There is no American writer alive who is funnier, more inquisitive, or more surprising than Julie Hecht. The Unprofessionals, her first novel, whose narrator also told the stories in the author's bestselling collection Do the Windows Open?, is a triumph of tragicomedy. The book follows the odd friendship between the narrator -- a photographer in her late forties -- and a precocious raconteur, identified only as The Boy, whom she has known since his childhood. As the narrator and the young man regale each other with tales of the way Americans live now, she is also telling the story of his path to heroin addiction and his many attempts to recover. The Unprofessionals is a masterpiece of comic despair, illuminating our bewildering century, and a hilarious and sad story of two outsiders who see the world with painful clarity -- and as a whole, a novel of unexampled originality.

"A dispatch from the front lines of literature." —The Atlantic The Unprofessionals is an energetic collection celebrating the bold writers at the forefront of today’s literary world—featuring stories, essays, and poems from “America’s greatest literary journal” (Time) For more than half a century, the Paris Review has launched some of the most exciting new literary voices, from Philip Roth to David Foster Wallace. But rather than trading on nostalgia, the storied journal continues to search outside the mainstream for the most exciting emerging writers. Harmonizing a timeless literary feel with impeccable modern taste, its pages are vivid proof that the best of today’s writing more than upholds the lofty standards that built the magazine’s reputation. The Unprofessionals collects pieces from the new iteration of the Paris Review by contemporary writers who treat their art not as a profession, but as a calling. Some, like Zadie Smith, Ben Lerner, and John Jeremiah Sullivan, are already major literary presences, while others, like Emma Cline, Benjamin Nugent, and Ottessa Moshfegh, will soon be household names. A master class in contemporary writing across genres, this collection introduces the must-know voices in the modern literary scene.

Inspired by Exploring the Language of Poems, Plays and Prose, Mick Short's classic introduction to stylistics, Language and Style represents the state-of-the-art in literary stylistics and encompasses the full breadth of current research in the discipline. Written by leading scholars in the field, chapters cover a variety of methodological and analytical approaches, from traditional qualitative analysis to more recent developments in cognitive and corpus stylistics. Addressing the three, key literary genres of poetry, drama and narrative, Language and Style is divided into carefully balanced sections. Based on original research, each chapter demonstrates a particular analytic technique and explains how this might be applied to a text from one of the literary genres. Framed by helpful introductory material covering the foundational principles of stylistics, the chapters act as practical exemplars of how to carry out stylistic analysis. Comprehensive and engaging, this invaluable resource is essential reading for anyone interested in stylistics.

Tampa Bay Magazine is the area's lifestyle magazine. For over 25 years it has been featuring the places, people and pleasures of Tampa Bay Florida, that includes Tampa, Clearwater and St. Petersburg. You won't know Tampa Bay until you read Tampa Bay Magazine.

This book introduces a new way of looking at how poems mean, drawing on the framework first developed in the author’s book Critical Stylistics, but applied here to aesthetic more than ideological meaning. The aim is to empower readers of poetry to articulate the features of poetic language that they come across and explain to themselves and others why these features convey the meanings that they do. While this volume focuses on contemporary poets writing in English and mostly based in the UK and Ireland, the framework will work just as well for other eras’ poetry, as well as for other cultures and languages.

Mem is a wailer, a professional mourner hired to cry at funerals. One of the few remaining American girls in this secret, illegal profession, Mem hails from a long line of mourners, including her mother, a legendary master wailer hired for the most important funerals in her hometown of Philadelphia. Though Mem is eventually to become a renowned wailer herself, she at first struggles with her calling. She is a girl who cannot make herself cry, and though her mother loves her fiercely, she must use ancient, emotionally abusive, cultlike rituals to train Mem to weep. When Mem emerges as the greatest wailer that the profession has ever seen, her infamy brings with it unwanted attention, especially from the authorities. Interweaving poetic prose and artifacts spanning six thousand years and seven continents, Open Me is an utterly original novel about mothers and daughters, dark underworlds, and the play between fact and fiction.

The concepts of status and professionalism are key issues in teaching and teacher education across the United Kingdom and internationally. While there is increasing recognition that high quality teachers are crucial, this coexists with a persistent culture of blaming and shaming them. Student teachers will live out their careers within this maelstrom so need to be encouraged to consider the place of their profession both locally and globally, and teacher educators can support them to make a realistic yet ambitious analysis. This book answers a fundamental need for teachers to position themselves in their professional world. It uses an innovative Place Model to explore the professional learning of teachers, examining place in terms of both hierarchical status and as a cumulative journey of professional learning within ever expanding horizons. It looks at the nature of professionalism, why teacher status is important, where trainees might fit within the model and what infrastructure needs to be in place to support teachers’ career long professional learning.