The Present Volume Narrates The Tenth Voyage Conducted By The East India Company During The Years 1612-14. The Most Notable Achievement Of The Mission Was The Settlement Of A Factory At Surat And Victory Over The Portuguese, Thus Boosting The National Spirit Of The British And Providing The Establishment Of Hopeful Commerce In India.

Journals, extracts from journals, and narratives, written on board the Dragon and Hosiander by Best and various other persons, including Ralph Standish and Ralph Croft, with Best's correspondence and extracts from the Court minutes of the East India Company. This is a new print-on-demand hardback edition of the volume first published in 1934.

Description: The present volume narrates the tenth voyage conducted by the East India Company during the years 1612-14. The commander of the voyage was Thomas Best and fleet consisted of two vessels-Dragon and Hosiander. The purpose of the mission was the establishment of trade in Western India. The lading of the two ships consisted chiefly of broadcloth, ivory, quicksilver, lead and iron; while a large stock of Spanish rials were provided for the purpose of return cargoes. The most notable achievement of the mission was the settlement of a factory at Surat and victory over the Portuguese, thus boosting the national spirit of the British and providing the establishment of hopeful commerce in India.

This publication brings together current scholarship that focuses on the significance of performing arts heritage of royal courts in Southeast Asia. Royal courts have long been sites for the creation, exchange, maintenance, and development of myriad forms of performing arts and other distinctive cultural expressions. The first volume, Pusaka as Documented Heritage, consists of historical case studies, contexts and developments of royal court traditions, particularly in the nineteenth and twentieth centuries.

This book offers fresh theoretical, methodological and empirical analyses of the relation between religion and the city in the South Asian context. Uniting the historical with the contemporary by looking at the medieval and early modern links between religious faith and urban settlement, the book brings together a series of focused studies of the mixed and multiple practices and spatial negotiations of religion in the South Asian city. It looks at the various ways in which contemporary religious practice affects urban everyday life, commerce, craft, infrastructure, cultural forms, art, music and architecture. Chapters draw upon original empirical study and research to analyze the foundational, structural, material and cultural connections between religious practice and urban formations or flows. The book argues that Indian cities are not ‘postsecular’ in the sense that the term is currently used in the modern West, but that there has been, rather, a deep, even foundational link between religion and urbanism, producing different versions of urban modernity. Questions of caste, gender, community, intersectional entanglements, physical proximity, private or public ritual, processions and prayer, economic and political factors, material objects, and changes in the built environment, are all taken into consideration, and the book offers an interdisciplinary analysis of different historical periods, different cities, and different types of religious practice. Filling a gap in the literature by discussing a diversity of settings and faiths, the book will be of interest to scholars to South Asian history, sociology, literary analysis, urban studies and cultural studies.

This book explores the formations and configurations of British colonial discourse on India through a reading of prose narratives of the 1600-1920 period. Arguing that colonial discourse often relied on aesthetic devices in order to describe and assert a degree of narrative control over Indian landscape, Pramod Nayar demonstrates how aesthetics furnished a vocabulary and representational modes for the British to construct particular images of India. Looking specifically at the aesthetic modes of the marvellous, the monstrous, the sublime, the picturesque and the luxuriant, Nayar marks the shift in the rhetoric – from the exploration narratives from the age of mercantile exploration to that of the ‘shikar’ memoirs of the late nineteenth and early twentieth century’s extreme exotic. English Writing and India provides an important new study of colonial aesthetics, even as it extends current scholarship on the modes of early British representations of new lands and cultures.