This stunning compilation of the work of Jan van Eyck, the master Flemish painter, is being published to coincide with a once-in-a-lifetime exhibition in Ghent. Flemish painter Jan van Eyck (1390–1441) towered above his contemporaries. With his unprecedented technique, scientific knowledge, and unparalleled powers of observation, Van Eyck lifted oil painting to previously unknown heights and helped determine the course of Western art. In 2020, the Museum of Fine Arts in Ghent will host the largest ever exhibition of Van Eyck’s work. Van Eyck: An Optical Revolution includes artwork by Van Eyck, several pieces from his studio, and international masterpieces from the late Middle Ages while making the world of Van Eyck more tangible than ever. This tie-in exhibition catalog unravels some of the myths that surround Van Eyck and his techniques, while showing his complete oeuvre and influence in a new perspective. Including essays by leading experts from around the world, Van Eyck will prove to be an indispensable resource for Van Eyck fans and scholars alike.

A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 1390–1441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eyck’s pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not “from life” but “into life.” Animation, not representation, drove Van Eyck and his contemporaries. Turel’s interpretation reverses the commonly held belief that these artists were inspired by the era’s burgeoning empiricism, proposing instead that their “living pictures” helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works’ key role in shaping, rather than simply mirroring, the early modern world.

In 1842, Jan van Eyck's Arnolfini Portrait (1434) was acquired by the National Gallery in London. It quickly exerted an influence on British artists, none more so than the young painters of the nascent Pre-Raphaelite Brotherhood, who were drawn to van Eyck's luminous palette, attention to detail, and refined manipulation of oil paints. This book presents the Arnolfini Portrait with a selection of Pre-Raphaelite paintings it inspired. The authors explore how Dante Gabriel Rossetti, Sir John Everett Millais, and William Holman Hunt, among others, were influenced by the Arnolfini Portrait, informing their belief in empirical observation and inspiring them to explore how everyday objects could be endowed with symbolic meanings. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: National Gallery, London (10/02/17-04/02/18)

Jan van Eyck's surviving work comprises a series of painstakingly detailed oil paintings of astonishing verisimilitude. In a fascinating recovery of the neglected human dimension that is clearly present in these works, Craig Harbison interrogates the personal histories of the worldly participants of such masterpieces as the Virgin and Child with George van der Paele, the Arnolfini Double Portrait and the Virgin and Child with Nicolas Rolin. With the aid of abundant visual evidence in color and in black and white, Harbison reveals how van Eyck presented his contemporaries with a more subtle and complex view of the value of appearances as a route to understanding the meaning of life. "I found this an enthralling study" The Sunday Telegraph "A fascinating investigation into the nature of the great pioneer's clients ... some fine photo details" Art Review"

" ... offers a chronological account of political engagement in works by early modern Northern European painters Jan van Eyck, Pieter Bruegel the Elder, Peter Paul Rubens, and Frans Snyders."--Page 4 of cover.

Forty works by early Netherlandish masters from van Eyck to Bosch—reproduced in exquisite detail—are the subject of this breathtaking book that leads readers deep into the paintings to reveal each artist’s astonishing technique and brilliant application of color. The longer we gaze at the paintings of the old masters, the more we appreciate the subtlety and artistry of the painters who created them. This beautiful book offers readers an opportunity to learn and study the art of Jan van Eyck, Rogier van der Weyden, Hieronymus Bosch, Pieter Bruegel the Elder, and many other masters of this period and region. It also explores their influence on later artists from the Baroque period. Each of the works is briefly presented along with its historical and contextual background and importance. Then in a series of full-page illustrations, specific details are enlarged to guide the reader carefully and thoughtfully through the piece’s nuances and often overlooked features. The result is the next best thing to a private viewing at a museum—a truly sensuous and emotional experience that will engage both the novice and the expert. Till-Holger Borchert’s texts are informative and engaging as he shares his singular passion for these great works in a magnificent book that will inspire viewers to form their own opinions and exercise their own powers of observation within the context of this important period in art history.