THE CLASSIC SCIENCE FICTION TALE THAT WILL EAT YOUR BRAINS! Never before in the history of warfare had destruction been so indiscriminate and so universal. Panic descends upon planet Earth once more as H. G. Wells’s terrify- ing cosmic invaders blaze a path of fiery destruction across Victorian England, leaving thousands of undead in their wake. Our adventurous narrator must survive the apocalyptic alien threat while fighting off rag- ing, bloodthirsty zombies. Who will triumph when man, Martian, and flesh-eating monster meet? Packed with fearsome supernatural creatures at every turn, Wells’s original masterpiece is scarier, gorier, and more suspenseful than ever!

The invasion begins . . . and the dead start to rise. There's panic in the streets of London as invaders from Mars wreak havoc on the living, slaying the populace with Heat-Rays and poisonous clouds of black smoke. Humanity struggles to survive against technology far beyond its own, meeting fear and death at every turn. But that's not the only struggle mankind must face. The dead are rising from their graves with an insatiable hunger for human flesh. Friends, neighbours and loved ones lost to the war of the worlds are now the enemy and the Earth is forever changed. It's kill or be killed, if you want to survive, otherwise you might become one of the walking dead yourself.

Celebrates zombie pop culture that has evolved since "Night of the Living Dead," tracing early mythological origins in African folklore and Haitian voodoo as well as modern incarnations in film, literature, and video gaming.

The zombie has cropped up in many forms—in film, in television, and as a cultural phenomenon in zombie walks and zombie awareness months—but few books have looked at what the zombie means in fiction. Tim Lanzendörfer fills this gap by looking at a number of zombie novels, short stories, and comics, and probing what the zombie represents in contemporary literature. Lanzendörfer brings together the most recent critical discussion of zombies and applies it to a selection of key texts including Max Brooks’s World War Z, Colson Whitehead’s Zone One, Junot Díaz’s short story “Monstro,” Robert Kirkman’s comic series The Walking Dead, and Seth Grahame-Smith’s Pride and Prejudice and Zombies. Within the context of broader literary culture, Lanzendörfer makes the case for reading these texts with care and openness in their own right. Lanzendörfer contends that what zombies do is less important than what becomes possible when they are around. Indeed, they seem less interesting as metaphors for the various ways the world could end than they do as vehicles for how the world might exist in a different and often better form.

A fascinating read for anyone from general readers to hardcore fans and scholars, this encyclopedia covers virtually every aspect of the zombie as cultural phenomenon, including film, literature, folklore, music, video games, and events. The proliferation of zombie-related fiction, film, games, events, and other media in the last decade would seem to indicate that zombies are "the new vampires" in popular culture. The editors and contributors of Encyclopedia of the Zombie: The Walking Dead in Popular Culture and Myth took on the prodigious task of covering all aspects of the phenomenon, from the less-known historical and cultural origins of the zombie myth to the significant works of film and literature as well as video games in the modern day that feature the insatiable, relentless zombie character. The encyclopedia examines a wide range of significant topics pertaining to zombies, such as zombies in the pulp magazines; the creation of the figure of the zuvembie to subvert decades of censorship by the Comics Code of Authority; Humans vs. Zombies, a popular zombie-themed game played on college campuses across the country; and annual Halloween zombie walks. Organized alphabetically to facilitate use of the encyclopedia as a research tool, it also includes entries on important scholarly works in the expanding field of zombie studies.

The year's best, and darkest, tales of terror, showcasing the most outstanding new short stories and novellas by both contemporary masters of the macabre and exciting newcomers. As ever, this acclaimed anthology also offers the most comprehensive annual overview of horror around the world in all its incarnations; a comprehensive necrology of famous names; and a list of indispensable contact addresses for the dedicated horror fan and writer alike. The Mammoth Book of Best New Horror remains the world's leading annual anthology dedicated solely to presenting the best in contemporary horror fiction.

Discover the nature of Evil. . . and how to kick its butt! These days you can't swing an undead lycanthrope without hitting a Minion of Evil. They're everywhere--TV, film, the basement. . .right behind you! It's never been more important to know what you can do to keep them at bay. Garlic? silver bullets? holy water? torch-wielding mob? From today's foremost experts on nightmares-come-to-life, this indispensible guide identifies and describes mankind's enemies--supernatural beasts, ghosts, vampires, serial killers, etc.--and unearths effective time-proven responses to each horrific threat. • Separate fact from fiction, the deadly from the merely creepy. • Learn when to stand your ground and when to run screaming for your life. • Determine which monster-specific heroes to call and their likelihood of success. • Consider your own potential as a Champion for Good, Conqueror of the Damned. Whether we're talking ancient vampire hunters or modern-day FBI profilers, it's good to know someone's got your back in the eternal struggle between Good and Evil. And this book, with over fifty illustrations, as well as commentary from luminaries like filmmaker John Carpenter, author Peter Straub, and the legendary Stan Lee, provides all the information and reassurance you need to sleep soundly at night. Just not too soundly. With 8 pages of color art