The notion that Cleveland should have an elegant, restful, idyllic landscape in which to bury her citizens-regardless of race, creed or religion-was just an idea in 1869 when Jeptha Homer Wade (1811-1890) and two associates convened a group of Clevelanders who created Cleveland's Lake View Cemetery and elected Wade its first President. Three decades later, his grandson and namesake, Jeptha H. Wade II, commissioned the construction of Wade Chapel on the cemetery grounds as a memorial to his grandfather. This grandson, called Homer by family, hired Cleveland architects Hubbell and Benes to design the chapel. Cleveland stonemason Joseph Carabelli and his team of stonecutters, many of whom had immigrated from Campobasso, Italy to join Carabelli's firm, Lakeview Granite & Monumental Works, built the chapel's exterior. Wade chose internationally recognized designer Louis Comfort Tiffany and his hand-picked team of artists and artisans to decorate the chapel's interior.This book makes the Wade Chapel story available to us through the eyes of one guide, Wayne Bifano. Amazingly, at the 118 mark since the Chapel's dedication, this story has never before been composed in a book. Wayne Bifano, a dedicated steward of Wade Chapel and of Lake View Cemetery, has lovingly collected the jewels that make the Wade Chapel story.

Cleveland's Lake View Cemetery reveals the profound effects the cemetery and the City of Cleveland had on one another. Founded in 1869, this garden cemetery served as an escape and a model for Cleveland parks and suburbs, such as University Circle, Little Italy, East Cleveland, and Cleveland Heights. Lake View is home to cultural, economic, and political leaders and thousands of others from all classes, races, and religions. This rich diversity is manifested in the natural and man-made landscape, which features the President James Garfield Monument, the Wade Chapel, and the John D. Rockefeller obelisk.

Treating architecture as a social phenomenon as well as a fine art, this volume is the standard architectural history of Cleveland.

The Lake View Cemetery, founded in 1869, was modeled after the great garden cemeteries of Victorian England and France. Over 107,000 individuals are interred on the sprawling 285 acre expanse that is located four and one-half miles from Cleveland's Public Square. According to an 1870 Plain Dealer report, the cemetery was designed to combine all the attractive features that "nature and true art can produce" to harmonize nature's alphabet--"stone, earth, wood and water." The landscape was laid out with broad avenues and shady walks "near the fountains in view of many a rustic pile [edifice] and quiet grave and stately monument." The cemetery became the burial place for many of Cleveland's prominent citizens including James A. Garfield, John D. Rockefeller, and J. H. Wade. Cleveland photographer Barney Taxel has spent over a decade, during all seasons, exploring the stunning landmark. The culmination of the personal project is this collection of over two hundred of his creations that reveal the spirit and essence of the Lake View Cemetery. Not only are images of the famous Garfield monument and the Wade Chapel captured, but so are the artistic splendors of the landscape, stonework, and memorials. To provide context, the book also includes a history of the Lake View Cemetery based on archival research.

NOMINATED FOR THE 2019 NATIONAL BOOK CRITICS CIRCLE AWARD FOR AUTOBIOGRAPHY ONE OF NPR'S BEST BOOKS OF THE YEAR SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NONFICTION SHORTLISTED FOR THE RATHBONES FOLIO PRIZE LONGLISTED FOR THE RSL ONDAATJE PRIZE The acclaimed New York Times bestselling author of The Vanishing Velazquez shares a riveting true story “with as many twists and turns as any mystery” (Los Angeles Times) describing her mother’s mysterious kidnapping as a toddler in a small English coastal village—“an incredible and incredibly unusual book about family secrets” (Nick Hornby, The Believer). In the fall of 1929, when Laura Cumming’s mother was three years old, she was kidnapped from a beach on the Lincolnshire coast of England. There were no screams when she was taken, suggesting the culprit was someone familiar to her, and when she turned up again in a nearby village several days later, she was happy and in perfect health. No one was ever accused of a crime. The incident quickly faded from her memory, and her parents never discussed it. To the contrary, they deliberately hid it from her, and she did not learn of it for half a century. This was not the only secret her parents kept from her. For many years, while raising her in draconian isolation and protectiveness, they also hid the fact that she’d been adopted, and that shortly after the kidnapping, her name was changed from Grace to Betty. “Both page-turning and richly absorbing” (The Providence Journal), On Chapel Sands (originally titled Five Days Gone) unspools the tale of Cumming’s mother’s life and unravels the multiple mysteries at its core. Using photographs from the time, historical documents, and works of art, Cumming investigates this case of stolen identity w​ith the toolset of a detective and the unique intimacy of a daughter trying to understand her family’s past and its legacies. “Brilliant” (The Guardian) and “a story told with such depth of feeling and observation and such lyrical writing I couldn’t put it down” (Anna Quindlen), On Chapel Sands is a masterful blend of memoir and history, an extraordinary personal narrative unlike any other.

Being a faithful disciple of Christ means having seasoned speech: practicing a rhetoric that beneficially and persuasively imparts the surprising truth of the gospel. James Beitler seeks to renew interest in and hunger for an effective Christian rhetoric by closely considering the work of five beloved Christian communicators: C. S. Lewis, Dorothy L. Sayers, Dietrich Bonhoeffer, Desmond Tutu, and Marilynne Robinson.