The orchestra have an important concert to play… but all the musicians have gone walkabout! Can you help the Maestro and his faithful assistant to track them down using clues from their postcards? Take a trip from Reykjavik to Rio, through Greek islands, Venetian canals and Egyptian pyramids in this search-and-find tour of the world and learn all the instruments of the orchestra as you work your way through this spotting extravaganza.

Rory I. Jagdeo lost his brother Steve to COVID-19 and was inspired to write this story of leaving Guyana at almost twenty years old, boarding an airplane for the first time to Toronto, Canada. It was an unlikely journey for a man with such humble beginnings—a man whose great-grandparents were taken from India to work on a sugar plantation as indentured servants in the late 1800s. In this autobiography, he looks back at his boyhood and adolescence growing up in a village called Fyrish on the Northeastern coast of Guyana, a country on South America’s North Atlantic coast and how life changed when he went to college in Toronto. From there, he highlights his life’s challenges, pleasures, and close calls. While his life has been challenging, he has never given up. With hard work, he has followed destiny’s path and explored the pleasures of life. From his life as a musician and recording artist, to his adventures traveling, to his romantic exploits and time as a caregiver, the author celebrates his incredible life.

Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.

The Orchestra: A Very Short Introduction considers the structure, roots, and day-to-day functioning of the modern philharmonic society. Far from an anachronistic organization that cannot long survive, it is shown to be powerful political and social force, occupying critical positions in cultural diplomacy, national identity, and civic pride.

In this collection of essays and interviews, nine gifted composers openly discuss their work.

Best remembered for his operas and his War Requiem, Benjamin Britten's radical politics and his sexuality have also ensured that he remains a controversial public figure. Journeying Boy is a selection of his diaries that offer the reader an unseen insight into this complex man. Encompassing the years 1928-1938, they explore some key periods of Britten's life - his early compositions, his education first under composer Frank Bridge and then at the Royal College of Music, an unhappy but productive period studying under John Ireland and Ralph Vaughan Williams, and his reluctant and often painful process of parting from the warm, safe environment of his family home and his beloved mother. The diaries cast light on an often misrepresented musician whose technique, originality and musical prowess have entranced audiences for generations and who continues to inspire composers and musicians around the world.