"The seabhean (pronounced 'sha-van') is the Irish female shaman, healer and seer, the woman who walks between the worlds." What if we didn't have to look to other traditions for our spiritual practice? What if we could connect to the roots of our own ancestors' rituals? Amantha Murphy was schooled in the ancient and hidden lore of wise women and healers, rooted in the Irish landscape and guarded over the years by her female forebears. In The Way of the Seabhean, she brings to life shamanic practices from the Irish tradition, combining story, ritual, energy teaching and the insights gathered from her own shamanic journeying. At its core lies the pre-Celtic understanding of the Tree of Life and the Wheel of the Year, containing the seasonal turning points such as Samhain and Imbolc, their attendant festivals and the role and powers of long-suppressed Irish goddesses. Along with the better-known goddesses, Medb, Brigid, Áine and the Cailleach, we also meet a pantheon that includes Tailtiú, Boann, Macha, Tlachtga. These goddesses are archetypes, aspects of ourselves, which can help us to understand and embrace our many facets. Amantha's shamanic teaching in Ireland, the US and Canada has already opened the Way of the Seabhean to an eager audience.

"The Other Crowd," "The Good People," "The Wee Folk," and "Them" are a few of the names given to the fairies by the people of Ireland. Honored for their gifts and feared for their wrath, the fairies remind us to respect the world we live in and the forces we cannot see. In these tales of fairy forts, fairy trees, ancient histories, and modern true-life encounters with The Other Crowd, Eddie Lenihan opens our eyes to this invisible world with the passion and bluntness of a seanchai, a true Irish storyteller.

"The contemporary Narrative of the 1324 Sorcery Proceedings against Alice Kyteler (of Kilkenny, Ireland), a document of extraordinary importance, is the first recorded instance of a woman being accused of gaining the power of witchcraft through sexual inte"

Covering an entire metonic cycle of 19 years (2004-2023) in the life of a druid, this collection covers everything from ethics to gardening with the intention of provoking both thought and action. Of his Druid work the author states “My job is to push the boundaries of Druidic understanding, to challenge the accepted norms and to question what direction neo-Druidry should be headed in. I am not here to comfort and sooth, but to stimulate and promote wisdom and the evolution of Druidic consciousness.

In 1895 twenty-six-year-old Bridget Cleary disappeared from her house in rural Tipperary. At first, some said that the fairies had taken her into their stronghold in a nearby hill, from where she would emerge, riding a white horse. But then her badly burned body was found in a shallow grave. Her husband, father, aunt and four cousins were arrested and charged, while newspapers in nearby Clonmel, and then in Dublin, Cork, London and further afield attempted to make sense of what had happened. In this lurid and fascinating episode, set in the last decade of the nineteenth century, we witness the collision of town and country, of storytelling and science, of old and new. The torture and burning of Bridget Cleary caused a sensation in 1895 which continues to reverberate more than a hundred years later. Winner of the Irish Times Prize for Non-Fiction

A new edition of an invaluable collection of literary sources, all in translation, for Celtic Europe and early Ireland and Wales. The selections are divided into three sections: the first is classical authors on the ancient celts-a huge selection including both the well-known-Herodotos, Plato, Aristotle, Livy, Diogenes Laertius, and Cicero-and the obscure-Pseudo-Scymnus, Lampridius, Vopsicus, Clement of Alexandria and Ptolemy I. The second is early Irish and Hiberno-Latin sources including early Irish dynastic poetry and numerous tales from the Ulster cycle and the third consists of Brittonic sources, mostly Welsh.

This volume describes how the round of the year, with its cycle of festivals and seasonal work, was observed in the Ireland of yesterday. We follow the rhythm of the year from New Year to Easter, May Day to Harvest and Christmas along the chain of highdays and feastdays, St Brighid's Day, The Borrowed Days, Midsummer, St Swithin's Day, Lunasa, The Pattern Day, Samhain, Martinmas and Christmas. fishing boat - belief and usage - feasting and merrymaking. Picturesque customs are revealed - some forgotten, some forbidden, some still familiar, such as 'the making of St Brighid's cross - marriage divinations - watching the dancing of the sun on a hilltop on Easter morning - going to the Skelligs - cock-throwing - bullbaiting - herring processions - the swimming of the horses on Lunasa - and many others. A multi-coloured tapestry. years experience of research into Irish folk tradition. Irish Country People, Folktales of the Irish Countryside and The Pleasant Land of Ireland