Rhyming verse describes how, when Auburn was losing the game, the eagle suddenly rallied to soar over the field, drawing cries of "War Eagle" from the crowd and inspiring the team to victory.

Intro -- Title Page -- Dedication Page -- Copyright Page -- Preface -- 1 - Old Abe and the Coming of the War -- 2 - Meet the Eighth Wisconsin -- 3 - The Making of Soldiers -- 4 - To the Front -- 5 - The Valley of the Mississippi -- 6 - The Eagle Regiment -- 7 - The Battle of Corinth -- 8 - Opening the Mississippi -- 9 - The Vicksburg Campaign -- 10 - Used Up: The Siege of Vicksburg -- 11 - Camped Among the Pines -- 12 - On the Move -- 13 - The Price of Cotton -- 14 - The Battle for Furlough -- 15 - After the Devil -- 16 - Jackass Cavalry -- 17 - Nashville -- 18 - Denouement -- 19 - In Tangel's Feature -- 20 - Bloody Shirt Politics -- 21 - Centennial -- 22- Old Abe at Peace -- Notes -- Bibliography

Just prior to WWII, a publicly-humiliated Air Force test pilot, court-martialed for a stunt that endangered President Roosevelt, takes the only job he can get: flying an experimental plane from the South to North poles. When his plane is attacked and crashes in the Artic, he finds himself in an undiscovered land with an ancient people.

WAR EAGLE, ARKANSAS has long been a favorite attraction of the Ozarks, whether for a Sunday drive, a fishing trip, swim in the water, or a visit to the Mill. However, War Eagle is home to the Sharp Family. The Sharps are the founders of the bi-annual Sharp Show. Today, the Sharp Show is one of the supreme arts and crafts fairs in the country with more than 250 booths that offer visitors arts, crafts, antiques, services, and foods from artisans all over the country. Running the Sharp Show for decades may be what this family is best known for today. This book, however, is much more than a description of the Sharp Show. It also explores how growing up in War Eagle shaped and molded the family. This is the story of Billy and Lucy Sharp's journey through time, as well as descriptions of the War Eagle area through their eyes. Jeni Bea Hopkins has long had a passion for writing and passing on stories and memories. Her attention to detail and appreciation for valued history prompted her to pursue writing as a tool to preserve experiences and stories. Jeni is currently a School Counselor, Teacher and Girls Basketball Coach that has had numerous articles published. She has two degrees, one in Electronic Media-Radio and Television Production and another in Education, plus a Masters in Guidance and Counseling. She has 23 years experience in Media and Education. Jeni lives on a farm with her husband, Scott, and two children, Hailey Jo and Hayden. She currently works at a high school in Springfi eld, Missouri and often visits the Hailey Cabin located in War Eagle, Arkansas where her family enjoys canoeing, fishing, hiking, swimming, and of course attending the Sharp Show Arts and Craft Fair every fall and spring.

This latest addition to Philip J Riley's Alternate History of Classic Filmonsters series is a collaborative effort with fellow film historian David Conover that delves into one of the most famous unproduced motion pictures of all time, Merian C. Cooper's legendary WAR EAGLES! Planned as a full Technicolor production at MGM in the late 1930s, WAR EAGLES would have eclipsed Cooper and long-time SFX partner Willis O'Brien's KING KONG as the greatest fantasy epic of the period had it not fallen victim to pre-war studio politics and the rise of Hitler's Third Reich on the eve of World War II. Long considered a lost film effort, Conover's research has actually uncovered a richly detailed pre-production history, complete with never-before -published artwork, storyboards, test footage frames and more, direct from studio archives and the estates of technicians and artists who actually worked on the film. Also included is the full, never-published final draft of WAR EAGLES by Cyril Hume (screenwriter of MGM's Tarzan series and the sci-fi masterpiece FORBIDDEN PLANET) along with Merian C. Cooper's original treatment and production designer Howard Campbell's notes and budgets for the ill-fated production. For decades, stop-motion fans and film researchers considered an early, coverless draft attributed to Willis O'Brien-- but actually written by Harold Lamb and James Ashmore Creelman-- to be the only existing script for WAR EAGLES, but Conover's discovery of the original typescripts at the USC film library in 2003 turned up 7 more drafts and multiple revisions that eventually led to the final Hume draft. Pre-production artist Duncan Gleason began detailed storyboarding and illustration based on this draft and it is very likely that it would have become the actual shooting script. Detailed models and sets were built and Technicolor test footage featuring stop-motion animation by Willis O'Brien and his crew (including Kong/Mighty Joe Young creators Marcel Delgado and George Lofgren) was shot, and the exciting tale of a lost race of Viking warriors astride giant prehistoric eagles doing battle with Nazis over the skies of modern day Manhattan almost reached the screen until the reality of impending war halted production in 1940... David Conover is a film writer and historian who began his quest to uncover the history of WAR EAGLES as a 13-year-old reader of Famous Monsters of Filmland magazine. He was a columnist and reviewer for the Louisville Eccentric Observer for 9 years and his work was syndicated widely during that period as well. He is also the Vice President and Programming Director for WonderFest, an international modeling, toy, film and FX expo that takes place annually in Louisville, Ky, where he lives with his wife, daughter, and a tiny piece of the stegosaurus model from the original KING KONG. If you ask him, he'll show it to you, along with the final page of Cyril Hume's WAR EAGLES script. He's not crazy, just enthusiastic..

