Reproduction of the original: The Voice from the Void the Great Wireless Mystery by William Le Queux

Examining work by novelists, filmmakers, TV producers and songwriters, this book uncovers the manner in which the radio – and the act of listening – has been written about for the past 100 years. Ever since the first public wireless broadcasts, people have been writing about the radio: often negatively, sometimes full of praise, but always with an eye and an ear to explain and offer an opinion about what they think they have heard. Novelists including Graham Greene, Agatha Christie, Evelyn Waugh, and James Joyce wrote about characters listening to this new medium with mixtures of delight, frustration, and despair. Clint Eastwood frightened moviegoers half to death in Play Misty for Me, but Lou Reed's 'Rock & Roll' said listening to a New York station had saved Jenny's life. Frasier showed the urbane side of broadcasting, whilst Good Morning, Vietnam exploded from the cinema screen with a raw energy all of its own. Queen thought that all the audience heard was 'ga ga', even as The Buggles said video had killed the radio star and Tom Petty and the Heartbreakers lamented 'The Last DJ'. This book explores the cultural fascination with radio; the act of listening as a cultural expression – focusing on fiction, films and songs about radio. Martin Cooper, a broadcaster and academic, uses these movies, TV shows, songs, novels and more to tell a story of listening to the radio – as created by these contemporary writers, filmmakers, and musicians.

The Anglo-French novelist William Le Queux penned popular thrillers and intriguing espionage novels. He led an adventurous life, in keeping with his fiction, serving as a diplomat for San Marino, while extensively travelling Europe, the Balkans and North Africa. He was also a flying buff and a wireless pioneer, who broadcasted music from his own station long before radio was generally available. His most famous works are the invasion fantasies ‘The Great War in England in 1897’ and ‘The Invasion of 1910’. Le Queux’s exaggerated tales and falsified accounts of Britain’s neighbours, playing upon the fervid xenophobia of the time, were so powerful and gripping that they led to the creation of Britain’s first Secret Service Bureau, the forerunner of MI5. This eBook presents the largest collection ever compiled of Le Queux’s fiction, with numerous illustrations, many rare texts and informative introductions. (Version 1)* Beautifully illustrated with images relating to Le Queux’s life and works * Concise introductions to the novels and other texts * 74 novels, with individual contents tables * Features many rare novels appearing for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Famous works such as ‘The Great War in England in 1897’ are fully illustrated with their original artwork * Rare story collections available in no other collection, including ‘Strange Tales of a Nihilist’ * Includes a range of Le Queux’s non-fiction * Features Le Queux’s fascinating autobiography, first time in digital print * Scholarly ordering of texts into chronological order and genresPlease visit www.delphiclassics.com to browse through our range of exciting titlesCONTENTS:The Novels Guilty Bonds (1891) The Great War in England in 1897 (1894) Zoraida (1894) The Temptress (1895) The Great White Queen (1896) A Secret Sin (1897) Devil’s Dice (1897) Whoso Findeth a Wife (1897) The Eye of Istar (1897) Scribes and Pharisees (1898) If Sinners Entice Thee (1898) The Bond of Black (1899) The Day of Temptation (1899) The Veiled Man (1899) The Wiles of the Wicked (1900) An Eye for an Eye (1900) In White Raiment (1900) Of Royal Blood (1900) Her Majesty’s Minister (1901) The Sign of the Seven Sins (1901) The Gamblers (1901) The Under-Secretary (1902) The Unnamed (1902) The Tickencote Treasure (1903) The Seven Secrets (1903) The Closed Book (1904) As We Forgive Them (1904) The Sign of the Stranger (1904) The Hunchback of Westminster (1904) The Idol of the Town (1904) The Czar’s Spy (1905) Behind the Throne (1905) The Pauper of Park Lane (1906) The Count’s Chauffeur (1906) The Invasion of 1910 (1906) The Mysterious Mr Miller (1906) Whatsoever a Man Soweth (1906) The Great Court Scandal (1907) The Lady in the Car (1908) Spies of the Kaiser (1909) The House of Whispers (1909) The Red Room (1909) Treasure of Israel (1910) Hushed Up! (1911) The Lost Million (1913) The Price of Power (1913) Her Royal Highness (1914) The White Lie (1914) The Four Faces (1914) The Sign of Silence (1915) The Mysterious Three (1915) At the Sign of the Sword (1915) The Mystery of the Green Ray (1915) The Zeppelin Destroyer (1916) Number 70, Berlin (1916) The Way to Win (1916) The Broken Thread (1916) The Place of Dragons (1916) Annette of the Argonne (1916) Beryl of the Biplane (1917) Sant of the Secret Service (1918) The Stolen Statesman (1918) The Doctor of Pimlico (1919) Whither Thou Goest (1920) The Intriguers (1920) The Red Widow (1920) Mademoiselle of Monte Carlo (1921) This House to Let (1921) Tracked by Wireless (1922) The Gay Triangle (1922) The Golden Face (1922) The Stretton Street Affair (1922) The Voice from the Void (1922) The Golden Three (1930)The Shorter Fiction Strange Tales of a Nihilist (1892) Stolen Souls (1895) The Secret of the Fox Hunter (1903) The Death-Doctor (1912) The Bomb-Makers (1917) The Crimes Club (1927)The Non-Fiction Britain’s Deadly Peril (1915) The German Spy System from Within (1915) German Atrocities (1915) The Minister of Evil (1917) Rasputin the Rascal Monk (1917) The Secrets of Potsdam (1918)The Autobiography Things I Know About Kings, Celebrities and CrooksPlease visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks

Part 1, Books, Group 1, v. 20 : Nos. 1 - 125 (Issued April, 1923 - May, 1924)

The media have always played a central role in organising the way ideas flow through societies. But what happens when those ideas are disruptive to normal social relations? Bringing together work by scholars in history, media and cultural studies and sociology, this collection explores this role in more depth and with more attention paid to the complexities behind conventional analyses. Attention is paid to morality and regulation; empire and film; the role of women; authoritarianism; wartime and fears of treachery; and fears of cultural contamination. The book begins with essays that contextualise the theoretical and historiographical issues of the relationship between social fears, moral panics and the media. The second section provides case studies which illustrate the ways in which the media has participated in, or been seen as the source of, the creation of threats to society. Finally, the third section then shows how historical research calls into question simple assumptions about the relationship between the media and social disruption.