The director of 2004’s smash hit documentary Outfoxed: Rupert Murdoch’s War on Journalism teams with journalist Alexandra Kitty in an even more detailed and updated examination of how media empires, led by Rupert Murdoch’s Fox News, have been running a “race to the bottom” in television news. They examine media consolidation by focusing on the Fox News Channel: How did Fox gain prominence? How did the Fox News Channel gain audiences and influence public debate? How does Fox report reality? Is the network merely interpreting events or is it pushing propaganda? Who are the main players and how do they treat their friends and enemies? Why should readers care about how Fox takes liberties with its facts? Each chapter blends interviews from Greenwald’s documentary, transcripts from Fox programs, and other research pertaining to Fox News not only to illustrate the Fox “mentality,” but also to show the factual, ethical and structural problems with the news channel. Interviews and transcripts are analyzed to give readers a strong sense of what Fox is actually telling its audiences.

Reporting War explores the social responsibilities of the journalist during times of military conflict. News media treatments of international crises, especially the one underway in Iraq, are increasingly becoming the subject of public controversy, and discussion is urgently needed. Each of this book's contributors challenges familiar assumptions about war reporting from a distinctive perspective. An array of pressing issues associated with conflicts over recent years are identified and critiqued, always with an eye to what they can tell us about improving journalism today. Special attention is devoted to recent changes in journalistic forms and practices, and the ways in which they are shaping the visual culture of war, and issues discussed, amongst many, include: the influence of censorship and propaganda 'us' and 'them' news narratives access to sources '24/7 rolling news' and the 'CNN effect' military jargon (such as 'friendly fire' and 'collateral damage') 'embedded' and 'unilateral' reporters tensions between objectivity and patriotism. The book raises important questions about the very future of journalism during wartime, questions which demand public dialogue and debate, and is essential reading for students taking courses in news and news journalism, as well as for researchers, teachers and practitioners in the field.

Racked by public distrust, cowed by government surveillance and powerful corporations, the mainstream media is in crisis. Newspapers which flourished for centuries and TV networks that once ruled the world are failing. Andrew Fowler’s The War on Journalism tells how the media helped write its own epitaph. Drawing on personal interviews and his background in investigative journalism, Fowler traces the decline of the culture of truthbringing. It’s a tale of sackings, cutbacks and self-censoring editors, deals, threats and government standover tactics. Alongside tabloids like the News of the World, notorious for phone hacking, giants like the BBC, Australia’s ABC, The Washington Post and The New York Times, The Guardian and Le Monde come under fire. When first WikiLeaks and then Edward Snowden blew the whistle, they did more than reveal explosive secrets: they undermined establishment, or insider, media – where governments ‘leaked’ information to favoured reporters in return for sympathetic coverage. Along with lawyer-turned-gonzo-journalist Glenn Greenwald, these outsiders challenged everyone from The Guardian on the left to Rupert Murdoch’s global media empire on the right. The establishment fought back with draconian laws to silence the new journalism. From the UK to the US to Australia, governments harass journalists, threatening to jail both whistleblowers and those who publish their leaks. Staying one move ahead of post-9/11 intelligence agencies is fraught. Every cell phone is a mobile tracking device. The public’s right to know is a battleground. At stake are the kind of journalism that survives and the kind of world in which we will live: democratic or dominated by executive government, unchallenged and unaccountable, spying on its own citizens and producing fraudulent arguments to fight horrific wars. The internet – which promised people easy access to information and each other – is now being used to produce a dark future. This is a defining moment, not just for journalism but for us all.

Peace Journalism, War and Conflict Resolution draws together the work of over twenty leading international writers, journalists, theorists and campaigners in the field of peace journalism. Mainstream media tend to promote the interests of the military and governments in their coverage of warfare. This major new text aims to provide a definitive, up-to-date, critical, engaging and accessible overview exploring the role of the media in conflict resolution. Sections focus in detail on theory, international practice, and critiques of mainstream media performance from a peace perspective; countries discussed include the U.S., U.K., Germany, Cyprus, Sweden, Canada, India, Pakistan, Papua New Guinea and the Philippines. Chapters examine a wide variety of issues including mainstream newspapers, indigenous media, blogs and radical alternative websites. The book includes a foreword by award-winning investigative journalist John Pilger and a critical afterword by cultural commentator Jeffery Klaehn.

This book examines the journalistic coverage and challenges during the Russo-Japanese War of 1904–05, what some have called World War Zero. The authors explore how Japan delayed and regulated correspondents so they could do no harm to the nation's ambitions at home or abroad and implemented methods of shaping the news. They argue Japan helped to shape the modern world of journalism by creating and packaging "truth."

Peace Journalism explains how most coverage of conflict unwittingly fuels further violence, and proposes workable options to give peace a chance.

"Bulla and Borchard have significantly expanded our understanding of the press, its impact, and its many roles during the Civil War. They shed light on politics, commerce, technology, public opinion, and censorship. Their book reminds us why the press matters most when a nation's fundamental freedoms are at stake."---Michael S. Sweeney, Author, The Military and the Press --Book Jacket.