This book explores the fascinating minutiae of Victorian domestic life in the form of a scrapbook. The album is copiously illustrated with over 300 items of household ephemera, bringing the past to life.

Showcases a selection of 143 houses that exemplify Victorian tastes in residential design, revealing the high level of craftsmanship that went into their design and construction along with specific details such as spindlework, elaborate gable ornamentation, and striking dormers.

An album of 200 distinctive examples of English and American Victoriana, from the familiar to the arcane. They are organized into six chapters, each devoted to a room in a typical Victorian house: parlour, library, dining room, kitchen, bedroom and nursery.

This beautifully illustrated study recaptures the rich history of women photographers and image collectors in nineteenth-century England. Situating the practice of collecting, exchanging and displaying photographs and other images in the context of feminine sociability, Patrizia Di Bello shows that albums express Victorian women's experience of modernity. The albums of individual women, and the broader feminine culture of collecting and displaying imagesare examined, uncovering the cross-references and fertilizations between women's albums and illustrated periodicals, and demonstrating the way albums and photography, itself, were represented in women's magazines, fashion plates, and popular novels. Bringing a sophisticated eye to overlooked images such as the family photograph, Di Bello not only illustrates their significance as historical documents but elucidates the visual rhetorics at play. In doing so, she identifies the connections between Victorian album-making and the work of modern-day amateurs and artists who use digital techniques to compile and decorate albums with Victorian-style borders and patterns. At a time when photographic album-making is being re-vitalised by digital technologies, this book rewrites the history of photographic albums, placing the female collector at its centre and offering an alternative history of photography focused on its uses rather than on its aesthetic or artistic considerations. It is remarkable in elegantly connecting the history of photography with the fields of material culture and women's studies.

This is a story about a house that holds many secrets. A married couple buy it and proceed to renovate it. Along the way they find many artifacts left by the people who once lived there. A compulsory purchase order arrives from the council. Will kendal and bailey manage to save it from demolition or will the council win?