Arguing against the critical commonplace that Evelyn Waugh’s post-war fiction represents a decline in his powers as a writer, D. Marcel DeCoste offers detailed analyses of Waugh's major works from Brideshead Revisited to Unconditional Surrender. Rather than representing an ill-advised departure from his true calling as an iconoclastic satirist, DeCoste suggests, these novels form a cohesive, artful whole precisely as they explore the extent to which the writer’s and the Catholic’s vocations can coincide. For all their generic and stylistic diversity, these novels pursue a new, sustained exploration of Waugh’s art and faith both. As DeCoste shows, Waugh offers in his later works an under-remarked meditation on the dangers of a too-avid devotion to art in the context of modern secularism, forging in the second half of his career a literary achievement that both narrates and enacts a contrary, and Catholic, literary vocation.

This study of the life and works of Evelyn Waugh traces the novelist's pursuit of his vocation and his long retreat from a world which he came to regard as a spiritual dungeon. Jeffrey Heath explores the paradoxical elements in Waugh's career: his quest for a refuge itself proved to be a prison and his devotion to the Augustan graces was accompanied by a lasting attraction to a Dionysiac age without restratint. The deep cleft in Waugh's nature imbued his art with the characteristic quirky complexity which has fascinated many readers, but it left him a choleric and melancholy man who never fully accepted his calling as a writer.

Evelyn Waugh: Fictions, Faith and Family is a wide-ranging survey of the prolific literary career of one of the most popular English writers of the 20th century. Michael G. Brennan here identifies three major themes as central to any understanding of Waugh's work: Catholicism, society and the concept of family. From Decline and Fall (published in 1928) to his final writings, this book draws not only on the major novels and short stories but also Waugh's substantial journalistic output, his private journals and correspondences and unpublished draft manuscripts. Through this comprehensive and systematic exploration, Brennan demonstrates the sustained creative importance of Catholicism to Waugh's literary work. In addition, the book goes on to consider how Evelyn Waugh's descendants - his son Auberon and his grandson Alexander Waugh - have echoed and developed these literary concerns in their own writing.

Compiled on the occasion of Evelyn Waugh's centenary in 2003, this collection of essays shows a renewed critical interest in the author extended by scholars from both sides of the Atlantic. The contributions go back to an international symposium held at La Rioja University, 15-17 May 2003. Apart from traditional debate over questions of fact and interpretation, the book contains innovative approaches to Waugh's oeuvre, some of which make use of theories of discourse and media studies and denote an increasingly sophisticated awareness of his religious, political, and social contexts. Beginning with those essays presenting overviews of Waugh's life and work, and continuing with discussions of particular books in chronological order, this volume deals with a wide variety of aspects that confirm Waugh's rising status as a major twentieth-century classic.

This study of the life and works of Evelyn Waugh traces the novelist's pursuit of his vocation and his long retreat from a world which he came to regard as a spiritual dungeon. Jeffrey Heath explores the paradoxical elements in Waugh's career: his quest for a refuge itself proved to be a prison and his devotion to the Augustan graces was accompanied by a lasting attraction to a Dionysiac age without restratint. The deep cleft in Waugh's nature imbued his art with the characteristic quirky complexity which has fascinated many readers, but it left him a choleric and melancholy man who never fully accepted his calling as a writer.