In the heatwave of 1959, four sisters arrive at Applecote Manor to relive their memories of hazy Cotswolds summers. They find their uncle and aunt still reeling from the disappearance of their only daughter, five years before. An undercurrent of dread runs through the house. Why did Audrey vanish? Who is keeping her fate secret? As the sisters are lured into the mystery of their missing cousin, the stifling summer takes a shocking, deadly turn. One which will leave blood on their hands, and put another girl in danger decades later . . .

'An enthralling story of secrets, sisters and an unsolved mystery' Kate Morton In the middle of a heatwave, four sisters arrive at Applecote Manor to relive their memories of hazy Cotswolds summers. They find their uncle and aunt still reeling from the disappearance of their only daughter, five years before. An undercurrent of dread runs through the house. Why did Audrey vanish? Who is keeping her fate secret? As the sisters are lured into the mystery of their missing cousin, the stifling summer takes a shocking, deadly turn. One which will leave blood on their hands, and put another girl in danger decades later . . . 'Evocative and filled with intrigue' Clare Mackintosh 'One of the most enthralling novelists of the moment' Lisa Jewell 'Exquisite and evocative - the pace and suspense are handled expertly' Sarah Vaughan

“For fans of Kate Morton and Daphne du Maurier, Black Rabbit Hall is an obvious must-read.”—Bookpage A secret history. A long-ago summer. A house with an untold story. Amber Alton knows that the hours pass differently at Black Rabbit Hall, her London family’s Cornish country house, where no two clocks read the same. Summers there are perfect, timeless. Not much ever happens. Until, one terrible day, it does. More than three decades later, Lorna is determined to be married within the grand, ivy-covered walls of Pencraw Hall, known as Black Rabbit Hall among the locals. But as she’s drawn deeper into the overgrown grounds, she soon finds herself ensnared within the house’s labyrinthine history, overcome with a need for answers about her own past and that of the once-golden family whose memory still haunts the estate. Eve Chase's debut novel is a thrilling spiral into the hearts of two women separated by decades but inescapably linked by the dark and tangled secrets of Black Rabbit Hall.

THE INTERNATIONAL BESTSELLER, “A captivating mystery: beautifully written, with a rich sense of place, a cast of memorable characters, and lots of deep, dark secrets.”—Kate Morton, New York Times bestselling author of The Clockmaker's Daughter “Extraordinary…Absolutely her best yet.”—Lisa Jewell, New York Times bestselling author of The Family Upstairs Three generations. Three daughters. One house of secrets. The truth can shatter everything . . . When the Harrington family discovers an abandoned baby deep in the woods, they decide to keep her a secret and raise her as their own. But within days a body is found in the grounds of their house and their perfect new family implodes. Years later, Sylvie, seeking answers to nagging questions about her life, is drawn into the wild beautiful woods where nothing is quite what it seems. Will she unearth the truth? And dare she reveal it? (Published in the UK as The Glass House) “The Daughters of Foxcote Manor is not really about a murder, or a creepy house, but about families - the ones we're born into, the ones we make and especially the ones we flee.”—The New York Times One of the New York Times "Novels of Suspense and Isolation" One of The Washington Posts' Best New Audiobooks One of Bustle's Most Anticipated Books of Summer One of PopSugar's Best Books of July One of New York Posts Best Books of the Week

In the spirit of Lisa Jewell and Kate Morton, an emotional mystery set in the rugged remote landscape of north Cornwall full of dark secrets and twists, about three unusual sisters forced to confront the past. Some secrets need to be set free… When half-sisters Kat, Flora, and Lauren are unexpectedly summoned to Rock Point, their wild and remote Cornish summer home, it's not a welcome invitation. They haven't been back since that fateful summer twenty years ago—a summer they're desperate to forget. But when they arrive, it's clear they're not alone. Someone is lurking in the shadows, watching their every move. Someone who remembers exactly what they did... Will the sisters be able to protect the dark past of Rock Point? Or are some secrets too powerful to remain under lock and key?

It's 1699, and the salons of Paris are bursting with the creative energy of fierce, independent-minded women. But outside those doors, the patriarchal forces of Louis XIV and the Catholic Church are moving to curb their freedoms. In this battle for equality, Baroness Marie Catherine D'Aulnoy invents a powerful weapon: 'fairy tales'. When Marie Catherine's daughter, Angelina, arrives in Paris for the first time, she is swept up in the glamour and sensuality of the city, where a woman may live outside the confines of the church or marriage. But this is a fragile freedom, as she discovers when Marie Catherine's close friend Nicola Tiquet is arrested, accused of conspiring to murder her abusive husband. In the race to rescue Nicola, illusions will be shattered and dark secrets revealed as all three women learn how far they will go to preserve their liberty in a society determined to control them. This keenly-awaited second book from Melissa Ashley, author of The Birdman's Wife, restores another remarkable, little-known woman to her rightful place in history, revealing the dissent hidden beneath the whimsical surfaces of Marie Catherine's fairy tales. The Bee and the Orange Tree is a beautifully lyrical and deeply absorbing portrait of a time, a place, and the subversive power of the imagination.

In Scenes of Sympathy, Audrey Jaffe argues that representations of sympathy in Victorian fiction both reveal and unsettle Victorian ideologies of identity. Situating these representations within the context of Victorian visual culture, and offering new readings of key works by Charles Dickens, Elizabeth Gaskell, Ellen Wood, George Eliot, Oscar Wilde, and Arthur Conan Doyle, Jaffe shows how mid-Victorian spectacles of social difference construct the middle-class self, and how late-Victorian narratives of feeling pave the way for the sympathetic affinities of contemporary identity politics. Perceptive and elegantly written, Scenes of Sympathy is the first detailed examination of the place of sympathy in Victorian fiction and ideology. It will redirect the current critical conversation about sympathy and refocus discussions of late-Victorian fictions of identity.