Since the 1980s, the Vitra company has been erecting buildings in collaboration with some of the leading architects of the present day, including Zaha Hadid, Frank Gehry, Tadao Ando, SANAA, Álvaro Siza, Nicholas Grimshaw and Herzog & de Meuron. The Vitra Campus currently attracts over 350,000 visitors each year. While the renowned Vitra Design Museum presents alternating exhibitions, the newly built Schaudepot gives visitors an insight into parts of the museum's extensive collection. In addition, during their time on the Campus, visitors can take part in a guided tour of the architecture or a workshop, enjoy the view from the Vitra Slide Tower and afterwards slide down the 37-metre-long slide, experience furniture classics and new products from the Vitra Home Collection in the VitraHaus as well as savour the offers of the shops and cafés. With roughly 200 illustrations, The Vitra Campus offers an overview of Vitra architecture, its daily use, the evolution of the Campus and the biographies of the architects. It is ideally suited as a souvenir, as preparation for a visit, as a Campus guide or simply a fascinating read on some of the most significant architects of our time and their buildings. This new edition shows the new Campus buildings since 2014: the Álvaro-Siza-Promenade, Vitra Slide Tower by Carsten Höller, Vitra Schaudepot by Herzog & de Meuron and the project 24 Stops by the artist Tobias Rehberger.

In 2019, the Vitra Design Museum will publish the Atlas of Furniture Design, the definitive, encyclopedic overview of the history of modern furniture design. Featuring over 1700 objects by more than 500 designers and 121 manufacturers, it includes approximately 2800 images ranging from detailed object photographs to historical images documenting interiors, patents, brochures, and related works of art and architecture. The basis for the Atlas of Furniture Design is the collection held by the Vitra Design Museum, one of the largest of its kind with more than 7000 works. The book presents selected pieces by the most important designers of the last 230 years and documents key periods in design history, including early nineteenth-century industrial furniture in bentwood and metal, Art Nouveau and Secessionist pieces and works by protagonists of classical modernism and postwar design, as well as postmodern and contemporary pieces. The Atlas of Furniture Design employed a team of more than 70 experts and features over 550 detailed texts about key objects. In-depth essays provide sociocultural and design-historical context to four historical epochs of furniture design and the pieces highlighted here, enriched by a detailed annex containing designer biographies, glossaries, and elaborate information graphics. The Atlas of Furniture Design is an indispensable resource for collectors, scholars and experts, as well as a beautifully designed object that speaks to design enthusiasts.

Project Vitra began in 1957 in Birsfelden near Basel with the production of the furniture of Charles and Ray Eames and George Nelson. Today Vitra is active and known throughout the world for its products and cultural initiatives, which are evidenced by the Vitra Design Museum, its collections, and the architecture of the firmâs own corporate campus. Vitra sees itself first and foremost as a project driven by the desire and determination to design the world. This ambition is also the driving force behind «Project Vitra», which offers an inside look at the firmâs collaboration with architects and designers, including Charles and Ray Eames, George Nelson, Alexander Girard, Tibor Kalman, Frank Gehry, Tadao Ando, SANAA, Jasper Morrison, Zaha Hadid, Hella Jongerius, Maarten Van Severen, Ronan and Erwan Bouroullec, Jean Prouvé, Mario Bellini, Antonio Citterio, Alberto Meda, Verner Panton, Herzog and de Meuron, and many others. The copiously illustrated chapters with contributions by Alex Coles, Rolf Fehlbaum, Luis Fernández-Galiano, Deyan Sudjic, and Alexander von Vegesack tell stories about the places, people, and products connected with Vitra. This overview is rounded off by a history of the firm and a comprehensive glossary.

Balkrishna V. Doshi (b. 1927 in Pune) is one of the most influential pioneers of modern architecture in India. His life's work was honored in 2018 with the prestigious Pritzker Prize. Doshi has realized more than one hundred projects, including administrative and cultural facilities, housing developments, and residential buildings. He has become internationally known for his visionary urban planning and social housing projects, as well as his involvement in education. His most important buildings include the School of Architecture in Ahmedabad (1966-68) and the Aranya housing development in Indore (1989). 'Balkrishna Doshi: Architecture for the People' is the first overview of the architect's work in over twenty years, analyzing his most important works and providing timely context to his oeuvre. In-depth academic texts by outstanding experts in the field, including Kenneth Frampton, Kazi Ashraf, and Juhani Pallasmaa, give insights into the inspiration behind Doshi's work and background to his projects, as well as his lasting influence on younger generations. The richly illustrated survey comes complete with a detailed biography and new photographs of his buildings, which demonstrate the impressive timeliness of the Indian master's approach to a wide variety of typologies.

Summary: Since the 1980s, the Vitra company has erected buildings on its grounds in collaboration with some of the leading architects of the present day, including Zaha Hadid, Frank Gehry, Tadao Ando, SANAA, Álvaro Siza, Nicholas Grimshaw and Herzog & de Meuron. This has resulted in a unique architectural ensemble. The Vitra Campus currently attracts over 330,000 annual visitors. While the VitraHaus by Herzog & de Meuron provides the opportunity to experience furniture classics and new products from the Vitra Home Collection, the renowned Vitra Design Museum by Frank Gehry presents alternating exhibitions, which are accompanied by numerous events and workshops. Further attractions on the Vitra Campus include a museum shop, a café and guided architectural tours of the buildings on the Campus. With roughly 300 illustrations, 'Vitra Campus' offers an overview of Vitra architecture, its daily use, the development of the Campus and biographies of the architects.

The American architect Louis Kahn (1901 - 1974) is regarded as one of the great master builders of the twentieth century. With complex spatial compositions, an elemental formal vocabulary and a choreographic mastery of light, Kahn created buildings of archaic beauty. As the first comprehensive publication on this architect in 20 years, the book �Louis Kahn - The Power of Architecture� presents all of his important projects. It includes essays by prominent Kahn experts and an expansive illustrated biography with many new facts and insights about Kahn's life and work. In a number of interviews, leading architects such as Frank Gehry, Renzo Piano, Peter Zumthor and Sou Fujimoto underline Kahn's significance in today's architectural discourse. An extensive catalogue of works features original drawings and architectural models from the Kahn archive. The compendium is further augmented by a portfolio of Kahn's travel drawings as well as photographs by Thomas Florschuetz, which offer completely new views of the Salk Institute and the Indian Institute of Management.

Throughout her 20-year career, Neri Oxman has invented not only new ideas for materials, buildings and construction processes, but also new frameworks for interdisciplinary?and interspecies?collaborations. She coined the term ?material ecology? to describe her process of producing techniques and objects informed by the structural, systemic and aesthetic wisdom of nature. Groundbreaking for its solid technological and scientific basis, its rigorous and daring experimentation, its visionary philosophy and its unquestionable attention to formal elegance, Oxman?s work operates at the intersection of biology, engineering, architecture and artistic design, material science and computer science.0This book?designed by Irma Boom and published to accompany a midcareer retrospective of Oxman?s work?highlights the interdisciplinary nature of the designer?s practice. It demonstrates how Oxman?s contributions allow us to question and redefine the idea of modernism?a concept in constant evolution?and of organic design. Some of the projects featured in the book and exhibition include the Silk Pavilion, which harnesses silkworms' ability to generate a 3-D cocoon out of a single thread silk in order to create architectural constructions; Aguahoja, a water-based fabrication platform that prints structures made out of different biopolymers; and Glass, an additive manufacturing technology for 3-D printing optically transparent glass structures at architectural dimensions.00Exhibition: MoMA, New York, USA (22.02-25.05.2020).