'A LARGER WORLD' CONTINUES. Rick and his group are welcomed into a new community, lead by a new charismatic leader. Rick has experienced this before. Is this the beginning of a new era of peace for Rick and the others... or is this man every bit as dangerous as The Governor?

Rick and his group take a leap of faith and are welcomed into a new community by another charismatic leader. Is this the beginning of a new era of peace for Rick and the others...or is this man every bit as dangerous as The Governor?

The 95TH issue of IndyFest Magazine! is here. This mAY 20YY issue is one you need to read. Inside you will find in-depth interviews with: Raymond Francis, Timothy D Craggette, and Robert Spencer by Ellen Fleischer Melissa Grunow by Trisha Sugarek James Art Ville by Louise Cochran Also included in this issue: Editorial by Ian Shires A Written View by Douglas Owen Training Your Stalkers by MJ Moores Our Review Section Self-Publisher Hall of Fame Sneak Peek: Perfect Storm Published by Ian Shires, Dimestore Productions Managing Editor Ellen Fleisher Circulation Coordinator Douglas Owen Cover Nakia Powell-Spencer and Taniza Holms-Craggette IndyFest Magazine spotlights the creative efforts of artists taking control of their work. Each month you will find interviews, how toos and great advice from talented artists. Not stopping there, the magazine interviews the most amazing people and uncovers what it takes to be on the cutting edge of Self-Publishing. All this - and it is FREE Don't forget to tell your friends!

Walking Deadheads. Either you are one or you know one. Now in its seventh season, "The Walking Dead" has gone from cult hit to cultural movement and has now achieved the status of appointment television. Mostly because of one simple word - community: This is a show about a tight community made by a tight community for a tight community, and part of its simple appeal is that it makes us face the most basic questions about who we'd become in an extreme world, and who would be there with us. Now, in an all-new collector's edition, Entertainment Weekly takes readers into the writing room, behind the scenes and onto the sets in The Ultimate Guide to The Walking Dead. Go inside each season with exclusive photographs, interviews with the cast and crew, a season-by-season recap, as well as original art that traces the journey of survivors in the series, created by the artists who draw The Walking Dead comic books. Additionally, this collector's edition has two front covers, one of the living, and one of the undead (you should probably collect them both!). With exclusive insights into season 7, special sidebars, as well as an original essay on Why We Love Zombies, The Ultimate Guide to The Walking Dead is the drop un-dead companion to one of the hottest shows on television today.

Until I vampiri (The Vampires) in 1956, Italian filmmakers generally eschewed horror in favor of fantasy films and big screen spectacles. In the 1960s, the subjects became as varied as the filmmakers, ranging from the comic strip flavor of The Wild, Wild Planet (1966) to the surrealistic mixture of horror and social commentary of Fellini's "Toby Dammit" segment of Spirits of the Dead (1969). Arranged by English title, each entry includes Italian title, studio, running time, year of release, work the film is based on (when appropriate), and cast and credits. These data are followed by a lengthy essay, blending a plot synopsis with critical commentary and behind-the-scenes information.

A study of the natural world as imagined by contemporary writers, specifically their portrayals of nature as monster In Zombiescapes and Phantom Zones: Ecocriticism and the Liminal from “Invisible Man” to “The Walking Dead,” Lee Rozelle chronicles the weirdest, ugliest, and most mixed-up characters to appear on the literary scene since World War II—creatures intimately linked to damaged habitats that rise from the muck, not to destroy or rule the world, but to save it. The book asks what happens to these landscapes after the madness, havoc, and destruction. What monsters and magic surface then? Rozelle argues that zombiescapes and phantom zones depicted in the book become catalysts for environmental reanimation and sources of hope. Liminality offers exciting and useful new ways to conceptualize places that have historically proven troublesome, unwieldy, or hard to define. Zombiescapes can reduce the effects of pollution, promote environmental justice, lessen economic disparity, and localize food production. The grotesques that ooze and crawl from these passages challenge readers to consider new ways to re-inhabit broken lands at a time when energy efficiency, fracking, climate change, the Pacific trade agreement, local food production, and sustainability shape the intellectual landscape. Rozelle focuses on literary works from 1950 to 2015—the zombiescapes and monsterscapes of post–World War II literature—that portray in troubling and often devastating ways the “brownfields” that have been divested of much of their biodiversity and ecological viability. However, he also highlights how these literary works suggest a new life and new potential for such environments. With an unlikely focus on places of ruination and an application of interdisciplinary, transnational approaches to a range of fields and texts, Rozelle advances the notion that places of distortion might become a nexus where revelation and advocacy are possible again. Zombiescapes and Phantom Zones has much to offer to various fields of scholarship, including literary studies, ecocriticism, and environmental studies. Research, academic, and undergraduate audiences will be captivated by Rozelle’s lively prose and unique anthropological, ecocritical, and literary analyses.

Video games permeate our everyday existence. They immerse players in fascinating gameworlds and exciting experiences, often inviting them in various ways to reflect on the enacted events. Gerald Farca explores the genre of dystopian video games and the player's aesthetic response to their nightmarish gameworlds. Players, he argues, will gradually come to see similarities between the virtual dystopia and their own ›offline‹ environment, thus learning to stay wary of social and political developments. In his analysis, Farca draws from a variety of research fields, such as literary theory and game studies, combining them into a coherent theory of aesthetic response to dystopian games.