From Slapstick's "Turkey Farm" to Slaughterhouse-Five's eternity in a Tralfamadorean zoo cage with Montana Wildhack, the question of the afterlife never left Kurt Vonnegut's mind. In God Bless You, Dr. Kevorkian, Vonnegut skips back and forth between life and the Afterlife as if the difference between them were rather slight. In thirty odd "interviews," Vonnegut trips down "the blue tunnel to the pearly gates" in the guise of a roving reporter for public radio, conducting interviews: with Salvatore Biagini, a retired construction worker who died of a heart attack while rescuing his schnauzer from a pit bull, with John Brown, still smoldering 140 years after his death by hanging, with William Shakespeare, who rubs Vonnegut the wrong way, and with socialist and labor leader Eugene Victor Debs, one of Vonnegut's personal heroes. What began as a series of ninety-second radio interludes for WNYC, New York City's public radio station, evolved into this provocative collection of musings about who and what we live for, and how much it all matters in the end. From the original portrait by his friend Jules Feiffer that graces the cover, to a final entry from Kilgore Trout, God Bless You, Dr. Kevorkian remains a joy.

Death on Demand explores the polarizing role of Jack Kevorkian—“Dr. Death”—as the most visible leader of the right-to-die movement. From a feature on the cover of Time magazine to interviews on shows like 60 Minutes, Kevorkian was a high-profile figure in the right-to-die movement, capturing constant media attention as he helped more than one hundred people kill themselves. The book opens with the death of Janet Adkins in 1990—Kevorkian’s first assisted suicide—then travels back to Kevorkian’s medical school days and follows his nearly four decades as a lone activist. Death on Demand draws on Kevorkian’s interviews and published work as well as newspaper and magazine articles to describe the doctor’s publicity stunts, criminal trials, years in prison, and activities after he was paroled. Author Michael DeCesare examines Kevorkian’s actions in the context of the right-to-die movement to understand his crucial role in bringing the controversial practice of assisted suicide into the public conversation.

Dr. Jack Kevorkianthe enigmatic and intrepid physician dubbed Dr. Deathhas for years declined public interviews about his life and the events that led him to be a vehement advocate of doctor-assisted suicide for terminally ill patients. But here, finally, is his own life story, as told to Neal Nicol and Harry Wylie. Dr. Kevorkian gained international notoriety in the 1990s for his passionate advocacy of choice for terminal patients, who have increasingly won the right to decide the time, place, and method of their own death in several western countries. In 1998, he assisted Thomas Youk, a terminally ill patient suffering from Lou Gehrig's disease, with a lethal injection that was broadcast on CBS's 60 Minutes. Immediately thereafter, Kevorkian was arrested, charged with second-degree murder, tried, and sentenced to 10-25 years in Michigan's maximum-security prison system. Today, Dr. Kevorkian is in his late seventies and in failing health himself. He shares an eight-by-twelve-foot cell with another inmate in the Thumb Correctional Facility at Lapeer, Michigan. The unique story Prisoner Number 284797 shares far exceeds the battle to legalize euthanasia and end human suffering for terminal patients. Personal choice is really what it is all about. Quality of life, as opposed to maintaining existence (Kevorkian to Vanity Fair, 1994)Co-published with Vision, U.K.

Biography of pathologist Dr. Jack Kevorkian, discussing his life and his involvement with assisted suicide.

A solid, sober, humane discussion of planned death and its potential impact on organ harvesting and medical experimentation, by the iconoclastic doctor who invented the "suicide machine" and who made headlines in June of 1990 when he aided Janet Adkins in performing the first publicly acknowledged physician-assisted suicide. Annotation copyrighted by Book News, Inc., Portland, OR

Advances theorization of childhood in contexts of racialized settler-colonial political violence while acknowledging children's power to interrupt it.