Aurora Award WINNER. The Walker is a child of the two Realms of the Continuum, a prince of Order and of Chaos—and a rebel against both. When he falls in love with an ephemeral, a mortal woman who is the key to the balance between the Realms, he triggers a struggle for her life—and the fate of her universe. "A very different sort of tale. ... A cosmic story of gods which seems to be inspired by the works of Michael Moorcock, and I think he would not be ashamed of it." —SF Crowsnest Reviews "A tale of epic love when a mortal gets caught between a battle of the gods. Smith reminds us that we have the potential to change the world around us and that self-sacrifice can be a means of making the world around us better." —Speculating Canada "The descriptions here have cosmic sweep..." —Locus Online

Amazing Stories, the home of Jules Verne and H. G. Wells, publisher of the first stories of Ursula K. Leguin and Isaac Asimov, is back in print after an absence of more than a decade! This relaunch of the iconic first science fiction magazine is packed full of exciting science fiction, fantasy, and articles, all in a beautiful package featuring eye-catching illustrations and cartoons. The Amazing Stories Summer 2021 issue (the 620th issue since 1926) includes work by: Douglas Smith • Matthew Hughes • Julie E. Czerneda • Tanya Huff • Robert J. Sawyer • Karl Schroeder • Spider Robinson • Robert Charles Wilson • Judy McCrosky • Su J. Sokol • Robert Dawson • Sally McBride • Susan Forest • Melissa Yuan-Innes

This text portrays the American suburbs from their beginnings in the mid-1800s to the onset of World War II and focuses on their appearance, people's reaction to them and their importance to society.

This book uncovers the processes at play in the development of cultural policies, projects and networks in spaces at the edge of their countries, marked by their proximity with a borderline. On a subject which is studied mainly in North America and Western Europe and based on individual case studies, its originality lies in offering a comparative view on the subject, as well as in comparing a European case – the France-Germany borderlands – to a South American case – the Brazil-Uruguay borderlands. Through a multi-sited ethnographic study, the author develops an analysis of the formal and informal processes and networks which sustain this cultural action, looking at the relative contribution of processes led by institutions, cultural agents and the civil society. This book provides theoretical tools for the analysis of the way cultural ecosystems function in borderlands and is valuable reading for scholars of cultural policy, geography and arts management.

From a perspective of ecofeminist theory, author Rachel Stein suggests that selected writings by Emily Dickinson, Zora Neale Hurston, Alice Walker, and Leslie Marmon Silko metaphorically revise American concepts of nature, gender, and race. Stein shows that by reinterpreting nature, these writers transform their characters from social objects into self-empowered subjects.

"Ethnic Studies . . . has drawn higher education, usually kicking and screaming, into the borderlands of scholarship, pedagogy, faculty collegiality, and institutional development," Johnnella E. Butler writes in her Introduction to this collection of lively and insightful essays. Some of the most prominent scholars in Ethnic Studies today explore varying approaches, multiple methodologies, and contrasting perspectives within the field. Essays trace the historical development of Ethnic Studies, its place in American universities and the curriculum, and new directions in contemporary scholarship. The legitimation of the field, the need for institutional support, and the changing relations between academic scholarship and community activism are also discussed. The institutional structure of Ethnic Studies continues to be affected by national, regional, and local attitudes and events, and Ronald Takaki�s essay explores the contested terrains of these culture wars. Manning Marable delves into theoretical aspects of writing about race and ethnicity, while John C. Walter surveys the influence of African American history on U.S. history textbooks. Elizabeth Cook-Lynn and Craig Howe explain why American Indian Studies does not fit into the Ethnic Studies model, and Lauro H. Flores traces the historical development of Chicano/a Studies, forged from the student and community activism of the late 1960s. Ethnic Studies is simultaneously discipline-based and interdisciplinary, self-containing and overlapping. This volume captures that dichotomy as contributors raise questions that traditional disciplines ignore. Essays include Lane Ryo Hirabayashi and Marilyn Caballero Alquizola on the gulf between postmodernism and political and institutional realities; Rhett S. Jones on the evolution of Africana Studies; and Judith Newton on the trajectories of Ethnic Studies and Women�s Studies and their relations with marginalized communities. Shirley Hune and Evelyn Hu-DeHart each make a case for the separation of Asian American Studies from Asian Studies, while Edna Acosta-Bel�n argues for a hemispheric approach to Latin American and U.S. Latino/a Studies. T. V. Reed rounds out the volume by offering through cultural studies bridges to the twenty-first century.

A SPIN, Electric Literature, Book Riot, and The Catholic Post Best Poetry Collection of 2022 Finalist for the RSL Ondaatje Prize & Forward Prize for Best First Collection A Lit Hub Most Anticipated Book of the Year A Chicago Review of Books Best Book of the Month Magnolia, Nina Mingya Powles’ exquisite debut poetry collection, pushes the borders of languages and poetic forms to examine memories, myths, and the experiences of a mixed-race girlhood. From Aotearoa to London, from Shanghai to New York City, these poems journey across shifting, luminescent cities in search of connection: through pop culture, through food, through vivid colors. Scenes from Mulan, Blade Runner, and In the Mood for Love braid together with silken tofu and freshly steamed baozi. At the heart of the collection is “Field notes on a downpour,” a lyrical sequence that questions the limits of translation and our ability to understand one another. Alone, the speaker recognizes that “certain languages contain more kinds of rain than others, and I have eaten them all." Full of hunger and longing for a home that can embrace a person’s complexities, Magnolia draws on every sense to arrive at profound, yet intimate insights, and introduces readers to a brilliant new voice in poetry.