Exquisite detail is captured in this full-illustrated, beautifully designed publication celebrating Harvard University's unique and treasured 'Glass Flowers' collection. One of Harvard University's most famous treasures is the internationally acclaimed Ware Collection of Blaschka Glass Models of Plants, the "Glass Flowers." From orchids to bananas, rhododendrons to lilies, Leopold and Rudolf Blaschka created a stunning array of glass models of plants from around the world. Working exclusively for Harvard in the late 19th and early 20th centuries, the Blaschkas applied their artistic expertise and botanical knowledge to craft an extraordinary collection for Harvard students, researchers, and the public. Exquisite detail is captured in this dazzling new publication, featuring new photography of models that inspire wonder and blur the line between the real and man-made. The collection demonstrates the majesty of plants and the artistry and scientific acumen of this father and son team, and is the only one of its kind in the world.

Delicate jellyfish and anemones, octopus, tentacled squid, and bizarre-looking soft-bodied sea creatures were meticulously recreated in glass by father and son artists Leopold and Rudolf Blaschka in the late nineteenth century. Renowned for their beauty and exacting detail, the Blaschka invertebrate models were commissioned by universities and museums throughout the world as teaching models for students of natural science and marine life. Illustrated here for the first time with breathtaking new photography are 60 of the most exquisite models from the exceptional collection of Harvard University's Museum of Comparative Zoology. Together with Harvard's famous Glass Flowers, a new exhibit of these restored glass animals now comprises the largest Blaschka collection on display in the world. Bursting with intricate details and stunning photography, this elegantly designed book will be a must for all those interested in marine biology, the delicate art of glass craftsmanship, the history of science, and the quiet beauty of the natural world."

A Classical Archaeologists's Life: The Story so Far shows that a scholar's life is not all scholarship, though much of this book is devoted to the writing of books and, especially, travel to classical and other lands. Boardman is a Londoner, born in Ilford and attending school in Essex (Chigwell). His teenage years were spent often in air raid shelters rather than with 'mates' (all evacuated). There are distinctive 'aunties', the rituals of daily life in a London suburb. The non-scholarly figures live large in this account of his life, marriage, children, new houses. At Cambridge he learned about classical archaeology as a necessary addition to reading Homer and Demosthenes, even being obliged to recite the latter. And those were the days of Bertrand Russell's lectures in a university reawakening after the war. Thence to the British School at Athens to learn about excavation (Smyrna, Knossos, later Libya). His return from Greece was to Oxford, not Cambridge, at first in the Ashmolean Museum, then as Reader and Professor. A spell in New York gives an account of the city before the troubles, when Petula Clark's Down Town was dominant. There is much here to reflect on university life and teaching, and on the reasons for and problems with the writing of his many books (some 40), with reflection on the university, colleges and their ways. Travels are well documented - a notable trip through Pakistan and China, in Persia, Egypt, Turkey - with comment on what he saw and experienced beyond archaeology. A lecture tour in Australia provides comment beyond the academic. He visited Israel often, lecturing and publishing for the Bible Lands Museum. Several tours in the USA took him to most of their museums and universities as well many other sights, from glaciers to alligators.This book is a mixture of scholarly reminiscence, reflection on family life, travelogue, and critique of classical scholarship (not all archaeological) worldwide, illustrated with pictures of travels, friends, home life, and, for a historian, a reflection on experiences of over 90 years.

Ceramic Materials: Science and Engineering is an up-to-date treatment of ceramic science, engineering, and applications in a single, comprehensive text. Building on a foundation of crystal structures, phase equilibria, defects, and the mechanical properties of ceramic materials, students are shown how these materials are processed for a wide diversity of applications in today's society. Concepts such as how and why ions move, how ceramics interact with light and magnetic fields, and how they respond to temperature changes are discussed in the context of their applications. References to the art and history of ceramics are included throughout the text, and a chapter is devoted to ceramics as gemstones. This course-tested text now includes expanded chapters on the role of ceramics in industry and their impact on the environment as well as a chapter devoted to applications of ceramic materials in clean energy technologies. Also new are expanded sets of text-specific homework problems and other resources for instructors. The revised and updated Second Edition is further enhanced with color illustrations throughout the text.

Presents a collection of botanical paintings along with descriptions of the artists' techniques and backgrounds.