"The Secrets of Stage Conjuring" is one of the rarest of Robert-Houdin's books on magic. It is the sequel to "Secrets of Conjuring and Magic" (1868).

HARRY HOUDINI, "the World's Handcuff King and amazing Prison Breaker," a title universally and unanimously bestowed upon him, has had a career as adventurous and romantic as the most imaginative writer could possibly conjure. Indeed, this wonderful genius, with a science concerning bolts, bars, locks, and chains that will yet revolutionize the world's methods of safeguarding itself against "the men that prowl in the night," confirms the truth of the ancient adage that "truth is stranger than fiction." Just remember for a moment that he is the man to whom the shrewdest police, the sharpest detectives, and the most watchful jail wardens look with awe and anxiety. And they are eminently right in this attitude of disquiet, because they know that buried in the brain of Houdini lies the secret of an unknown power he alone possesses that makes their prisons as powerless as Japanese screens, and renders their multiple-locking handcuffs, leg irons, and all the other prison paraphernalia, no more binding than store twine. Suppose the innate and inherent integrity of character that Houdini possesses, in common with most men brought up within the circle of a mother's sweet influence, were to be swept aside by the desire for riches not his own. There are many men of many millions to-day whose money is not their own. Suppose he should be captured by a band of desperate men determined to wrest from Houdini this secret worth millions. Suppose a great hypnotist were to obtain dominance over this mystery-enveloped genius and use his baneful powers for evil designs. What then? A slight knowledge of the marvels Houdini has accomplished mixed with a little imagination would create as many more suppositions of this kind as this book could contain. But, to be brief, admitting the possibility of the happening of any of these suppositious instances, and you will gain a clear idea of the extraordinary character and quality of Houdini's powers. It is often the best way to see the full scope of a cause by carefully ascertaining its effect. This analytical method is equally applicable to Houdini, and recognizing the harm he would receive were his secrets confided to unworthy hands, you gain an adequately impressive idea of the enormity of responsibility that rests upon him.

This 1877 translation of Robert-Houdin's 1868 conjuring manual reveals the techniques used in popular stage performances during the Victorian period.

Modern Magic by Professor Hoffmann was one of the first books published in English on the art of conjuring during the Victorian era. Hoffmann was considered to be one of the greatest authorities on the theory and practice of magic at that time. This hardcover edition is a facsimile of the 1876 edition and whist some parts of the text are faded, it perfectly readable and makes a beautiful addition to any magician or historian's library.