New York City, 1924 Once their paths cross, their worlds will never be the same. Danny Moore and his crew only meant to rob the hotel suites of rich guests. He wasn’t supposed to find himself in gangster Ricky il Sacchi’s room. And il Sacchi wasn’t supposed to wind up dead. Now Danny has the attention of another notorious gangster. Carmine Battaglia is intrigued by the Irish thieves who would have made off with a huge score if not for il Sacchi’s death. They’re cunning, careful, and exactly what he needs for his rum running operation. But Danny’s already lost two brothers to the violence between New York’s Irish and Sicilian gangs, and he’s not about to sell his soul to Carmine. With a gangster’s blood on his hands, Danny needs protection, whether he likes it or not. And that’s to say nothing of the generous pay, which promises to pull him and his crew—not to mention their families—out of destitution. Working together brings Danny and Carmine to a détente, then to something so intense neither can ignore it. Something nearly enough to make them both forget the brutal tensions between their countrymen. But the death of Ricky il Sacchi hasn’t been forgotten. And someone is determined to make Danny bleed for it. The Venetian and the Rum Runner is a 144,000-word gay historical romantic suspense novel set during Prohibition and the Roaring Twenties. Enemies to lovers, class differences, and intrigue, all against a backdrop of gangs rising to power in 1920s New York. CW: graphic violence, PTSD

After Chris’s best friend Joshua died during a two-year mission, the once devout Mormon lost his already crumbling faith. Ostracized from his family and the only community he’s ever known, Chris had no choice but to find his way on his own. Now he’s going to school and loves his job as a bartender at Wilde’s, and four years after Joshua’s death, he’s moving on. But Joshua isn’t dead, and now he’s back in Chris’s world. Returning to Seattle to make peace with his dying father, Joshua has a new name, a new accent… and old feelings for Chris that are alive and well. Forgiveness doesn’t come easy for anyone, but just as Chris is accepting that the man he loves isn’t going to run away this time, their families threaten to pull them apart all over again… Contains two lost boys who’ve finally found each other again and need to make up for a hell of a lot of lost time. There’s also a military uniform, a tuxedo, and a knife. In the same scene. And yes, it’s that kind of scene. This 57,000 word novel was previously published.

Eighteen months ago, drummer Jude Colburn made the biggest mistake of his life when he walked away from his band just as they were on the brink of success. Now, he’s got a second chance. The band’s bassist just quit, and Jude plays bass almost as well as he plays drums. The other band members aren’t thrilled, but they are desperate. Running with Scissors needs him, but there’s one condition: no hooking up with bandmates. That’s what ruined things eighteen months ago, after all. Jude’s on board, but no one warned him about the drummer who replaced him. A.J. Palmer is shy and unassuming . . . until he hits the stage. He gets Jude’s attention from the first beat, and suddenly that “no hookups” rule isn’t so easy to follow. Keeping secrets on a tour bus isn’t easy either, and it’s only a matter of time before the band catches on. When everything hits the fan, Jude has to choose: a second chance at the career he’s always regretted leaving, or a shot at the man of his dreams? This 82,000 word novel was previously published.

It’s been six years since Marcus Peterson and Reuben Kelly broke up, but they’ve made it work as friends and coworkers. That is until a few too many drinks at the company Christmas party leads to a night they both regret. Eight awkward weeks later, when their boss—Reuben’s dad—needs someone to fill in at a trade show, Marcus and Reuben find themselves in close confines. A road trip, a booth, a hotel room… and that’s before the weather goes south. There’s no escape from each other, and there’s no ignoring the guilt, the awkwardness… and the spark that desperately wants to come back to life. Because if there’s one thing that hasn’t changed after all this time, it’s how they feel about each other. But if they can’t cut through all the barriers keeping them apart, this old flame will go out for good. This second chance exes to lovers gay romance is approximately 44,000 words. A road trip, a lot of tough conversations... and there's only one bed.

Ricardo Torralba and August Morrison don’t agree on much besides the fact that they hate each other. According to Ricardo, August is a spoiled brat who really needs to knock off the sass once in a while. August insists that Ricardo needs a sense of humor, a good lay, or a well-placed bullet. Maybe all three. Fortunately, the assassin’s profession is a solitary one, and they can go about their lives without getting in each other’s way. Usually. When a contracted hit turns out to be a setup for both of them, they narrowly escape with their lives. Now, even if they don’t like it (spoiler: they don’t), August and Ricardo have to work together if they want a shot at survival. In between firefights and questionable interrogation methods as they hunt down their would-be killer, the cranky assassins discover that under all that mutual loathing is a spark of chemistry they can’t ignore. They want to ignore it, they probably should ignore it, but August can’t help flirting to annoy Ricardo, and Ricardo can think of at least one way to shut him up for a while. But they need to focus, damn it, and figure out who’s gunning for them and why. Assuming they don’t kill each other first. Hitman vs Hitman is a standalone* gay romantic suspense featuring two men who’d rather chew glass than fall for each other, a whole lot of inappropriate comments, and some buttons that will need resewing. * Okay, it was supposed to be a standalone, but August and Ricardo refused to be contained, so now they have a sequel, Sniper vs Spotter. Fans of L.J. Hayward and Alice Winters will love this assassin duo featuring a grumpy special forces veteran and the irreverently sunshine billionaire who drives him up a wall. Come for the enemies to lovers, stay for the feels. And explosions.

David Coleman has made some mistakes, and he’ll be living with the consequences for the rest of his life. He’s made decisions that have left him estranged from his once tight knit family. Even now, when David is clean and sober and working his way through medical school with a promising future ahead, his parents refuse to forgive or forget. When he gets some grim news about his father, David realizes he’s running out of time to make amends. As he comes home for the holidays and his sister’s wedding, he knows it’s going to be tense, but he’s desperate to prove they’re wrong about him. And since they won’t take his word for it, he’s bringing reinforcements. Hunter Scott will do anything for his childhood best friend, but he never thought that would include posing as his boyfriend. Except David’s family has always respected Hunter. Maybe if they see that David is good enough for Hunter to love, they’ll realize he’s good enough for them too. But as Hunter and David lean on each other through snowstorms, family drama, and visits from personal demons, maybe this relationship isn’t as much of a performance as it was meant to be. The Road Home is approximately 82,000 words long. CW: Recovering addict struggling on-page, references to meth use, combat PTSD, discussions of suicide

Between his time in the Marines and working as a bouncer at Wilde’s, Elliott Moore has seen it all. In his line of work, breaking up fights is business as usual. When he steps into a lovers’ quarrel one night, though, he finds himself running interference as a traumatized man tries to get rid of a persistent and occasionally violent ex-boyfriend. Dr. Samir Ramezani has had enough. He just wants to move on from that toxic, abusive relationship, but his jerk of an ex isn’t ready to let him go. When Elliott offers to back him up, Samir is grateful for the help—and irresistibly drawn to the man with the big muscles and a soft touch. Samir is terrified he’s just jumping from one bad relationship to another, but Elliott isn’t like men he’s dated before. He’s sweet, he’s gentle, and he’s a sucker for Samir’s beloved pets. And Elliott isn’t just protective of Samir—as the chemistry sizzles between them, he’s falling fast. It’s hard not to think this could be the real thing. That is as long as the vindictive ex-boyfriend who knows all Samir’s weaknesses doesn’t find a way to sabotage it. This Wilde’s novel is 57,000 words, and can be read as a standalone.