it in the playground in 1970. It is ultimately a hilarious, passionate social history of London street fashion from the Teddy Boys and rude boys battling it out in his homeland of Notting Hill in the 50's to its end in Acid House in the 90's. A fond memoir of working class lads in tumultuous times and lary schmutter. One day in 1965 the five-year-old Robert Elms fell in love with clothes. His brother had just returned to the family's Burnt Oak council house in a new suit he'd picked up from a tailor in Kilburn. Otis Redding was playing in the front room. This, as his mum would say, was "all the go" - whatever that meant. This, Elms realised, was what you grew up for.

Illustrates the fashion of the 1930s and '40s, discussing fabrics, colors, and prices from each era, and outlines what fashion changes have occurred since the 1950s

HISTORY OF FASHION. Daphne Selfe has been photographed by Mario Testino, Nick Knight and David Bailey. She has modelled for Dolce and Gabbana, Red or Dead and high-street chains such as TK Maxx, and regularly appears in newspaper fashion pages and glossy magazines. She is one of Britain's most in-demand supermodels and has worked non-stop for almost twenty years. But what makes her really rather extraordinary is that she is now in her late eighties. Daphne grew up in an age when dresses were lovingly run up for you by your mother, when needlework for even the most basic outfit was an art form, and when a new Simplicity Pattern was almost more exciting than a new dance tune. Perhaps as a result, she has had a lifelong love affair with clothes and fashion. The Way We Wore is a heart-warming account of that love affair, taking readers from the organdie party frocks of a 1930s childhood to the pages of Vogue.

A collection of original photographs featuring black men and women looking their "best" offers a glimpse of black style through decades of the twentieth century.

Michael McCollom has put together a collection of never-beforeseen photographs of the individual. 'The Way We Wore' is not only a historical piece that journeys through the African-American landscape, but also an album celebrating the individual. Michael McCollom has carefully chosen photographs and people that exhibit the historical framework of African-American influence on fashion, design, and culture, taking a unique look back at African-American style moments. Utilising personal photographs, this collection explores the stylish beginnings of a diverse group of African-American tastemakers along with everyday folk, examining a time when some individuals literally pulled it all together or, for others, a time of trial and error. This is an exciting exploration of African-American influence on fashion, design and culture.

For fashion buffs, romantics, and brides-to-be, a fascinating collection of wedding garb and glamour through pop culture and history. The Way We Wed: A History of Wedding Fashion presents styles and stories from the Renaissance to the present day, chronicling evolving fashions, classes, and expectations. And because all wedding attire has a tale to tell, The Way We Wed also reveals fascinating personal stories of those who wore it. While the book is a rich source of bridal inspiration for all seasons, it's far from a monotonous parade of white gowns. The Way We Wed showcases wedding gowns of all colors and styles from around the world, as well as going-away dresses, accessories (shoes, veils, hats, and tiaras), and clothes worn by flower girls, bridesmaids, mothers of the bride, and grooms. Same-sex weddings are represented along with royal weddings, wartime brides, White House weddings, remarriage, Hollywood weddings, and more. The book features celebrity and historical couples as well as everyday people. A few of the included names: Angelina Jolie Frida Kahlo Elizabeth Taylor Princess Diana Martha Washington Solange Knowles Ellen DeGeneres Meghan Markle Illustrated with 100 gorgeous photos, The Way We Wed is a rich celebration of the art of wedding fashion across time and cultures, and those whose style and circumstances made a statement.

Filled with images selected from the personal photo albums of the British public, What We Wore provides a visual timeline of UK fashion since the 1950s. In What We Wore, crowdsourced family and amateur photos come together to create a makeshift style history of Britain. Taking readers into homes, onto city streets, into shops, and out to nightclubs and holiday spots, this book features a combination of original images and intriguing personal anecdotes that document changes in British fashion and style. The book encompasses the worlds of Mods, punks, ravers, grime kids, and everything in between, with photos submitted by everyday British people as well as celebrities, including Tracey Emin, Jeremy Deller, Jazzie B., DJ Harvey, and Don Letts. From black-and-white photos taken with Rolleiflex cameras and Polaroid party shots, to 35mm film and "selfies," these images and words combine to create a collective family album that feels both private and public, satisfying our yearning for nostalgia as well as our voyeuristic tendencies. Most importantly, this book records and explains British fashion trends and gives the reader a rare insider's glimpse into youth tribes and subcultures from the past 60 years.