Here is a heartwarming collection of a country boys stories of life lived way back before technology so dramatically changed our world. You will be taken back to a time when you had to work really hard just to live, especially when you were living on a farm. Without high-tech tools or gadgets, and without todays modern conveniences, life was more free and loving. In those days, hard work meant something that people today will never understand. The Way It Was Back Then showcases that beautiful past and the real value of hard work that the modern world has long forgotten.

That's the Way It "Wuz" Back Then is an overview about a particular period and a particular people in history with limited recorded information about their experiences. The information, gathered from interviews with others and my own experiences, provides a brief depiction of the hardship and suffering of black families during the early twentieth century, segregated schools in the south, and the unrest experienced in the south during the desegregation of schools. The main purpose for writing this book is record bits and pieces of history concerning African Americans in Lonoke County, Arkansas, to be placed in the Lonoke County Library. In keeping with that purpose, That's the Way It "Wuz" Back Then has chapters that relate to the lives of people who persevered and overcame the difficulties placed upon them and became productive citizens in their communities. The book contains abstracts or clippings of the The Lonoke Democrat newspaper articles relate the physical, cultural, and spiritual existence of African Americans in Lonoke County, Arkansas, during the late nineteenth and mid-twentieth centuries. The Lonoke Democrat newspaper articles demonstrate the experiences of people and their rich cultural identity and family. I wanted to sustain the language or speech of that period in time; therefore, limited editing of this section of the book was done. It is the cultural identity of our ancestors that we all long to reminisce in family gatherings.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

'Aynhoe Village Life, The Way it Was- Then - Before and Beyond' is a social commentry on village life in a small Northants village. This book covers the background history of the village, villagers, with stories from family members, local characters, and herself. Then; is from 1940 to 1948, the war years, and afterwards as seen through the eyes of a child. Before; is from 1880 to 1940 with many humerous village stories. Beyond; is from 1949 to 1956 with a heartbreaking move to Oxford, and the many visits back to Aynhoe. While living in Oxford, the author and her siblings had the unique experience of being an unofficial part of a rehab hospital for the war headinjured. These men were their playmates and partners in all manners of fun. This is the first of at least three books. The others will cover nursing at the Horton Hospital in Banbury, when care to the local people really mattered. The last, about life and nursing in America from 1965, until 2005 when the author returned to her homeland.

Today we hear renewed calls for a dialogue between science and religion: why has the old question of the relations between science and religion now returned to the public domain and what is at stake in this debate? To answer these questions, historian and sociologist of science Yves Gingras retraces the long history of the troubled relationship between science and religion, from the condemnation of Galileo for heresy in 1633 until his rehabilitation by John Paul II in 1992. He reconstructs the process of the gradual separation of science from theology and religion, showing how God and natural theology became marginalized in the scientific field in the eighteenth and nineteenth centuries. In contrast to the dominant trend among historians of science, Gingras argues that science and religion are social institutions that give rise to incompatible ways of knowing, rooted in different methodologies and forms of knowledge, and that there never was, and cannot be, a genuine dialogue between them. Wide-ranging and authoritative, this new book on one of the fundamental questions of Western thought will be of great interest to students and scholars of the history of science and of religion as well as to general readers who are intrigued by the new and much-publicized conversations about the alleged links between science and religion.

Adrienne Fox is a retired musician who began her literary career reviewing concerts. This is her fifth novel. The other novels are the following: The Retirement, Starstruck, Tit for Tat, and IQ. Adrienne Fox writes about life in Britain from 19411963, when old traditions came head-to-head with new ideas as wartime austerity gave way to the Swinging Sixties. She colorfully describes growing up in a constant conflict of the morals, views, and opinions at a time when material goods were in short supply, conversation took the place of electronic entertainment, and serious communication was restricted to letter writing. Through wry humor, she tells of her efforts to understand family conflicts and of her own ill-formed ambitions. Desperately wanting to please in order to keep the peace but frequently appearing to fall short, Cant do right for doing wrong aptly describes periods of her progress. Her story paints a tragic-comic picture of the incidents and attitudes within the time frame beginning in a northern industrial town, where the ration books vied with the hymn books in the family home, to college life in London and trying to find a job.