First published in 1969, this book studies the years of decline in the Victorian Church between 1868 and 1882. It centres on the Archbishop Tait, who was paradoxically the most powerful Archbishop of Canterbury since the seventeenth century, and follows the policies he pursued, the high church opposition it provoked and the involvement of Parliament. This book will be of interest to students of history and religion of the Victorian era.

A Stanford University Press classic.

In early Victorian England there was intense interest in understanding the early Church as an inspiration for contemporary sanctity. This was manifested in a surge in archaeological inquiry and also in the construction of new churches using medieval models. Some Anglicans began to use a much more complicated form of ritual involving vestments, candles, and incense. This "Anglo-Catholic" movement was vehemently opposed by evangelicals and dissenters, who saw this as the vanguard of full-blown "popery." The disputed buildings, objects, and art works were regarded by one side as idolatrous and by the other as sacred and beautiful expressions of devotion. Dominic Janes seeks to understand the fierce passions that were unleashed by the contended practices and artifacts - passions that found expression in litigation, in rowdy demonstrations, and even in physical violence. During this period, Janes observes, the wider culture was preoccupied with the idea of pollution caused by improper sexuality. The Anglo-Catholics had formulated a spiritual ethic that linked goodness and beauty. Their opponents saw this visual worship as dangerously sensual. In effect, this sacred material culture was seen as a sexual fetish. The origins of this understanding, Janes shows, lay in radical circles, often in the context of the production of anti-Catholic pornography which titillated with the contemplation of images of licentious priests, nuns, and monks.

The Death of Christian Britain uses the latest techniques to offer new formulations of religion and secularisation and explores what it has meant to be 'religious' and 'irreligious' during the last 200 years. By listening to people's voices rather than purely counting heads, it offers a fresh history of de-christianisation, and predicts that the British experience since the 1960s is emblematic of the destiny of the whole of western Christianity. Challenging the generally held view that secularization has been a long and gradual process beginning with the industrial revolution, it proposes that it has been a catastrophic short term phenomenon starting with the 1960's. Is Christianity in Britain nearing extinction? Is the decline in Britain emblematic of the fate of western Christianity? Topical and controversial, The Death of Christian Britain is a bold and original work that will bring some uncomfortable truths to light.

The seemingly inexorable decline of Christianity in Britain has long fascinated historians, sociologists and churchmen. They have also been exasperated by their failure to understand its origins or chart its progress. Sceptical both of traditional accounts and of their more recent rejection by revisionist writers, S. J. D. Green concentrates scholarly attention for the first time on the 'social history of the chapel' in a characteristic industrial-urban setting. He demonstrates just why so many churches were built in late Victorian Britain, who built them, who went to them, and why. He evaluates the 'associational ideal' during its period of greatest success, and explains the causes of its decline. In this way, Religion in the Age of Decline offers a fresh interpretation of the extent and the implications of the decline of religion in twentieth-century Britain.

This is a reassessment of the phenomenon of church architecture in the 19th century. It presents a range of interpretations that approach Victorian churches as products of institutional needs, socio-cultural developments, and economic forces.

Religion permeated almost every aspect of Victorian life and culture, from Parliamentary politics to issues of marriage and sexuality, from class relations to literature and the life of the imagination. In order to understand Victorian culture and writings, modern readers need to understand Victorian religion in its public and its private aspects. But much in Victorian religious life can be baffling for modern readers. The sheer diversity of Victorian religious experience is one source of confusion. Also, doctrinal disputes and discoveries in science or textual criticism that loomed so large for Victorian Christians are now hard for most people to appreciate. The Anglican Church, its hierarchy, and its enormous range of ecclesiastical titles open up further opportunities for confusion. Here, Melnyk offers a lively, thorough introduction to Victorian religious life, including the period between 1828 and 1901. Making sense of the diversity of religious thought and experience in Victorian Britain, she provides readers with a clear understanding of its role in the family and for the individual, the community, and society at large. This entertaining, readable introduction to Victorian religious life and controversies is ideal for anyone interested in Victorian life, literature, and culture.