This is the story of a sparrow who worries about everything - whether there will be enough to eat, where he will build his new nest, how he will find a mate, whether his family will be eaten by a bird of prey. Then he hears about the Great Father who made and cares for all his creation - even the tiniest sparrow. This delightful story has helped, reassured and entertained many thousands of children since it was first published in 1978.

The story of a sensitive, gifted African American girl who tells us with mordant humor what it feels like to spend every day wishing so hard that you could fly away from it all Sparrow has always had a difficult time making friends. She would always rather stay home on the weekends with her mother, an affluent IT executive at a Manhattan bank, reading, or watching the birds, than play with other kids. And that's made school a lonely experience for her. It's made LIFE a lonely experience.But when the one teacher who really understood her -- Mrs. Wexler, the school librarian, a woman who let her eat her lunch in the library office rather than hide in a bathroom stall, a woman who shared her passion for novels and knew just the ones she'd love -- is killed in a freak car accident, Sparrow's world unravels and she's found on the roof of her school in an apparent suicide attempt.With the help of an insightful therapist, Sparrow finally reveals the truth of her inner life. And it's here that she discovers an outlet in rock & roll music...

Eighteen years ago, a first god body appeared in the Xu family. It had ten divine veins, but the news of it had been leaked out, and ten divine veins had been destroyed. From then on, even though he had the qualifications of a god body, he could no longer cultivate. He had never been known to shake the mountains and rivers; he had never been able to cover the sky with his hands, but he had guided the world; he had never possessed endless abilities, but he had been respected by the world as a teacher; he was destined to not live past twenty, even though he was young and extraordinary.

At the Blue Bell Amish School, fourteen-year-old Amelia Stoltzfus has been asked by her teacher, Miss Horning, to stay after school. It's an unusual request, and she's felt edgy and fearful all day long. Worse, Miss Horning has been acting peculiar. Miss Horning asks Amelia to be a substitute teach while she leaves for a month to take care of her ailing mother. After much consideration, Amelia agrees, but she still wonders why Miss Horning is beings so fidgety. By the time she starts making her way home, it's dark out, and Amelia feels nervous and fearful. Footsteps begin following her. Suddenly, she's struck from behind and slumps to the ground. At Amelia's home, her parents, Ben and Elizabeth, are deeply worried. Amelia should have returned from school long before now. They start searching for her, and they soon discover that Miss Horning is missing, too. Neighbors, friends, and even the state police come to help. But there is also a silent, sullen stranger who lends a hand. Is he somehow connected to the disappearances? As events begin to unfold and dark secrets come to light, it becomes clear that the Amish community and their neighbors worked together to help those in need.

The book uncovers the versatility and literary skills of oral narrators in a small African island. Relying on the researches of three French ethnographers who interviewed storytellers in the 1970s-80s, Lee Haring shows a once-colonised people using verbal art to preserve ancient values in the postcolonial world, when the island of Mayotte was transforming itself from a neglected colony to an overseas department of France. The author’s innovation is to read ethnographic researches as play scripts—to see printed folktales as accounts of live performances. One storyteller after another comments symbolically on what it is like to be a formerly colonised population. Storytelling women, in particular, combine diverse plots and characters to create traditional-sounding stories, which could not have been predicted from the African, Malagasy, Indian, and European traditions coexisting in Mayotte. Haring’s account shows them to be particularly skilled at irony and ambiguity, conveying both submissive and rebellious attitudes in their tales. He makes Mayotte storytelling accessible to a new, English-speaking audience and demonstrates that traditional storytellers in those years were preserving, but also critiquing, their inherited social order in a changing world. Their creative intentions, cultural influences and widely different narrative styles constitute Mayotte’s system of the arts of the word. Literary specialists, folklore enthusiasts, and people who like reading stories will find much to appreciate in this engaging and sophisticated book.