A timely, gripping novel about a girl who must speak out, stand up, and break free--perfect for teen fans of The Handmaid's Tale and Matched by Ally Condie, and perfect for this moment. As a girl, Miriam is forced to quiet her tongue and hold back her thoughts. That is the way of things in her desert haven, far away from the outside world. But Miriam knows that within the compound's gates and under the eye of its leader, Daniel, she is safe, and that makes her life far better than any alternative. But when a Matrimony ceremony goes wrong and Miriam winds up with someone other than the boy she loves--the boy she'd thought she was destined to marry--she can no longer keep quiet. For the first time, Miriam begins to question not only the rules that have guided her throughout her entire life, but also who she is at her very core. Alongside unexpected allies, Miriam fights to learn the truth and live the life she knows she's meant to have. In this compelling debut novel, one girl learns that the greatest power she has is her own voice. Now available in paperback, this book includes a discussion guide--perfect for your next book club pick Praise for The Virtue of Sin: "Shannon Schuren weaves a complex tale of love, faith, and lies in her thought-provoking debut The Virtue of Sin. As important as it is entertaining, this is a must-read for anyone who knows that independent thought trumps fitting in. One of my favorite reads of the year." --Christina Dalcher, bestselling author of Vox "Schuren beautifully captures the breathlessness of both first love, and first rebellion, in this engrossing, timely book. Part page-turning drama, part romance, the novel is above all an exploration of the ways repression can damage the soul--and what it takes to rise above it." --Jennifer Donaldson, critically acclaimed author of Lies You Never Told Me "Compulsively readable." --BCCB "Well written." --SLJ

Virtue, Big as Sin is impressively wide-ranging in theme and style. It illuminates everyday vignettes with solicitous spotlights such as the bereaved son sorting the contents of his father’s medicine cabinet, or the father whose son’s driver’s education recalls the time his own “unharnessed” Mustang went “bungeeing” around a bend; it celebrates the artist’s creative highs, or reflects on the misfortunate who is forever nearing the threshold of achievement, aware that life may prove a “most inept librettist” and should thus be paired with our “strongest song.” Osen’s dexterity with both formal and free verse is apparent. His wit and humor prevent the serious from becoming ponderous while his intelligent insight lends depth to the lighthearted. Reading and rereading this outstanding debut collection, it is easy to see why—from the first poem to the last—it is a worthy winner of the 2012 Able Muse Book Award. PRAISE FOR VIRTUE, BIG AS SIN: Frank Osen’s Virtue, Big as Sin offers one witty, elegant poem after another. The rhymes are especially clever, the meter sure, the stanzas well-shaped, but this poet’s sense of proportion is also reflected in wisdom (and what is wisdom but a sense of proportion?). An urbane maker of sparkling phrases like “that genuine Ur of the ersatz,” Osen can also write plainly, movingly, about a young girl’s funeral. And he reflects often on art itself, which he so rightly calls “the conjured awe.” —Mary Jo Salter (Judge, 2012 Able Muse Book Award) In his talent for tragedy and comedy, and for mixing them, Osen takes his place in a distinguished line of English-language poets that runs from Chaucer and Shakespeare down to our day. —Timothy Steele (from the afterword) Reading Virtue, Big as Sin has left me with the sense of satisfaction and enduring pleasure that really good poetry always produces, even when it also does the rest of what honest writing may do: confirm suspicions about ourselves we wish we could refute, bring to mind aspects of nature we’d rather forget, and deliver alarming news about the future, both public and private. Frank Osen does all of this and much more, all with grace and wit, in language that makes the messenger thoroughly “one of us.” —Rhina P. Espaillat Frank Osen’s poems revel in beauty and pleasure, in technical dexterity and high-gloss finish. Readers who care about such things will be abundantly rewarded. But the reveling is haunted by loss, awful possibilities of failure, a nothingness glimpsed beneath the carnival. One of Osen’s avowed tutelary spirits is Wallace Stevens, and his probing of his subjects can often seem like an extended, heart-wrenching commentary on Stevens’s line, “Death is the mother of Beauty.” The fragility of beauty, the omnipresence of death, and the intimate connections between them, are everywhere present in these marvelously heartening and effective poems. —Dick Davis

We live with the idea of sin every day – from the greatest transgressions to the tiniest misdemeanours. But surely the concept was invented for an age where divine retribution and eternal punishment dominated the collective consciousness? In this lively collection of new writing, Nicola Barker, Dylan Evans, David Flusfeder, Todd McEwen, Martin Rowson, John Sutherland and Ali Smith go head to head with the capital vices to explore what we really mean when we talk about sin. The resulting mixture of erudite and playful essays and startling new fiction might not make you a better person, but it will certainly give you pause for thought when you’ re next laying the law down or – heaven forfend – about to do something beyond the pale yourself.

Has the World Confused Evil with Righteousness? When sin is disguised as virtue, the path to cultivating righteousness becomes impossible. Such is the challenge Christians face in the modern age. Not long ago, most people would agree that the seven deadly sins are in fact deadly. But ask them today, and you’ll hear a different answer. Today, “anger” is often considered an admirable emotion, “lust” the only expression of love, and “greed” the unassailable right to “get what’s yours.” The world can rebrand sin all it wants and declare the death of truth, but it has no power against the truth of the Scripture. What God calls sin is sin—no matter what the world says. And sin always has the same destination—death and destruction. Dangerous Virtues examines how to recognize these seven deadly sins as they are subtly disguised in today’s culture. Dr. John Koessler provides a theology of sin and why the Christian must develop a prayerful heart and discerning eye to identify where sin exists in a world where good is called evil and evil called good.

Augustine of Hippo is a key figure in the history of Christianity and has had a profound impact on the course of western moral and political thought. Katherine Chambers here explores a neglected topic in Augustinian studies by offering a systematic account of the meaning that Augustine gave to the notions of virtue, vice and sin. Countering the view that he broke with classical eudaimonism, she demonstrates that Augustine's moral thought builds on the dominant approach to ethics in classical 'pagan' antiquity. A critical appraisal of this tradition reveals that Augustine remained faithful to the eudaimonist approach to ethics. Chambers also refutes the view that Augustine was a political pessimist or realist, showing that it is based upon a misunderstanding of Augustine's ideas about the virtue of justice. Providing a coherent account of key features in Augustine's ethics, her study invites a new and fresh evaluation of his influence on western moral and political thought.

Using biblical narratives, the Beatitudes and Erick H. Erikson's life cycle theory, Donald Capps reveals ways to combat the deadly sins by nurturing saving virtues. With his work rooted deeply in the Bible, Capps attempts to show comparisons that link each traditional deadly sin with a particular stage of personality development, using biblical figures to provide dynamic examples of virtue and sin. Providing broad implications for practicing ministry, Capps book will intrigue all who wish to explore virtue and sin from a pastoral, biblical and psychological perspective.

Drawing on centuries of wisdom from the Christian ethical tradition, this book takes readers on a journey of self-examination, exploring why our hearts are captivated by glittery but false substitutes for true human goodness and happiness. The first edition sold 35,000 copies and was a C. S. Lewis Book Prize award winner. Now updated and revised throughout, the second edition includes a new chapter on grace and growth through the spiritual disciplines. Questions for discussion and study are included at the end of each chapter.