A Times Literary Supplement Book of the Year, chosen by Tom Stoppard "A revelation."—Marc Weingarten, Washington Post Acclaimed film director Billy Wilder’s early writings—brilliantly translated into English for the first time Before Billy Wilder became the screenwriter and director of iconic films like Sunset Boulevard and Some Like It Hot, he worked as a freelance reporter, first in Vienna and then in Weimar Berlin. Billy Wilder on Assignment brings together more than fifty articles, translated into English for the first time, that Wilder (then known as "Billie") published in magazines and newspapers between September 1925 and November 1930. From a humorous account of Wilder's stint as a hired dancing companion in a posh Berlin hotel and his dispatches from the international film scene, to his astute profiles of writers, performers, and political figures, the collection offers fresh insights into the creative mind of one of Hollywood’s most revered writer-directors. Wilder’s early writings—a heady mix of cultural essays, interviews, and reviews—contain the same sparkling wit and intelligence as his later Hollywood screenplays, while also casting light into the dark corners of Vienna and Berlin between the wars. Wilder covered everything: big-city sensations, jazz performances, film and theater openings, dance, photography, and all manner of mass entertainment. And he wrote about the most colorful figures of the day, including Charlie Chaplin, Cornelius Vanderbilt, the Prince of Wales, actor Adolphe Menjou, director Erich von Stroheim, and the Tiller Girls dance troupe. Film historian Noah Isenberg's introduction and commentary place Wilder’s pieces—brilliantly translated by Shelley Frisch—in historical and biographical context, and rare photos capture Wilder and his circle during these formative years. Filled with rich reportage and personal musings, Billy Wilder on Assignment showcases the burgeoning voice of a young journalist who would go on to become a great auteur.

Krimi. A member of the homicide department of the people's militia, State Security Officer Brano Sev is sent to the village of his birth to interrogate a potential defector, but his mission is complicated by a murder in which he becomes the prime suspect

SEEN FROM A DISTANCE is the story of Cusack, an Iraq war veteran now working for a private security firm. Alienated from his past and haunted by it, too, he lives determinedly in the here and now. His assignment is surveillance of an elderly professor, W.S. Tyler, whose dead son-in-law had ties to a shadowy Senegalese rebel army, accused by the U.S. government of being a terrorist organization. Cusack's preferred method of surveillance - the detached technology of camera and microphone is abruptly abandoned in favor of a role which puts him in Tyler's classroom and soon thereafter in a complicated relationship with his family. Cusack's boss, increasingly obsessed with Tyler, drags Cusack into his hidden agenda where deadly unforeseen events occur in rapid succession and the situation spins rapidly out of control. In the end, Cusack is confronted with choices that will change his future as radically as his earlier choices fixed his past. Seen From A Distance can be read as a character study, or a dramatic adventure or considered for its parallels to political events of the recent past. At every level, it is a terrific read.

The Records of the Vienna Diplomatic Conference on the Trademark Registration Treaty, 1973, contain the most important documents relating to that Conference which were issued before, during and after it. The Diplomatic Conference on the Trademark Registration Treaty was one of three diplomatic conferences which took place within the framework of the Vienna Diplomatic Conference on Industrial Property, 1973.

After the end of the Cold War, the political map of the world is being redrawn by two surviving world powers, but a former KGB agent foils their plan...