Immediately, the seer Medhas challenges King Suratha and the merchant Samachi, saying that nothing in this world is as it seems to be and that what they don't know is the cause of their grief. Gifted with unfailing wisdom, the holy man is at once provocative, unpredictable, and loving as he takes his two new disciples on the journey of a lifetime-a journey to the heart of reality to self-discovery. This story of betrayal and loss, inner conflict, and the way to peace probes ever deeper into to the mystery of human existence and leads to the question, Who am I? Amid the deconstruction od everyday personality and the perplexing world, an astonishing new sense of self begins to shine through. Suratha's and Samadhi's struggles are everyone's struggles, and their growing understanding, nurtured by the irrepressible holy man, reveals the wisdom that resides deep in every human heart. The Veiling Brilliance is a compelling story, but more than that, it is a manual for living the empowers through a transformative vision of life in all its sacredness, where the commonplace becomes miraculous. Inspired by the Devimahatmya, the Sanskirt classic of Goddess-centered Hinduism, The Veiling Brilliance is an imaginative and eloquent novel that reinterprets for today's reader the psychological and spiritual wisdom of India's ancient Vedas and Tantras. At its core, The Veiling Brilliance is a book for seekers of direct, simple answer's to life's perennial questions and a book for those who wish to hear the hidden wisdom of the holy man's teaching simply, directly, and eloquently. Book jacket.

What is an 'echo' of Scripture? How can we detect echoes of the Old Testament in Paul, and how does their detection facilitate interpretation of the Pauline text? These are questions addressed by this collection of essays from the SBL programme unit Scripture in Early Judaism and Christianity. The first part of the book reports its vigorous 1990 discussion of Richard Hays's 'Echoes of Scripture in the Letters of Paul', including contributions by Craig Evans, James Sanders, William Scott Green and Christiaan Beker, as well as a response by R.B. Hays. The second part of the book studies specific passages where reference is made to the Old Testament explicitly or allusively. The contributors here are James Sanders, Linda Belleville, Carol Stockhausen, James Scott, Nancy Calvert and Stephen Brown.

Part I of this work determines where Paul is dependent on Jewish and Hellenistic exegesis of the Moses story where he provides a fresh interpretation. Part II brings form-critical studies of the Greek papyri to bear on the epistolary function of these verses. Part III investigates first-century homiletic patterns, exegetical techniques and material parallels in order to illuminate the sequence of Paul's thought. At issue in these verses is Paul's apostolic credibility. Paul selectively weaves together text, tradition and haggadah, using accepted methods of text interpretation and a common Jewish homiletical form, to provide his readers with reliable standards of apostolic accreditation and to defend himself against those who sought to discredit him as a failure in reaching his own people.

The Svetasvataropanisad is considered to be the most beautiful of all the Upanisads, the philosophical texts of the Hindu religion. In this new translation, Devadatta Kali takes a fresh look, and works from a new premise that the Svetasvatara represents a Saivite (one of the Hindu sects) point of view. This he claims, allows its intended meaning to shine forth. The translation and commentary brings to life the seer Svetasvatara, who from time to time delights in provocation and word play, allowing the reader to share the joy of his liberated vision that all this world is an expression of the Divine. This translation aims to capture the seer's ecstatic response to the wonders of creation while pointing the reader towards the even greater wonder of its source. Devadata Kali's purpose in his translation and the commentary is to convey the vibrant immediacy of the Sanskrit original and strip away many centuries of exegetical accretions in order to make Svetasvatara's message heard as he intended--as a statement of profound insight designed to guide, inspire, and enlighten. Features of the text: 13 pages of uninterrupted fl ow of the translation of the Upanisad.6 chapters of the Upanisad in original Sanskrit with English translation and commentary.Two appendixes giving the word-by-word analysis of the Sanskrit and a complete tabulation of the correspondences with other texts and internal corresponds within the Upanisad itself.Index including bilingual references and major themes by verse.

The Yogasutra of Patanjali is described as an owner’s manual for the human mind and how the mind can be used in the quest for Truth and The Managing Mind presents this most important text on Yoga and meditation in clear and straightforward English. Devadatta Kali’s commentary endeavors to draw out the meaning of Patanjali’s text in a coherent and modern form that will serve the real life needs of the spiritual practitioner. He has also includes the original Sanskrit text for those who seek a more in-depth understanding of the hidden dimension of the Yogasutra, giving a word-by-word analysis with multiple possibilities for the meaning of the text. In addition, Devadatta Kali provides his own original interpretations of the meaning of several of the sutras. He sheds new light on their classical interpretation, which have often missed the point by overlooking the language of metaphor.

"Although Mallarme is commonly viewed as the high priest of the autonomous work of art, by far the bulk of his actual poetic writing was occasional verse. With few exceptions the works written after 1873 manifest a reinvestment in the world subsequent to the metaphysical crises of the 1860's. In addition to the "Tombeaux," the toasts, and certain of the "Eventails," Mallarme composed the Vers de circonstance, more than 450 quatrains and distichs inscribed on envelopes, postcards, calling cards, Easter eggs, small stones, photographs, and jugs of Calvados. This is the first comprehensive reading and analysis of the neglected late poetry, heretofore dismissed as of marginal interest." "This book has a dual purpose. By exploring the occasional verse of Mallarme, which itself thematizes the problematics of the occasion, the author seeks to rehabilitate such writing for critical study. She does this not by proclaiming its high seriousness, but by insisting on its casual, amenable, public nature. Unlike previous critics, who have often apologized for straying into the fringes of the canon, the author delights in the marginal, insisting that in a poetics of the occasion, traditional oppositions such as center/margin become skewed and break down." "The author's second purpose is to come to a better understanding of Mallarme in light of what he actually wrote, rather than the work projected in his correspondence and prose articles, which has claimed so much critical attention. Each of the chapters of the book highlights one aspect of occasional poetry through an investigation of representative texts, both canonical and occasional. The author also discusses the relationship between Mallarme's poetics and the plastic arts, tracing the changing conception of the representation of the monument from the nineteenth to the twentieth century, as well as the correspondences between the more radical aspects of Mallarme's practice of writing and the contemporary arts." "Far more than a study of a single writer, this book is the first to propose a pragmatic definition of occasional literature, to undertake a broad study of the problem of occasion in literature, and to trace the historical trajectory of occasional writing as a specific discourse. The book is illustrated with 27 halftones."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

When you can’t trust yourself, how can you trust another? Elaria’s sanity has fractured. Haunted by strange dreams stirring a nameless longing, confusion and frustration mount. She can’t explain why her brother and his friend shadow her every move, or why she’s suddenly failing classes, but lately, no-one deserves her trust. A realm away, Lorcan’s demon army wreaks havoc in Lynan. Trapped within the castle, Rhyan and Solomon battle for their lives. With Elaria’s plight unknown, Solomon fears the worst for the prophecy’s outcome. The veiling may hide evil’s prey, but magick can’t constrain such immense power. As sanity and kingdom teeter, the darkest secret yet is exposed, and with it, the greatest challenge Elaria will ever face. The Veiling continues the Coveted Power series, an epic coming-of-age fantasy, where sorcery, treachery, and love straddle medieval and contemporary worlds. The Veiling contains: A Dark Lord The Chosen One Enemies to Lovers Sword and Sorcery A Cliffhanger Ending Medieval and Contemporary Realms