Sanjay de Silva lives in Colombo, under the thumb of a controlling Sri Lankan father, having lost his English mother at an early age. When his father is diagnosed with cancer, he feels the ground shifting under his feet, the balance of power realigning. Though it is something he has dreamed of all his life, he is uneasy when it happens. Learning that he is entitled to live in England-thanks to his half-English parentage-he arrives in south London. It is 1980, the start of the glorious blue-rinsed Thatcher years, when every girl looks like Princess Diana but not every boy looks like Prince Charles. He meets and falls in love with a fellow Sri Lankan, Janine, who is old enough to be his mother and famous within the acid-tongued Sri Lankan community as 'a hooker of the very highest class, with royal connections'. Sanjay manages to buy an old wreck of a house in Brixton and succeeds, against all odds, in converting it into two flats. But all is not well with that house. At night there are voices . . . This is the story of south London's first Asian builder who in eight years developed and sold eighty-four flats, cashing in his winnings just before the crash of 1988. But at its heart it is about grief: how each of us copes in our inimitable way with the hidden mysteries of family and the loss of loved ones. Because, as Sanjay is about to find out, grief is only the transmutation of love, of the very same chemical composition-liquid, undistilled-the one inevitably turning to the other like ice to water.

“This inventive retelling of Pride and Prejudice charms.”—People “A fun, page-turning romp and a thought-provoking look at the class-obsessed strata of Pakistani society.”—NPR Alys Binat has sworn never to marry—until an encounter with one Mr. Darsee at a wedding makes her reconsider. A scandal and vicious rumor concerning the Binat family have destroyed their fortune and prospects for desirable marriages, but Alys, the second and most practical of the five Binat daughters, has found happiness teaching English literature to schoolgirls. Knowing that many of her students won’t make it to graduation before dropping out to marry and have children, Alys teaches them about Jane Austen and her other literary heroes and hopes to inspire the girls to dream of more. When an invitation arrives to the biggest wedding their small town has seen in years, Mrs. Binat, certain that their luck is about to change, excitedly sets to work preparing her daughters to fish for rich, eligible bachelors. On the first night of the festivities, Alys’s lovely older sister, Jena, catches the eye of Fahad “Bungles” Bingla, the wildly successful—and single—entrepreneur. But Bungles’s friend Valentine Darsee is clearly unimpressed by the Binat family. Alys accidentally overhears his unflattering assessment of her and quickly dismisses him and his snobbish ways. As the days of lavish wedding parties unfold, the Binats wait breathlessly to see if Jena will land a proposal—and Alys begins to realize that Darsee’s brusque manner may be hiding a very different man from the one she saw at first glance. Told with wry wit and colorful prose, Unmarriageable is a charming update on Jane Austen’s beloved novel and an exhilarating exploration of love, marriage, class, and sisterhood. Praise for Unmarriageable “Delightful . . . Unmarriageable introduces readers to a rich Muslim culture. . . . [Kamal] observes family dramas with a satiric eye and treats readers to sparkling descriptions of a days-long wedding ceremony, with its high-fashion pageantry and higher social stakes.”—Star Tribune “Thoroughly charming.”—New York Post “[A] funny, sometimes romantic, often thought-provoking glimpse into Pakistani culture, one which adroitly illustrates the double standards women face when navigating sex, love, and marriage. This is a must-read for devout Austenites.”—Publishers Weekly (starred review)

In this extraordinary debut, Ashok Ferry chronicles, in a gently probing voice, the journeys of characters seeking something beyond the barriers of nations and generations. His tales of social-climbing Sri Lankans, of the pathos of immigration, of rich people with poor taste, of ice-cream karma, of innocent love, eternity, and more take us to Colombo’s nouveau riche, hoity-toity returnees, ladies with buttery skin and square fingernails, old-fashioned aristocrats, and the poor mortals trapped between them. Ferry’s stories comprise characters that are ‘serious and fine and upstanding, and infinitely dull’, but also others like young John-John, who loses his childhood somewhere ‘high up in the air between Asmara and Rome’; the maid, Agnes of God, whose mango-sucking teeth ‘fly out at you like bats out of the mouth of a cave’; Ashoka, the immigrant who embodies his Sri Lankan identity only on the bus ride between home and work; and Professor Jayaweera who finds sterile freedoms caged in the ‘unbending, straight lines of Western Justice’. Absurd, sad, scathing and generous, but mostly wickedly funny, Colpetty People presents modern Sri Lankans as they navigate worlds between Ceylon and the West.

‘I was born ugly. That’s what my mother always said.’ So begins the story of young Sonny Mahadewala who lives a dual life: between his adoptive England where he lives in eccentric union with a privileged American, and the mixed bliss of the Mahadewala Walauwa, the big house on the mountain belonging to his father’s family in Kandy— the ancient capital of Sri Lanka—where he has both cachet and awful memories. For Sonny’s mother, a wonderfully maleficent anti-heroine, is convinced that demons possess this awfully ugly son of hers. Demons and the devil himself are the playing field of this book, whether seated in the draughty chapels of Oxford or roaming the Kandyan countryside and, through their clever interplay, they speak of larger horrors with able grace. Who is utterly good or utterly evil—and who, indeed, is the devil?

