No major figure of the English Augustan period has generated stronger and more contradictory views than Jonathan Swift. Scourge of the Whig ascendancy in his own day, vilified by the Victorians, celebrated by Yeats, he has in recent years become a significant bone of contention for prominent figures on the left like E.P. Thompson and Perry Anderson. In this highly original and subtle new study, Warren Montag situates Swift in relation to the ideological and political currents of the late seventeenth and early eighteenth centuries—in particular to what Montag perspicaciously identifies as the long crisis of the British state. Swift’s perspective, he argues, was determined less by his personality or psychology than by his position as an Anglican cleric. The church, an instrument of the Tudor and Stuart absolutist state, lapsed into institutional and ideological crisis after the Stuart’s fall. In Montag’s view, Swift’s writings were a defense of this increasingly indefensible institution. Swift employed satire because only in the negative representations of this literary form could the now effectively ‘unthinkable’ doctrines of the Church be made to appear. Opening with a historical survey of the crisis of English absolutism and the Anglican Church, Montag then gives a definitive account of the specific conflicts in philosophy against which Swift’s Anglican orthodoxy was aligned. Detailed examinations of Swift’s two prose masterpieces, A Tale of a Tub and Gulliver’s Travels, follow. Historically and philosophically informed, The Unthinkable Swift contributes not only to our understanding of a seminal figure in English literary history but also to the study of historical ideologies, in particular the once dominant religious tradition at the dawn of the first modern capitalist state.

The revival of 1904-05 had a profound effect not only on Wales, but also on many other nations. This volume of academic papers from the centenary conference in 2004 explores the local and International Impact of the revival as well as previous eighteenth- and nineteenth-century Welsh revivals. Contributors include David Bebbington and Mark A. Noll.

Building upon recent research on the history of women, this book examines Swift, both as a man and writer, in terms of women: woman as intimates, acquaintances, subjects of satire, and those who have written about him. It also explores the subject of misogyny in Swift's writings.

This collection of critical thinking situates the satire of Jonathan Swift within both its eighteenth-century contexts and our modern anxieties about personal identity and communication. Augustan satire at its most provocative is not simply concerned with the public matters of politics or religion, but also offers a precise medium in which to express the paradox of ironic detachment amidst deep conviction. The critics chosen for this volume demonstrate the complexity of Swift's work. Its four sections explore matters of authorial identity, the relation between Swift's writing and its historical context, the full range of his comments on gender, and his deployment of metaphor and irony to engage the reader. Swift has often been regarded as a writer who anticipated many twentieth-century cultural preoccupations, and this volume provides an opportunity to test just how modern he actually was. It also provides an answer to those who would wish to simplify his writing as that of Tory and misogynist. The theoretical perspectives of the contributors are lucidly explained and their critical terms located in the wider contexts of contemporary theory in the introduction and headnotes. The volume places Swift historically within the philosophical and religious traditions of eighteenth-century thought.

The Cambridge Companion to Jonathan Swift is a specially commissioned collection of essays. Arranged thematically across a range of topics, this 2003 volume will deepen and extend the enjoyment and understanding of Jonathan Swift for students and scholars. The thirteen essays explore crucial dimensions of Swift's life and works. As well as ensuring a broad coverage of Swift's writing - including early and later works as well as the better known and the lesser known - the Companion also offers a way into current critical and theoretical issues surrounding the author. Special emphasis is placed on Swift's vexed relationship with the land of his birth, Ireland; and on his place as a political writer in a highly politicised age. The Companion offers a lucid introduction to these and other issues, and raises questions about Swift and his world. The volume features a detailed chronology and a guide to further reading.

This book traces Swift's fluctuating reception in Ireland through the centuries, finding in Swift's ambivalence about his homeland - which he could not love even as he defended its cause - echoes and anticipations of the ambiguities that have marked the development of Irish identity at large. Mahony looks at Swift's posthumous reputation in literary culture and examines his unusual place in Irish political rhetoric. He shows that Swift's patriotic reputation suffered in the later eighteenth century through its seeming irrelevance to shifting political circumstances.

Jonathan Swift remains the most important and influential satirist in the English language. The author of Gulliver's Travels, A Modest Proposal, and A Tale of a Tub, in addition to vast numbers of political pamphlets, satirical verses, sermons, and other kinds of text, Swift is one of the most versatile writers in the literary canon. His writings were always closely intertwined with the English and Irish worlds in which he lived. The forty-four essays collected in Jonathan Swift in Context advance the latest research on Swift in a way that will engage undergraduate students while also remaining useful for scholars. Reflecting the best of current and ongoing scholarship, the contextual approach advanced by this volume will help to make Swift's works even more powerful and resonant to modern audiences.