Buildings should not only be functional but aesthetically pleasing. This requires the use of decorative materials both on the exterior and inside a building. Building decorative materials reviews the range of materials available and their potential applications.The book begins by considering the main types of decorative material and the physical, mechanical and other properties they require. It then discusses types and potential uses of decorative stone materials such as marble, granite, slate or gypsum. It then goes on to discuss the ways cement and concrete can be used for decorative effect, before considering the role of ceramics in such areas as tiling. The following chapters review decorative glass for windows or facades, metals and wood before assessing polymer materials such as plastics and textiles. The final group of chapters discuss coatings, including waterproofing materials, multi-functional materials used for such purposes as soundproofing and thermal insulation, and the use of more sustainable decorative materials.Building decorative materials is a useful reference for architects, civil engineers and those studying civil or structural engineering. - Reviews the full range of materials available for both the exterior and interior of buildings and their potential applications beyond conventional uses - Considers the main types of decorative material and the physical, mechanical and other properties they require as the role of sustainable materials - Discusses types and potential uses of decorative stone materials such as marble, granite, slate or gypsum and explores how cement and concrete can be used for decorative effect

This book explores the manner in which architectural settings and action contexts influenced the perception of decoration in the Roman world. Crucial to the relationship between ancient viewers and media was the concept of decor, a term employed by Vitruvius and other Roman authors to describe the appropriateness of particular decorative elements to the environment in which they were located. The papers in this volume examine a diverse range of decorated spaces, from press rooms to synagogues, through the lens of decor. In doing so, they shed new light on the decorative principles employed across Roman Italy and beyond.

Interior designer and decorative arts historian Thomas Jayne takes on the redoubtable Edith Wharton and her co-author Ogden Codman, whose 1897 book The Decoration of Houses is acknowledged as the Bible of American interior design. Wharton and Codman advocated for classical simplicity and balance, replacing the excesses of the Gilded Age. In Jayne’s view, “The Decoration of Houses is the level-headed, indispensable book on the subject. It is not an overstatement to say that it is the most important decorating book ever written.” How much of Wharton and Codman’s advice and how many of their principles are still applicable today? In Classical Principles for Modern Design, Jayne argues that Wharton and Codman’s fundamental ideas about the proportion and planning of space create the most harmonious and livable interiors, whether traditional or contemporary. His authoritative and engaging text traces contemporary ideas about design elements and furnishing rooms back to Wharton and Codman and shows where his design approach coincides and where it diverges from their views. The book follows the chapter organization of The Decoration of Houses—chapters on walls, doors, windows and curtains, ceilings and floors, etc.—and adds important new perspectives on the design of kitchens and the use of color, both major subjects that Wharton and Codman did not address. Drawing on his own work at Jayne Design Studio, Jayne has selected elegant, traditional interiors that demonstrate these principles. Projects range from a restoration of historic eighteenth-century public rooms in Crichel House in Dorset, England, to a mountain retreat in the wilds of Montana to an array of luxurious New York City apartments and country houses in the Hudson Valley. Captured in lush photographs by Don Freeman and others, all speak to Thomas Jayne’s commitment to the primacy of function, quality, and simplicity, derived from the ancient tradition of classical design. As he says, “Tradition is not about what was. Tradition is now.”

A mesmerizing debut about a young girl whose steadfast belief and imagination bring everything she once held dear into treacherous balance In Grace McCleen's harrowing, powerful debut, she introduces an unforgettable heroine in ten-year-old Judith McPherson, a young believer who sees the world with the clear Eyes of Faith. Persecuted at school for her beliefs and struggling with her distant, devout father at home, young Judith finds solace and connection in a model in miniature of the Promised Land that she has constructed in her room from collected discarded scraps--the Land of Decoration. Where others might see rubbish, Judith sees possibility and divinity in even the strangest traces left behind. As ominous forces disrupt the peace in her and Father's modest lives--a strike threatens her father's factory job, and the taunting at school slips into dangerous territory--Judith makes a miracle in the Land of Decoration that solidifies her blossoming convictions. She is God's chosen instrument. But the heady consequences of her newfound power are difficult to control and may threaten the very foundations of her world. With its intensely taut storytelling and crystalline prose, The Land of Decoration is a gripping, psychologically complex story of good and evil, belonging and isolation, which casts new and startling light on how far we'll go to protect the things we love most.

Are you "High Style" or "Boho," or maybe "Happy Modern" or "Trad with a Twist"? The legendary fabrics and wallpapers house of Schumacher shows how you can use their iconic prints and patterns to create a variety of beautiful, chic interiors in the style that most suits you. ***This book is being published with three uniquely patterned covers. Customers will be shipped any of these three different covers at random*** With a focus on Schumacher's greatest contemporary patterns--everything from classic stripes and exuberant florals to edgy animal prints--this accessible and highly useful style guide is organized thematically by chapters such as "Sensual & Spare"; "Preppy"; "Ladylike"; "Exuberant"; and "Opulent," with each featuring a stunning selection of patterns along with inspiring interiors designed in the same spirit. To help readers better understand their style preferences, every chapter begins with a questionnaire, for example: "Are You an Acolyte of High Style?" "Do You Prefer a Midnight Supper to a Power Lunch?"; "Consider Jewel Tones Neutral?"; "Think Champagne Is Not Just for Special Occasions?" Page after page after page of lavish imagery and pattern details are juxtaposed alongside beautiful interiors designed by such luminaries as Miles Redd, Tom Scheerer, Amanda Lindroth, Celerie Kemble, Veere Grenney, and Mark D. Sikes, to name a few, illustrating how Schumacher's iconic patterns can be integrated into a wide range of chic and stylish room designs. The texts provide insights and tips on how patterns can be used in your decor, along with guidance for deciding what style is best for you and your home. Full of inspiring design ideas, as well as an unparalleled resource of prints and patterns, S Is for Style is a visual feast of interior design for all styles and tastes.