With the fate of Vitruvia resting in her hands, young Lore has decisions to make - and enemies to shake. See what happens in the second installment of this riveting trilogy as a young woman steps into the role she's both doomed and destined to play.

First, a series of natural disasters devastated the land. Then came the famine. Soon, fear and panic spread throughout the United States. And out of the rubble of a broken nation, rose an empire. That is how Vitruvia was born.

A theoretical history of anthropomorphism and proportion in modern architecture, this volume brings into focus the discourse around proportion with current problems of post-humanism in architecture alongside the new possibilities made available through digital technologies. The book examines how the body and its ordering has served as a central site of architectural discourse in recent decades, especially in attempts to reformulate architecture’s relationship to humanism, modernism and technology. Challenging some concepts and categories of architectural history and situates current debates within a broader cultural and technological context, Hight makes complex ideas easily accessible. Extensively illustrated and written without academic jargon for an informed but non-specialized architectural audience, this book elucidates the often obscure debates of avant-garde architectural discourse and design, while demonstrating how these debates have affected everyday places and concepts of architecture. As a result, it will appeal to professional architects, academics and students, combining as it does an insightful introduction to the fundamental issues of architectural history and theory over the past fifty years with entirely new formulations of what that history is and means.

Eighteenth-century Britain saw an explosion of interest in its own past, a past now expanded to include more than classical history and high politics. Antiquaries, men interested in all aspects of the past, added a distinctive new dimension to literature in Georgian Britain in their attempts to reconstruct and recover the past. Corresponding and publishing in an extended network, antiquaries worked at preserving and investigating records and physical remains in England, Scotland and Ireland. In doing so they laid solid foundations for all future study in British prehistory, archaeology and numismatics, and for local and national history as a whole. Naturally, they saw the past partly in their own image. While many antiquaries were better at fieldwork and recording than at synthesis, most were neither crabbed eccentrics nor dilettanti. At their best, as in the works of Richard Gough or William Stukeley, antiquaries set new standards of accuracy and perception in fields ranging from the study of the ancient Britons to that of medieval architecture. Antiquaries is the definitive account of a great historical enterprise.

In recent decades, emerging scholarship in the field of girlhood studies has led to a particular interest in dolls as sources of documentary evidence. Deconstructing Dolls pushes the boundaries of doll studies by expanding the definition of dolls, ages of doll players, sites of play, research methods, and application of theory. By utilizing a variety of new approaches, this collected volume seeks to understand the historical and contemporary significance of dolls and girlhood play, particularly as they relate to social meanings in the lives of girls and young women across race, age, time, and culture.

Written by a geologist rather than an art historian, Inigo’s Stones has a down to earth narrative which reveals Inigo Jones as a stone expert who dealt with masons to became a shrewd businessman, bringing Portland stones to London, and founding the modern Portland stone industry.Why are so many of London’s famous buildings, for example Buckingham Palace, the British Museum, the Bank of England, the government offices in Whitehall, faced with stones from the Isle of Portland, more than a hundred miles away? Until now the reasons that prompted famous architect Inigo Jones to bring blocks of this creamy limestone all the way by sea from the Royal Manor of Portland and thereby found the modern Portland stone industry had been something of a mystery.Working with archival research specialist James Derriman, geologist Tom Williamson has now reconstructed a scenario that solves the mystery. It is a complex tale that involves the marriage of Inigo’s chief Banqueting House mason Nicholas Stone to the daughter of the City Mason of booming Amsterdam, a nasty incident at the stone-loading pier at Portland and Inigo Jones’s struggles to pay stone workers from King James’s bankrupt Treasury.The new findings presented in Inigo’s Stones also see Inigo Jones studying Roman stones and marbles in Italy with Lord and Lady Arundel, initiating the first geological study of Stonehenge, searching for Portland stones big enough to replicate the Carystian marble monoliths of the Roman temple of Antoninus and Faustina in London and procuring Irish marbles to reflect imperial glory on his friend King Charles I. Inigo emerges not just as a Court propagandist and Vitruvian architect, but also as a resourceful businessman doing his best to cope at a time when the government was even shorter of cash than it is today.Reflecting on the questions raised by Inigo’s work for the Stuart kings, the author Tom Williamson extends the story to cover the whole field of how rulers have used stones and marbles to project imperial power. Focusing on the stones of three once-mighty empires, the Roman, the Mughal and the British, the book ends with a surprising twist.

Every game has to end sometime. In the trilogy's epic conclusion, Lore is forced to protect what she loves even more than her country: her child.