By the New York Times bestselling author of The Bone Clocks and Cloud Atlas | Longlisted for the Man Booker Prize In 2007, Time magazine named him one of the most influential novelists in the world. He has twice been short-listed for the Man Booker Prize. The New York Times Book Review called him simply “a genius.” Now David Mitchell lends fresh credence to The Guardian’s claim that “each of his books seems entirely different from that which preceded it.” The Thousand Autumns of Jacob de Zoet is a stunning departure for this brilliant, restless, and wildly ambitious author, a giant leap forward by even his own high standards. A bold and epic novel of a rarely visited point in history, it is a work as exquisitely rendered as it is irresistibly readable. The year is 1799, the place Dejima in Nagasaki Harbor, the “high-walled, fan-shaped artificial island” that is the Japanese Empire’s single port and sole window onto the world, designed to keep the West at bay; the farthest outpost of the war-ravaged Dutch East Indies Company; and a de facto prison for the dozen foreigners permitted to live and work there. To this place of devious merchants, deceitful interpreters, costly courtesans, earthquakes, and typhoons comes Jacob de Zoet, a devout and resourceful young clerk who has five years in the East to earn a fortune of sufficient size to win the hand of his wealthy fiancée back in Holland. But Jacob’s original intentions are eclipsed after a chance encounter with Orito Aibagawa, the disfigured daughter of a samurai doctor and midwife to the city’s powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken. The consequences will extend beyond Jacob’s worst imaginings. As one cynical colleague asks, “Who ain’t a gambler in the glorious Orient, with his very life?” A magnificent mix of luminous writing, prodigious research, and heedless imagination, The Thousand Autumns of Jacob de Zoet is the most impressive achievement of its eminent author. Praise for The Thousand Autumns of Jacob de Zoet “A page-turner . . . [David] Mitchell’s masterpiece; and also, I am convinced, a masterpiece of our time.”—Richard Eder, The Boston Globe “An achingly romantic story of forbidden love . . . Mitchell’s incredible prose is on stunning display. . . . A novel of ideas, of longing, of good and evil and those who fall somewhere in between [that] confirms Mitchell as one of the more fascinating and fearless writers alive.”—Dave Eggers, The New York Times Book Review “The novelist who’s been showing us the future of fiction has published a classic, old-fashioned tale . . . an epic of sacrificial love, clashing civilizations and enemies who won’t rest until whole family lines have been snuffed out.”—Ron Charles, The Washington Post “By any standards, The Thousand Autumns of Jacob de Zoet is a formidable marvel.”—James Wood, The New Yorker “A beautiful novel, full of life and authenticity, atmosphere and characters that breathe.”—Maureen Corrigan, NPR

Unmarriageable? Or simply unusual?There can only be one reason for the proud Duke of Alvan's proposed visit to Audley Park. He means to offer for Lord Overton's beautiful daughter, Thomasina, thus saving the family's waning fortune. In the midst of the hectic preparations for his arrival, Overton's least marriageable daughter Charlotte remembers to collect her young brothers from school for the holidays. When fog forces them to spend the night at the Hart Inn, they are astonished to find the house deserted, save for one other enigmatic traveler who deals most capably with armed intruders. Drawn to their unconventional new friend, Charlotte enlists his help to solve the mystery. Amidst the upheaval of the duke's visit, to say nothing of the chaos caused by Charlotte's unmanageable pet terrier, the Hart becomes the focus of nefarious doings, kidnappings and romantic entanglements. For Charlotte is unwise enough to fall hopelessly in love with her sister's intended husband, and the duke hides too many secrets of his own.

From the critically acclaimed author of Natalie Tan’s Book of Luck and Fortune comes a new delightful novel about exploring all the magical possibilities of life in the most extraordinary city of all: Paris. Vanessa Yu never wanted to see people's fortunes—or misfortunes—in tealeaves. Ever since she can remember, Vanessa has been able to see people's fortunes at the bottom of their teacups. To avoid blurting out their fortunes, she converts to coffee, but somehow fortunes escape and find a way to complicate her life and the ones of those around her. To add to this plight, her romance life is so nonexistent that her parents enlist the services of a matchmaking expert from Shanghai. After her matchmaking appointment, Vanessa sees death for the first time. She decides that she can't truly live until she can find a way to get rid of her uncanny abilities. When her eccentric Aunt Evelyn shows up with a tempting offer to whisk her away, Vanessa says au revoir to California and bonjour to Paris. There, Vanessa learns more about herself and the root of her gifts and realizes one thing to be true: knowing one's destiny isn't a curse, but being unable to change it is.