It’s Halloween, and Josh and Maddy are all ready to go out trick-or-treating. But the arrival of their otter-people friends with an urgent message from Keeper the Giant changes everything.

Just when Killian and I are planning our vacation, Cupid strikes Moonshadow Bay. But it's not exactly love at first sight for the victims, and we at Conjure Ink have our hands full. Someone’s attacking townsfolk, shooting them with arrows that are enchanted by a love potion. Not only are the victims hurt, but they fall into obsessive love—a love that can be dangerous. And in the middle of this, a restaurant that used to be a funeral home is having ghostly encounters of the harrowing kind. I just hope we can take care of all of this before Killian and I head off on vacation to celebrate Valentine’s Day. *This book contains the novella that was found in the Aged To Perfection anthology. The anthology is no longer available.* Keywords: Paranormal, Witches, Faerie, Fae, Fairy, Weres, Shapeshifters, Romance, Paranormal Women’s Fiction, Badass heroine, kickass women, action and adventure, Ghost hunting, cats, ghosts, urban legends, shadow people, Shadow towns, wolf shifters, cat shifters, elemental magic, shapeshifter romance, mystery, strong women, kickass heroine, steamy, Pacific North West, woods, fae creatures, divorce, life change, new life, hometown, hauntings, dark creatures, amazing friendships, family secrets, spells, challenging foes, magical creatures, mythology

The essays in this volume consider the ways in which material and intellectual culture both shaped and were shaped by the literature of late medieval England. The first section, “Textual Material,” reflects on cultural and social issues generally referred to as the History of Ideas, and how those ideas manifest in later medieval English texts. Essays address, for example, affect in The Book of Margery Kempe, rhetoric in Sir Gawain and the Green Knight, anarchy in late medieval political texts, and temporality in Gower’s Confessio Amantis. The essays in the second section, “Material Texts,” examine physical objects – from pilgrim badges, to manuscripts, to money, to early printed editions – and the cultural behaviors associated with them, interpreting these objects and exploring their connections to the important literary and political texts of the age such as Piers Plowman, Lydgate’s Troy Book, and Chaucer’s Canterbury Tales. All of the essays in this collection emerge from the relationships and connections between the issues that characterize Jim Dean’s work: the cultural, material, and aesthetic aspects of later medieval English literature. So too do they reflect a movement in medieval literary studies presaged by Dean’s career of scholarship and teaching, that critical approaches to literary texts are best undertaken with an understanding of the complex cultural and historical milieu that defines both the production of those texts and the production of our own work on those texts.

Manding is a common name for several closely related languages in West Africa: Maninka (or Malinke), Bamana (or Bambara), Jula, Mandinka, Xasonka, etc., spoken by up to 40 million people. In this dictionary, forms of Malian Bamana and Guinean Maninka are included. The polysemy of words is represented in all details, the senses are represented hierarchically. Verbal valencies are indicated throughout and clarified by abundant illustrative examples. Numerous idiomatic expressions are given. Most of lexemes are provided with etymological information: sources of borrowing or proto-forms and their reflexes in other Mande languages. The dictionary is oriented toward advanced language learners and professional linguists, but it can be also useful for native speakers of Bamana and Maninka languages.