The Buddha, Ashoka, Gandhi-the three greatest Indians who ever lived-were emblematic of non-violence. Yet, paradoxically, their country of origin is one of the most violent places on earth. Do 'we, the people of India' have violence in our bones? This work explores different aspects of our society to answer the question. Despite a blood-soaked Partition coupled with many other challenges that all emerging democracies have had to negotiate, India's record in upholding the democratic values enshrined in its Constitution has been impressive. Yet, violence remains an inextricable part of everyday life. Parts of the country are rocked by 'low-intensity' operations against various insurgencies. Our society is also scarred by caste violence, communal riots, and viciousness against women, children, the transgender community, and minorities. The country's large size, a highly differentiated population, uneven economic development, linguistic differences, regional imbalances, class and caste hierarchies, the politicizing of religious identities, appropriation of tribal lands, agrarian distress, joblessness, poverty, and deep inequality all breed frustration. Violence underlies almost every social and political interaction within Indian society, from the violence of everyday life to the brutal actions of the state or those ranged against the state. The Violence in Our Bones maps the assorted kinds of violence in India, and explores why, even as a successful democracy, violence continues to be endemic in the nation.

A respected journalist describes the abuse he suffered at the hands of a close family relative, the effect this had on his formative years and how he overcame the anger and self-doubt it left behind.

This is the first full account of the siege and massacre at Cawnpore. In the maelstrom of India's Great Mutiny of 1857, the European garrison at Cawnpore survived starvation and bombardment only to die brutally on the eve of rescue. To avenge their deaths and reassert imperial will, thousands of Indians were hanged along the British line of march or tied to guns and blown to pieces. Courage, folly, rage, fanaticism, horror, fortitude - all can be found here. But this is not just a saga of bloodshed following upon bloodshed; it is a demonstration of an essential rite of imperial progress. The cycle of massacre and retribution at Cawnpore advanced the empire by drowning out its critics in the fire and brimstone of British vengeance.

A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. He's a hard drinker, largely absent, and it isn't often he worries about the family. Esch and her three brothers are stocking up on food, but there isn't much to save. Lately, Esch can't keep down what food she gets; at fifteen, she has just realized that she's pregnant. Her brother Skeetah is sneaking scraps for his prized pit bull's new litter, dying one by one. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting. As the twelve days that make up the novel's framework yield to a dramatic conclusion, this unforgettable family - motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce - pulls itself up to face another day.

"[W]hat is true of Rwanda is true in each of us; we all share in Africa." -- L'Harmattan "[This novel] comes closer than have many political scientists or historians to trying to understand why this small country... sank in such appalling violence." -- Radio France International In April of 1994, nearly a million Rwandans were killed in what would prove to be one of the swiftest, most terrifying killing sprees of the 20th century. In Murambi, The Book of Bones, Boubacar Boris Diop comes face to face with the chilling horror and overwhelming sadness of the tragedy. Now, the power of Diop's acclaimed novel is available to English-speaking readers through Fiona Mc Laughlin's crisp translation. The novel recounts the story of a Rwandan history teacher, Cornelius Uvimana, who was living and working in Djibouti at the time of the massacre. He returns to Rwanda to try to comprehend the death of his family and to write a play about the events that took place there. As the novel unfolds, Cornelius begins to understand that it is only our humanity that will save us, and that as a writer, he must bear witness to the atrocities of the genocide. From the novel: "If only by the way people are walking, you can see that tension is mounting by the minute. I can feel it almost physically. Everyone is running or at least hurrying about. I meet more and more passersby who seem to be walking around in circles. There seems to be another light in their eyes. I think of the fathers who have to face the anguished eyes of their children and who can't tell them anything. For them, the country has become an immense trap in the space of just a few hours. Death is on the prowl. They can't even dream of defending themselves. Everything has been meticulously prepared for a long time: the administration, the army, and the [militia] are going to combine forces to kill, if possible, every last one of them."

A spellbinding story of three princesses and the destiny they were born for: seduction, conquest, and the crown. Immerse yourself in the first book in a new fantasy trilogy from the author of the New York Times bestselling Ash Princess series. Empress Margaraux has had plans for her daughters since the day they were born. Princesses Sophronia, Daphne, and Beatriz will be queens. And now, age sixteen, they each must leave their homeland and marry their princes. Beautiful, smart, and demure, the triplets appear to be the perfect brides—because Margaraux knows there is one common truth: everyone underestimates a girl. Which is a grave mistake. Sophronia, Daphne, and Beatriz are no innocents. They have been trained since birth in the arts of deception, seduction, and violence with a singular goal—to bring down monarchies— and their marriages are merely the first stage of their mother’s grand vision: to one day reign over the entire continent of Vesteria. The princesses have spent their lives preparing, and now they are ready, each with her own secret skill, and each with a single wish, pulled from the stars. Only, the stars have their own plans—and their mother hasn’t told them all of hers. Life abroad is a test. Will their loyalties stay true? Or will they learn that they can’t trust anyone—not even each other?

It's time to rewild ourselves and our dominant worldviews to build earth-centered communities for all. The dominant cultural worldview is based upon extraction and exploitation practices that have brought us to the precipice of social, environmental, and climate collapse. Braiding poetic storytelling, climate justice and deep cultural analyses, and the collective knowledge of Earth-centered cultures, The Story is in Our Bones opens a portal to restoration and justice beyond the end of a world in crisis. Author, activist, and changemaker Osprey Orielle Lake weaves together ecological, mythical, political, and cultural understandings and shares her experiences working with global leaders, systems-thinkers, climate justice activists, and Indigenous Peoples. She seeks to summon a new way of being and thinking in the Anthropocene, which includes transforming the interlocking crises of colonialism, racism, patriarchy, capitalism, and ecocide, to build thriving Earth communities for all. Lake calls forth historical memory of who we are in the Earth's lineage to bring into being the world we keenly long for, at the delicate threshold of great peril or great promise. For anyone grieving our collective loss and wanting to take action, The Story is in Our Bones is a vital guide to remaking our world. This hopeful, engaging, and creatively lyrical work reminds readers that another world is possible, and provides a desperately needed antidote to the pervasive despair of our time.