Abraham Lincoln's remarkable emergence from the rural Midwest and his rise to the presidency have been the stuff of romance and legend. But as Douglas L. Wilson shows us in Honor's Voice, Lincoln's transformation was not one long triumphal march, but a process that was more than once seriously derailed. There were times, in his journey from storekeeper and mill operator to lawyer and member of the Illinois state legislature, when Lincoln lost his nerve and self-confidence - on at least two occasions he became so despondent as to appear suicidal - and when his acute emotional vulnerabilities were exposed. Focusing on the crucial years between 1831 and 1842, Wilson's skillful analysis of the testimonies and writings of Lincoln's contemporaries reveals the individual behind the legends. We see Lincoln as a boy: not the dutiful son studying by firelight, but the stubborn rebel determined to make something of himself. We see him as a young man: not the ascendant statesman, but the canny local politician who was renowned for his talents in wrestling and storytelling (as well as for his extensive store of off-color jokes). Wilson also reconstructs Lincoln's frequently anguished personal life: his religious skepticism, recurrent bouts of depression, and difficult relationships with women - from Ann Rutledge to Mary Owens to Mary Todd. Meticulously researched and well written, this is a fascinating book that makes us reexamine our ideas about one of the icons of American history.

In August of 1920, women's suffrage in America came down to the vote in Tennessee. If the Tennessee legislature approved the 19th amendment it would be ratified, giving all American women the right to vote. The historic moment came down to a single vote and the voter who tipped the scale toward equality did so because of a powerful letter his mother, Febb Burn, had written him urging him to "Vote for suffrage and don't forget to be a good boy." The Voice That Won the Vote is the story of Febb, her son Harry, and the letter than gave all American women a voice.

A New York Times bestselling writer explores what our unique sonic signature reveals about our species, our culture, and each one of us. Finally, a vital topic that has never had its own book gets its due. There’s no shortage of books about public speaking or language or song. But until now, there has been no book about the miracle that underlies them all—the human voice itself. And there are few writers who could take on this surprisingly vast topic with more artistry and expertise than John Colapinto. Beginning with the novel—and compelling—argument that our ability to speak is what made us the planet’s dominant species, he guides us from the voice’s beginnings in lungfish millions of years ago to its culmination in the talent of Pavoratti, Martin Luther King Jr., and Beyoncé—and each of us, every day. Along the way, he shows us why the voice is the most efficient, effective means of communication ever devised: it works in all directions, in all weathers, even in the dark, and it can be calibrated to reach one other person or thousands. He reveals why speech is the single most complex and intricate activity humans can perform. He travels up the Amazon to meet the Piraha, a reclusive tribe whose singular language, more musical than any other, can help us hear how melodic principles underpin every word we utter. He heads up to Harvard to see how professional voices are helped and healed, and he ventures out on the campaign trail to see how demagogues wield their voices as weapons. As far-reaching as this book is, much of the delight of reading it lies in how intimate it feels. Everything Colapinto tells us can be tested by our own lungs and mouths and ears and brains. He shows us that, for those who pay attention, the voice is an eloquent means of communicating not only what the speaker means, but also their mood, sexual preference, age, income, even psychological and physical illness. It overstates the case only slightly to say that anyone who talks, or sings, or listens will find a rich trove of thrills in This Is the Voice.

Marian Anderson Loved to Sing. Her deep, rich voice thrilled audiences the world over. By the mid-1930s she was a famed vocalist who had been applauded by European royalty, welcomed at the White House, and adored by appreciative listeners in concert halls across the United States. But because of her race, she was denied the right to sing at Constitution Hall, Washington's largest and finest auditorium. Though Marian Anderson was not a crusader or a spokesperson by nature, her response to this injustice catapulted her into the center of the civil rights movement of the time. She came to stand for all black artists -- and for all Americans of color -- when, with the help of prominent figures such as Eleanor Roosevelt, she gave a landmark performance on the steps of the Lincoln Memorial that broke racial barriers and hastened the end of segregation in the arts. Drawing on Anderson's own writings and other first-person accounts, Newbery medalist Russell Freedman shows readers a singer pursuing her art in the context of the social and political climate of the day. Profusely illustrated with contemporary photographs, here is an inspiring account of the life of a talented, determined artist who left her mark on musical and social history. Russell Freedman was aware that Marian Anderson was one of the great vocal artists of the 20th century. He hadn't thought of writing a book about her, however, until he found out about the encounter between her and Eleanor Roosevelt that led to the Lincoln Memorial concert and established Anderson as a seminal figure in the civil rights movement. Mr. Freedman is the acclaimed author of more than 40 nonfiction books for young people, He is also the recipient of the Laura Ingalls Wilder Award for his body of work. Mr. Freedman lives in New York City Book jacket.

Stephens was a black reporter for the black newspaper Weekly Anglo-African when the Civil War broke out. He joined the 54th Massachusetts, the first black Union regiment. Promoted to sergeant, he stormed Battery Wagner with his regiment. Surviving the Union defeat, Stephens served with the 54th through the end of the war.