(Artist Books). Must-have flute transcriptions of the brilliant playing of Sir James Galway. Features 30 selections from throughout his prolific career, including: Annie's Song * Ashokan Farewell * Beauty and the Beast * Berceuse * Can You Feel the Love Tonight? * Clair De Lune * Danny Boy/Londonderry Air * The Flight of the Bumblebee * The Girl from Ipanema * I Will Always Love You * Memory * My Heart Will Go On * Riverdance * Shenandoah * Waltzing Matilda * The Wind Beneath My Wings * and more.

(Artist Books). This inspiring collection of seasonal music tells the tale of the men and women who braved a rough ocean crossing to come to America from Northern Ireland, full of hope and strength. Includes a wide range of music from spirited jigs to touching melodies, arranged for flute and piano with a separate pull-out section for the flutist.

A compilation of the selected editions by flautist, James Galway. Includes music by Beethoven, Griffes, Mozart, Vivaldi, and more. Contents - Bach - Bourée I and II, Polonaise and Double from Orchestral Suite No. 2 in B minor, BWV 1067; Beethoven - Minuet in G Major from Six Minuets, WoO 10, No. 2; Borne - Fantasie Brillante, on themes from the opera Carmen by Georges Bizet; Gossec - Gavotte in D Major; Gounod - Ave Maria, adapted from the first prelude of J.S. Bach; Griffes - Poem; Hasse - Tambourin; Haydn - Serenade from String Quartet in F Major, Op. 3, No. 5; Marais - Le Basque from Book Four of Pieces for Viol; Mozart - Allegro maestoso from Concerto in G Major, K. 313; Allegro aperto from Concerto in D Major, K. 314; Reinecke - Allegro from Sonata (Undine), Op. 167; Vivaldi - Allegro from Violin Concerto in E Major 'La Primavera', Op. 8, No. 1; Irish Tune from County Derry; Belfast Hornpipe.

(Instrumental Folio). Flutists will love this giant collection of 130 popular solos! Includes: Another One Bites the Dust * Any Dream Will Do * Bad Day * Beauty and the Beast * Breaking Free * Clocks * Edelweiss * God Bless the U.S.A. * Heart and Soul * I Will Remember You * Imagine * Na Na Hey Hey Kiss Him Goodbye * Satin Doll * United We Stand * You Raise Me Up * and dozens more!

(Guitar). The edition Schumann for Guitar is an interesting attempt to transfer Robert Schumann's romantic, lyrical music to the guitar. As a consequence, new tonal possibilities present themselves for the guitar repertoire, particularly in view of the fact that Schumann himself never composed an original piece for guitar. This volume naturally contains pieces from the famous piano cycles Album fur die Jugend, Kinderszenen and Albumblatter, but also some lieder like Mondnacht and Im wunderschonen Monat Mai. Special highlights of the volume are the original Schumann transcriptions by Francisco Tarrega (1852-1909) which prove that guitarists studied Schumann's music as early as the 19th century. Schumann for Guitar is ideal for concerts and music lessons, but also for private music-making. The pieces are of easy to intermediate technical difficulty so that even amateur guitar players will enjoy the pieces!

(Music Pro Guides). Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo , To Kill a Mockingbird , Patton , The Untouchables , or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music . This is the first book since Roy M. Prendergast's 1977 benchmark, Film Music: A Neglected Art , to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language , developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning . To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): "If you have any interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today."