In this spectacular follow-up to their beloved Book of Norse Myths, the husband-and-wife team of Ingri and Edgar Parin d’Aulaire explore the uncanny reaches of Norse mythology, an enchanted night-world populated by trolls of all kinds—mountain trolls, forest trolls, trolls who live underwater and trolls who live under bridges, uncouth, unkempt, unbreakable, unforgettable, and invariably unbelievably ugly trolls—who work their wiles and carry on in the most bizarre and entertaining fashions. With their matchless talent as storytellers and illustrators, the d’Aulaires bring to life the weird and wonderful world of Norse mythology.

In a time when sorcery and black magic ruled the will of man, a flame within a long forgotten people was once again ignited. It is evident from his growing desire to wield a sword that Chael’s life as a farmer’s son will never be enough. With his sister Taelarae, he makes the long journey to Darvenlure. That is where they meet Iniquitous, a charming sorcerer with the power of black magic and the disposition of pure evil. When Taelarae goes missing, Chael soon realizes that it is the work of this malevolent sorcerer. Frantically he begins his long quest for the one person he vowed to his father he would keep safe. Along the way, he comes to realize that he is indeed more than just a farmer’s son. With battles fought against one adversary more powerful than the last while wielding one of the finest swords ever forged, he rouses within many desolate Sages a desire to survive left dormant for many centuries. With the help of Kaelon, Telaena, Shan Taen and Gheldorh, his newly made friends on the journey to save his sister, Chael begins to unlock the secret behind the true meaning of the Warrior Sage that will bring about a realization that they are not only friends but share an age old bond of blood. And with this new found awareness they ride to Nay lore, the forbidden home of Iniquitous, to battle for the safe return of Taelarae and discover that she holds the key to their very existence.

There he was in his sailboat in the middle of the Atlantic, all alone and loving it. Well, there was a US Navy carrier group on his southern horizon, but he was a Navy guy himself, so he didn't mind. Then came the UFOs, hurtling in from the Outer Black to overfly the carriers at Mach 17. Their impossible aerobatics were bad enough¾but then they started shooting at each other. And at the Navy. With nukes. Little ones at first, but winding up with a 500 megatonner at 90 miles that fried every piece of electronics within line-of-sight. Richard Ashton thought he was just a ringside observer to these now over-the-horizon events. Until the crippled alien lifeboat came drifting down and homed in on his sailboat; suddenly he has his hands full of an unconscious, critically wounded and impossibly human alien warrior who also happens to be a gorgeous female. That's when things got interesting. At the publisher's request, this title is sold without DRM (Digital Rights Management). "... a particular delight, offering nonstop action that's both well executed and emotionally satisfying." ¾Publishers Weekly "It's a rollicking fun tale that's impossible to put down." ¾Philadelphia Weekly Press "... the best work (Weber] has done ... the rewards are ample ... recommended...." ¾Starlog

Jack is an apprentice bard and just beginning to learn the secrets of his mysterious master, when he and his little sister are captured by Viking chief, Olaf One-Brow, and taken to the court of Ivar the Boneless. Ivar is married to a half-troll named Frith, an evil and unpredictable queen with a strange power over her husband's court. Jack is sent on to the kingdom of the trolls, where he has to find the magical well and undo the charm he has cast on Frith. He is accompanied by Thorgill, a shield maiden, aged 12, who wants to be a berserker when she grows up. Together, they are set for a magical and exciting adventure.

The end of the Aesir has come, but not as the prophecies foretold. The dread dragon Niddhoggr has devoured the roots of the World Ash, Yggdrasil, and the great tree has toppled onto its side, crashing the realms of mortal and supernatural together. With the gods dead and the fires of ruin consuming the world, your war clan of Viking warriors know what they must do to survive the destruction of the Nine Realms and restore order: they must become the new gods! Ragnarok is a campaign-driven skirmish game in which players form a Viking war clan seeking to prove itself worthy of becoming the new pantheon. The use of a mechanic called Godspark means that battles are no longer determined by merely striking an opponent and dealing damage. Instead, warriors will be pushing, throwing, and crashing their opponents around the battlefield, making their very environment a weapon. As the war clans develop, they may gain glorious new powers that will bring them closer to godhood, or win the respect of the denizens of the realms, allowing them to bring dire wolves, dwarves, and even the dreaded giants into their war clans. With strategic gameplay and epic storytelling, players must write their own sagas and tell of how their war clans have, through blood and steel, clawed their way up from ruin to stand before the halls of Valhalla.

“Amanda Marcotte drains the swamp and reveals a Republican Party hijacked by grifters and frauds.” ?David Daley The election of Donald Trump in 2016, like most of his campaign, came as a shock to many Americans. How could a man so lacking in capacity, so void of any intellectual heft, become the president of the United States? How did Trump, a man with no detectable personal qualities outside of resentment and the will to dominate, appeal to millions of Americans and win the highest office in the land? The American right has spent decades turning away from reasoned discourse toward a rhetoric of pure resentment—it’s this shift that laid the groundwork for Trump’s ascendency. In Troll Nation, journalist Amanda Marcotte outlines how Trump was the inevitable result of American conservatism’s degradation into an ideology of blind resentment. For years now, the purpose of right wing media, particularly Fox News, has not been to argue for traditional conservative ideals, such as small government or even family values, so much as to stoke bitterness and paranoia in its audience. Traditionalist white people have lost control over the culture, and they know it, and the only option they feel they have left is to rage at a broad swath of supposed enemies ? journalists, activists, feminists, city dwellers, college professors ? that they blame for stealing “their” country from them. Conservative pundits, politicians, and activists have abandoned any hope of winning the argument through reasoned discourse, and instead have adopted a series of bad faith claims, conspiracy theories, and culture war hysterics. Decades of these antics created a conservative voting base that was ready to elect a mindless bully like Donald Trump.