Northern Europe, 976 AD. Bjólf and the viking crew of the ship Hrafn flee up an unknown river after a bitter battle, only to find themselves in a bleak land of pestilence. The dead don’t lie down, but become draugr – the undead – returning to feed on the flesh of their kin. Terrible stories are told of a dark castle in a hidden fjord, and of black ships that come raiding with invincible draugr berserkers. And no sooner has Bjólf resolved to leave, than the black ships appear... Now stranded, his men cursed by the contagion of walking death, Bjólf has one choice: fight his way through a forest teeming with zombies, invade the castle and find the secret of the horrific condition – or submit to an eternity of shambling, soulless undeath!

976 AD - Northern Europe. Bjolf and the Viking crew of the ship Hrafn flee up to an unknown river after a bitter battle, only to find themselves in a bleak land of pestilence. The dead don't lie down, but become what the villagers call draugr - the undead - returning to feed on the flesh of their kin."

Laughing Shall I Die explores the Viking fascination with scenes of heroic death. The literature of the Vikings is dominated by famous last stands, famous last words, death songs, and defiant gestures, all presented with grim humor. Much of this mindset is markedly alien to modern sentiment, and academics have accordingly shunned it. And yet, it is this same worldview that has always powered the popular public image of the Vikings—with their berserkers, valkyries, and cults of Valhalla and Ragnarok—and has also been surprisingly corroborated by archaeological discoveries such as the Ridgeway massacre site in Dorset. Was it this mindset that powered the sudden eruption of the Vikings onto the European scene? Was it a belief in heroic death that made them so lastingly successful against so many bellicose opponents? Weighing the evidence of sagas and poems against the accounts of the Vikings’ victims, Tom Shippey considers these questions as he plumbs the complexities of Viking psychology. Along the way, he recounts many of the great bravura scenes of Old Norse literature, including the Fall of the House of the Skjoldungs, the clash between the two great longships Ironbeard and Long Serpent, and the death of Thormod the skald. One of the most exciting books on Vikings for a generation, Laughing Shall I Die presents Vikings for what they were: not peaceful explorers and traders, but warriors, marauders, and storytellers.

From the bestselling author of Jurassic Park, Timeline, and Sphere comes an epic tale of unspeakable horror. It is 922 A.D. The refined Arab courtier Ibn Fadlan is accompanying a party of Viking warriors back to their home. He is appalled by their customs—the gratuitous sexuality of their women, their disregard for cleanliness, and their cold-blooded sacrifices. As they enter the frozen, forbidden landscape of the North—where the day’s length does not equal the night’s, where after sunset the sky burns in streaks of color—Fadlan soon discovers that he has been unwillingly enlisted to combat the terrors in the night that come to slaughter the Vikings, the monsters of the mist that devour human flesh. But just how he will do it, Fadlan has no idea.

Driving along the freeway, Shane Scully glances over and sees Jody Dean, his oldest friend and LAPD colleague, at the wheel of an adjacent car. Why is Scully so surprised? Because it's been two years since Jody committed suicide in the Rampart Division parking lot by blowing his brains out with a service revolver. Shane served as a pallbearer at the funeral. What Scully will discover is that Jody and five other cops who are supposed to be dead are anything but; originally sent deep undercover to bust an extremely violent criminal network, they have become the LAPD's worst nightmare. Calling themselves the Vikings, they are rogue cops who know how the system works. In order to penetrate the group and set his cover, Scully is supposed to shoot his fiancée, Alexa. The setup goes awry and Shane finds himself looking down at his future wife's body. He is soon driven into the corridors of near-madness and into the bed of an extremely beautiful and utterly ruthless corporate seductress who threatens to destroy his soul. Shane's desperate and deadly undercover journey takes him from the embrace of Alexa and his teenage son, Chooch, to the Caribbean island of Aruba--to the decadence of Columbia's opulent palaces and the desperation of its deadly streets. In Viking Funeral, an electrifying thriller from Stephen J. Cannell, Sergeant Scully is driven to the psychological brink, his life in the hands of the most dangerous killer he's ever known--his closest childhood friend.

This 1943 book uses a variety of evidence from archaeology and literature concerning Norse funeral customs to reconstruct their conception of future life.