Ashli and the remaining survivors try to escape the asylum before insanity envelops them all. But there are stronger forces that won't let them leave - forces that will reveal age-old secrets about the Prince of Fools and Ashli's role in the growing madness.

Sometimes it's the family you can't choose who are the ones to save you. As I watched the rich Washington landscape of mountains and thick green forests, I didn't know what to expect. Granted, I was watching it from the back of a squad car, so it's not like I had a choice in the matter. High school is hard enough--dealing with hormones, grades, the pressure of college, social media, prom, sex ed... the list can go on forever. I wished for that kind of normalcy. Instead, I was being shipped way up to the middle of nowhere woods of Washington state--a serene community of cozy cabins, the smell of burning firewood... and enough troubled, drug-addicted, almost-criminal teens to make me wonder if this was a better option than juvie. Little did I know that these drug-addled, societal misfits were exactly what I needed to become myself again. Unsound follows a tight-knit group of troubled teenagers living at a boarding school for at-risk youths up in a remote forest in Washington State. These kids have had childhood ripped away from them but they're on the journey to take their lives back. 340 page standalone but with a sequel in the works.

Tracing the the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead. For as long as recording and communications technologies have existed, operators have evoked the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead. In Unsound:Undead, contributors from a variety of disciplines chart these undead zones, mapping out a nonlinear timeline populated by sonic events stretching from the 8th century BC (the song of the Sirens), to 2013 (acoustic levitation), with a speculative extension into 2057 (the emergence of holographic and holosonic phenomena). For the past seven years the AUDINT group has been researching peripheral sonic perception (unsound) and the ways in which frequencies are utilized to modulate our understanding of presence/non-presence, entertainment/torture, and ultimately life/death. Concurrently, themes of hauntology have inflected the musical zeitgeist, resonating with the notion of a general cultural malaise and a reinvestment in traces of lost futures inhabiting the present. This undead culture has already spawned a Lazarus economy in which Tupac, ODB, and Eazy-E are digitally revivified as laser-lit holograms. The obscure otherworldly dimensions of sound have also been explored in the sonic fictions produced by the likes of Drexciya, Sun Ra, and Underground Resistance, where hauntology is virtually extended: the future appears in the cracks of the present. The contributions to this volume reveal how the sonic nurtures new dimensions in which the real and the imagined (fictional, hyperstitional, speculative) bleed into one another, where actual sonic events collide with spatiotemporal anomalies and time-travelling entities, and where the unsound serves to summon the undead. Contributors Lawrence Abu Hamdan, Lendl Barcelos, Charlie Blake, Lisa Blanning, Brooker Buckingham, Al Cameron, Erik Davis, Kodwo Eshun, Matthew Fuller, Kristen Gallerneaux, Lee Gamble, Agnès Gayraud, Steve Goodman, Anna Greenspan, Olga Gurionova, S. Ayesha Hameed, Tim Hecker, Julian Henriques, Toby Heys, Eleni Ikoniadou, Amy Ireland, Nicola Masciandaro, Ramona Naddaff, Anthony Nine, The Occulture, Luciana Parisi, Alina Popa, Paul Purgas, Georgina Rochefort, Steven Shaviro, Jonathan Sterne, Jenna Sutela, Eugene Thacker, Dave Tompkins, Shelley Trower, and Souzana Zamfe.