This work explores the history of the university in Burma, both as an institution founded by the colonizing British, and as a medium for change that was used by Burmese students in their struggles for independence. Aye Kyaw describes student protests, strikes, and boycotts that were part of a nationalist movement calling for the study of Burmese culture, history, and language. As this discourse evolved, it invited radical explorations of such concepts as democracy, justice, and freedom.

The Female Voice of Myanmar seeks to offer a female perspective on the history and political evolution of Myanmar. It delves into the lives and works of four of Myanmar's remarkable women who set aside their lives to answer the call of their country: Khin Myo Chit, who spoke about latent sexual politics in pre-Independent Burma; Ludu Daw Amar, who as the editor of the leftist Ludu Daily, was deemed anti-establishment and was witness to the socialist government's abortive efforts at ethnic reconciliation; Ma Thida, whose writing bears testimony to the impact the authoritative military rule had on the individual psyche; and Aung San Suu Kyi, who has re-articulated Burmese nationalism. This book breaks new ground in exploring their writing, both published and hitherto unexamined, some in English and much in Burmese, while the intimate biographical sketches offer a glimpse into the Burmese home and the shifting feminine image.

Aung San Suu Kyi has suffered constant harassment and abuse from the Burmese authorities, long separation from her family and six years of house arrest. In these 12 interviews, she talks about her passion for justice and the sacrifices she has had to make"

For decades, scholars have been trying to answer the question: how was colonial Burma perceived in and by the Western world, and how did people in countries like the United Kingdom and United States form their views? This book explores how Western perceptions of Burma were influenced by the popular music of the day. From the First Anglo-Burmese War of 1824-6 until Burma regained its independence in 1948, more than 180 musical works with Burma-related themes were written in English-speaking countries, in addition to the many hymns composed in and about Burma by Christian missionaries. Servicemen posted to Burma added to the lexicon with marches and ditties, and after 1913 most movies about Burma had their own distinctive scores. Taking Rudyard Kipling’s 1890 ballad ‘Mandalay’ as a critical turning point, this book surveys all these works with emphasis on popular songs and show tunes, also looking at classical works, ballet scores, hymns, soldiers’ songs, sea shanties, and film soundtracks. It examines how they influenced Western perceptions of Burma, and in turn reflected those views back to Western audiences. The book sheds new light not only on the West’s historical relationship with Burma, and the colonial music scene, but also Burma’s place in the development of popular music and the rise of the global music industry. In doing so, it makes an original contribution to the fields of musicology and Asian Studies.

An up-to-date and detailed eyewitness account of Burma's Civil War. It is indispensable for understanding the travails of modern Burma.

Two Burmese boys, one a Karenni refugee and the other the son of an imprisoned Burmese doctor, meet in the jungle and in order to survive they must learn to trust each other.

Books on Southeast Asian nationalist movements make very little - if any - mention of women in their ranks. Biographical studies of politically active women in Southeast Asia are also rare. Women in Southeast Asian Nationalist Movements makes a strong case for the significance of women's involvement in nationalist movements and for the diverse impact of those movements on the lives of individual women activists. Some of the 12 women whose political activities are discussed in this volume are well known, while others are not. Some of them participated in armed struggles, while others pursued peaceful ways of achieving national independence. The authors show women negotiating their own subjectivity and agency at the confluence of colonialism, patriarchal traditions, and modern ideals of national and personal emancipation. They also illustrate the constraints imposed on them by wider social and political structures, and show what it was like to live as a political activist in different times and places. Fully documented and drawing on wider scholarship, this book will be of interest to students of Southeast Asian history and politics as well as readers with a particular interest in women, nationalism and political activism.