A Wall Street Journal national security reporter takes readers into the lives of frontline U.S. special operations troops fighting to keep the Taliban and Islamic State from overthrowing the U.S.-backed government in the final years of the war in Afghanistan. A FINANCIAL TIMES BEST BOOK OF THE YEAR “Powerful, important, and searing." —General David Petraeus, U.S. Army (ret.), former commander, U.S. Central Command, former CIA director In 2015, the White House claimed triumphantly that “the longest war in American history” was over. But for some, it was just the beginning of a new war, fought by Special Operations Forces, with limited resources, little governmental oversight, and contradictory orders. With big picture insight and on-the-ground grit, Jessica Donati shares the stories of the impossible choices these soldiers must make. After the fall of a major city to the Taliban that year, Hutch, a battle-worn Green Beret on his fifth combat tour was ordered on a secret mission to recapture it and inadvertently called in an airstrike on a Doctors Without Borders hospital, killing dozens. Caleb stepped on a bomb during a mission in notorious Sangin. Andy was trapped with his team during a raid with a crashed Black Hawk and no air support. Through successive policy directives under the Obama and Trump administrations, America came to rely almost entirely on US Special Forces, and without a long-term plan, failed to stabilize Afghanistan, undermining US interests both at home and abroad. Eagle Down is a riveting account of the heroism, sacrifice, and tragedy experienced by those that fought America’s longest war.

“The best book by far on the Pacific War” (The New York Times Book Review), this classic one-volume history of World War II in the Pacific draws on declassified intelligence files; British, American, and Japanese archival material; and military memoirs to provide a stunning and complete history of the conflict. This “superbly readable, insightful, gripping” (Washington Post Book World) contribution to WWII history combines impeccable research with electrifying detail and offers provocative interpretations of this brutal forty-four-month struggle. Author and historian Ronald H. Spector reassesses US and Japanese strategy and shows that the dual advance across the Pacific by MacArthur and Nimitz was more a pragmatic solution to bureaucratic, doctrinal, and public relations problems facing the Army and Navy than a strategic calculation. He also argues that Japan made its fatal error not in the Midway campaign but in abandoning its offensive strategy after that defeat and allowing itself to be drawn into a war of attrition. Spector skillfully takes us from top-secret strategy meetings in Washington, London, and Tokyo to distant beaches and remote Asian jungles with battle-weary GIs. He reveals that the US had secret plans to wage unrestricted submarine warfare against Japan months before Pearl Harbor and shows that MacArthur and his commanders ignored important intercepts of Japanese messages that would have saved thousands of lives in Papua and Leyte. Throughout, Spector contends that American decisions in the Pacific War were shaped more often by the struggles between the British and the Americans, and between the Army and the Navy, than by strategic considerations. Spector vividly recreates the major battles, little-known campaigns, and unfamiliar events leading up to the deadliest air raid ever, adding a new dimension to our understanding of the American war in the Pacific and the people and forces that determined its outcome.