Anan Ameri played a pivotal role in the creation of the Arab American National Museum in Dearborn, Michigan. The Wandering Palestinian chronicles her life from 1974 in Beirut, Lebanon to Detroit, Michigan as she learns how to adjust to culture shock, finds her independence, and becomes a driving force in Detroit’s large and politically active Arab American community—an involvement that helped her break away from her isolation, resume her activism, and paved the way for her to become a recognized and respected leader in her community.

"The best sustained analysis of the Intifada."--Charles Smith, author of Palestine and the Arab-Israeli Conflict

This book analyzes the evolution and cultivation of modern Palestinian collective memory and its role in shaping Palestinian national identity from its inception in the 1920s to the 2006 Palestinian elections.

This book examines the distinction between literary expatriation and exile through a 'contrapuntal reading' of modern Palestinian and American writing. It argues that exile, in the Palestinian case especially, is a political catastrophe; it is banishment by a colonial power. It suggests that, unlike expatriation (a choice of a foreign land over one’s own), exile is a political rather than an artistic concept and is forced rather than voluntary — while exile can be emancipatory, it is always an unwelcome loss. In addition to its historical dimension, exile also entails a different perception of return to expatriation. This book frames expatriates as quintessentially American, particularly intellectuals and artists seeking a space of creativity and social dissidence in the experience of living away from home. At the heart of both literary discourses, however, is a preoccupation with home, belonging, identity, language, mobility and homecoming.

Zeina G. Halabi examines the unmaking of the intellectual as prophetic figure, national icon, and exile in Arabic literature and film from the 1990s onwards. She comparatively explores how contemporary writers and film directors such as Rabee Jaber, Rawi Hage, Rashid al-Daif, Seba al-Herz and Elia Suleiman have displaced the archetype of the intellectual as it appears in writings by Elias Khoury, Edward Said, Jurji Zaidan and Mahmoud Darwish. In so doing, Halabi identifies and theorises alternative articulations of political commitment, displacement, and loss in the wake of unfulfilled prophecies of emancipation and national liberation. The Unmaking of the Arab Intellectual offers critical tools to understand the evolving relations between aesthetics and politics in the alleged post-political era of Arabic literature and culture. --

The Jewish-Israeli theatre is a complex and developed system in which the dispute with the Palestinians constitutes just one of the important components in its repertoire; while the Palestinian theatre, both within and outside of Israel, is being consolidated. This work brings together these two approaches by relating to the Palestinian theme as it appears in the Jewish-Israeli theatre and by attempting to characterize the Palestinian theatre in general.