How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley. Contributors carefully scrutinize and illustrate the effect of changing and evolving ideas of intellectual and physical vision on artistic practice in Florence, Rome, Venice, England, Austria, and the Netherlands. The artists whose work and practices are discussed include Fra Angelico, Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael, Parmigianino, Titian, Bronzino, Johannes Gumpp and Rembrandt van Rijn. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature across Renaissance Europe.

West Germany's terrorist period of the 1970s is still a troubling and fascinating subject for Germans, not least because of the high proportion of women involved, most notoriously Ulrike Meinhof. The present study examines the West German print media of the 1960s and 1970s, from the right-wing 'Bild' to the left-leaning 'Der Spiegel'to explore how violent women - both terrorists and others - were represented in image and text. This is the first book to explore print-media representations of German terrorism from an explicitly gendered perspective, and one of very few books in English to addres.

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As sightings of the Virgin Mary have increased around the world over the last couple of decades, the Vatican has placed increased importance on a group of theologians, scientists and physicians whose job is to investigate them. These are the miracle detectives. Randall Sullivan's book follows these investigators on the trail of the Virgin Mary from the Vatican City in Rome to Oregon, Arizona, Venezuela, Switzerland, Ireland, Japan and Kenya. What he discovers is that every road and each mystery leads back to a tiny village in Bosnia. There, against the background of the ongoing war, eight young visionaries have been receiving what they say are the final apparitions of the Madonna. These appearances, which began in 1981 in a small village in the former Yugoslavia, have been more thoroughly examined than any purported miraculous phenomenon in history. To date, the results defy explanation. This is an amazing story of religious mysticism, as well as a testing of the author's own faith and beliefs.